Akil hatem (62 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

PF. Condizione: New.

Condizione: New. In English.

Condizione: New. 2019. Paperback. . . . . .

Condizione: New.

Condizione: New. pp. 252.

Paperback. Condizione: Brand New. 402 pages. 9.18x6.12x9.21 inches. In Stock.

Paperback. Condizione: Brand New. 250 pages. 8.26x5.82x0.59 inches. In Stock.

Condizione: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. In English.

Condizione: New. Num Pages: 232 pages, 3 black & white illustrations, 12 colour illustrations, 32 colour tables, biography. BIC Classification: HRH; JFC; JFD; JFSR2. Category: (G) General (US: Trade). Dimension: 210 x 148. Weight in Grams: 457. . 2016. Hardback. . . . .

Hardback. Condizione: New. 1st ed. 2016. This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain "will-to-visibility" whereby Muslims/ Arabs wish just to be "seen" and to be marked as fellow human beings.  The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification. The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence - as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.…

Condizione: New. pp. 240.

Condizione: New.

Taschenbuch. Condizione: Neu. The Visual Divide between Islam and the West | Image Perception within Cross-Cultural Contexts | Hatem N. Akil | Taschenbuch | xviii | Englisch | 2019 | Palgrave Macmillan | EAN 9781349928422 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Condizione: New. Num Pages: 232 pages, 3 black & white illustrations, 12 colour illustrations, 32 colour tables, biography. BIC Classification: HRH; JFC; JFD; JFSR2. Category: (G) General (US: Trade). Dimension: 210 x 148. Weight in Grams: 457. . 2016. Hardback. . . . . Books ship from the US and Ireland.…

Hardcover. Condizione: Brand New. 8.50x6.00x1.00 inches. In Stock.

Hardback. Condizione: New. 1st ed. 2016. This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain "will-to-visibility" whereby Muslims/ Arabs wish just to be "seen" and to be marked as fellow human beings.  The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification. The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence - as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.…

Condizione: New.

Hardcover. Condizione: new. Hardcover. Global Modernity from Coloniality to Pandemic explores issues related to the global crises of our time: reason, science, and the environment by revisiting the notions of modernity, modernism, and modernization, which can no longer be considered purely Western or strictly secular. The book poses questions about viewing modernity today from the vantage point of traditionally disparate disciplines engaging scholars from sociology to science, philosophy to robotics, medicine to visual culture, mathematics to cultural theory, biology to environmental studies. Leading sociologist Alain Touraine contributes a new text in which he reflects on the role of women, refugees and migrants, and the future of democracy. In their conclusion, the editors posit a fundamental ethical distinction between modernization and modernity and call for a new understanding of modernity that is globally distributed, informed by the voices of many, and concerned with crises that threaten all of us at the level of the species a modernity-to-come. This text explores issues related to the global crises of our time: reason, science, and the environment by revisiting the notions of modernity, modernism, and modernization, which can no longer be considered purely Western or strictly secular. Featuring a new contribution by Alain Touraine, imminent sociologist and leading authority on modernity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…