Alain quemin (54 risultati)

Condizione: New.

Couverture souple. Condizione: Satisfaisant. Cnrs collection , 2013. 1 volume broché(s) format In-8 assez bon réparation au dernier plat sinon bon état.

Condizione: New.

paperback. Condizione: Acceptable. Rip to the cover (or dustjacket if hardback), or significant tearing to pages. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. This book presents the first detailed study of the place of contemporary art galleries and gallerists, especially within the art markets of Europe and the United States. Based on the author's field research carried out for over a decade, and combining ethnographic material with quantitative data, the book reveals the major role galleries play in the creation of art value.Despite being pillars of the art market, there has been very little in-depth research on galleries, especially when compared with the analysis of artists, critics, and dealers. Written by a sociologist who has spent a decade as an art critic, the book builds on work conducted by art historian and sociologist Raymonde Moulin from the 1960s to the 1990s. Drawing on ethnographic observations and interviews with those working in the field today, it provides a thorough and up-to-date analysis of what contemporary art galleries really are: the spaces they occupy both physically and online; their position within gallery 'districts'; their relation to art fairs and biennials; and how friendship with clients is built and trends within the business, in turn illuminating the hierarchized structure of the sector. The book concludes by addressing a significant gap in data on the art market by providing a sociological ranking of international contemporary art galleries.Offering a detailed analysis to a topic that has never been fully studied, The Social World of Galleries is essential reading for scholars and students of art sociology, art history and art business, as well as gallerists, collectors or art lovers, and artists themselves.…

Paperback or Softback. Condizione: New. The Social World of Galleries: Contemporary Art, the Market and Internationalization. Book.

Condizione: Neuf.

Condizione: New.

Condizione: Neuf.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Catalogue of a touring exhibition, includes interview with the artist. Text in French and English. 127 p., col. ill. ; 29 cm. Red cloth boards, unclipped dust jacket. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. …

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. 472 pages. 9.22x6.14x1.12 inches. In Stock.

Condizione: Neuf.

Condizione: new.

Paperback. Condizione: New. This book presents the first detailed study of the place of contemporary art galleries and gallerists, especially within the art markets of Europe and the United States. Based on the author's field research carried out for over a decade, and combining ethnographic material with quantitative data, the book reveals the major role galleries play in the creation of art value.Despite being pillars of the art market, there has been very little in-depth research on galleries, especially when compared with the analysis of artists, critics, and dealers. Written by a sociologist who has spent a decade as an art critic, the book builds on work conducted by art historian and sociologist Raymonde Moulin from the 1960s to the 1990s. Drawing on ethnographic observations and interviews with those working in the field today, it provides a thorough and up-to-date analysis of what contemporary art galleries really are: the spaces they occupy both physically and online; their position within gallery 'districts'; their relation to art fairs and biennials; and how friendship with clients is built and trends within the business, in turn illuminating the hierarchized structure of the sector. The book concludes by addressing a significant gap in data on the art market by providing a sociological ranking of international contemporary art galleries.Offering a detailed analysis to a topic that has never been fully studied, The Social World of Galleries is essential reading for scholars and students of art sociology, art history and art business, as well as gallerists, collectors or art lovers, and artists themselves.…

Condizione: New.

Condizione: New. 2024. hardcover. . . . . .

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardcover. Condizione: new. Hardcover. This book presents the first detailed study of the place of contemporary art galleries and gallerists, especially within the art markets of Europe and the United States. Based on the authors field research carried out for over a decade, and combining ethnographic material with quantitative data, the book reveals the major role galleries play in the creation of art value.Despite being pillars of the art market, there has been very little in-depth research on galleries, especially when compared with the analysis of artists, critics, and dealers. Written by a sociologist who has spent a decade as an art critic, the book builds on work conducted by art historian and sociologist Raymonde Moulin from the 1960s to the 1990s. Drawing on ethnographic observations and interviews with those working in the field today, it provides a thorough and up-to-date analysis of what contemporary art galleries really are: the spaces they occupy both physically and online; their position within gallery districts; their relation to art fairs and biennials; and how friendship with clients is built and trends within the business, in turn illuminating the hierarchized structure of the sector. The book concludes by addressing a significant gap in data on the art market by providing a sociological ranking of international contemporary art galleries.Offering a detailed analysis to a topic that has never been fully studied, The Social World of Galleries is essential reading for scholars and students of art sociology, art history and art business, as well as gallerists, collectors or art lovers, and artists themselves. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condizione: New. This book presents the first detailed study of the place of contemporary art galleries and gallerists, especially within the art markets of Europe and the United States. Based on the author's field research carried out for over a decade, and combining ethnographic material with quantitative data, the book reveals the major role galleries play in the creation of art value.Despite being pillars of the art market, there has been very little in-depth research on galleries, especially when compared with the analysis of artists, critics, and dealers. Written by a sociologist who has spent a decade as an art critic, the book builds on work conducted by art historian and sociologist Raymonde Moulin from the 1960s to the 1990s. Drawing on ethnographic observations and interviews with those working in the field today, it provides a thorough and up-to-date analysis of what contemporary art galleries really are: the spaces they occupy both physically and online; their position within gallery 'districts'; their relation to art fairs and biennials; and how friendship with clients is built and trends within the business, in turn illuminating the hierarchized structure of the sector. The book concludes by addressing a significant gap in data on the art market by providing a sociological ranking of international contemporary art galleries.Offering a detailed analysis to a topic that has never been fully studied, The Social World of Galleries is essential reading for scholars and students of art sociology, art history and art business, as well as gallerists, collectors or art lovers, and artists themselves.…

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New.