Alamun toma (27 risultati)

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: Brand New. 274 pages. 9.00x6.00x1.00 inches. In Stock.

Condizione: New.

paperback. Condizione: New. Special order direct from the distributor.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 274 pages. 9.00x6.00x1.00 inches. In Stock.

paperback. Condizione: Very Good. Clean, unmarked, tightly bound. Light wear. A gift inscription inside. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

Condizione: New. Idioma/Language: . Una obra donde reflexiones familiares, amorosas y sobre la amistad se entremezclan con notas de viaje por México o los Estados Unidos. Balada para Metka Kraovec ha sido unánimente reconocido como uno de los libros esenciales de la poesía europea de las últimas décadas. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condizione: New. Special order item direct from the distributor.

Condizione: as new. Wie neu/Like new.

Gebunden. Condizione: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Tomaz Salamun ist eine Legende. Ein Dichter, der nicht nur die slowenische Lyrik revolutioniert hat, sondern auch international höchstes Ansehen genoss. In den USA wird er bis heute als einer der bekanntesten europäischen Dichter seiner Generation verehrt.Zu Beginn seiner Karriere gab er das Literaturmagazin Perspektive heraus und wurde wegen eines vermeintlich regimekritischen Gedichts für einige Tage verhaftet. Er studierte Kunstgeschichte an der Universität von Ljubljana, arbeitete als Broker an der Börse, später auch als Kulturattaché in New York. Seit den 1960er Jahren bis zu seinem Tod im Jahr 2014 veröffentlichte er mehr als fünfzig Gedichtbände, seine Werke wurden in mehr als zwanzig Sprachen übersetzt.Als »Steine aus dem Himmel« bezeichnete Tomaz Salamun seine Gedichte und die Weise, wie sie ihm zufielen. Der Band versammelt eine repräsentative Auswahl aus Salamuns lyrischem Spätwerk erstmals in deutscher Sprache, brillant übertragen und mit einem Nachwort versehen von Monika Rinck und Matthias Göritz. , Zweisprachige Ausgabe 243 pp. Deutsch.…

First American Edition. Softcover. Octavo (19cm); blue pictorial paper wrappers; [ii],[6],7-106,[2]pp; illus. Eastern European Poets Series #29. A Fine copy. First published as Po Sledeh Divjadi (1979), this collection of verse includes "World Touch Venice", "Clumsy Guys", and "History is a woman, let's be gay!", translated from the Slovenian to English by Kravanja. [87127]. …

Condizione: As New. Unread book in perfect condition.

Rústica. Condizione: New. Condizione sovraccoperta: Nuevo. 01. Una obra donde reflexiones familiares, amorosas y sobre la amistad se entremezclan con notas de viaje por México o los Estados Unidos. Balada para Metka Kra?ovec ha sido unánimente reconocido como uno de los libros esenciales de la poesía europea de las últimas décadas. LIBRO.…

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 208 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

hardcover. Condizione: Sehr gut. 184 Seiten; OVP. in Schutzfolie, Artikel stammt aus Nichtraucherhaushalt! AS6417 Sprache: Deutsch Gewicht in Gramm: 500.

Condizione: gut. 2003. Vier Fragen der Melancholie: Gedichte. Slovenisch/Deutsch In deutscher Sprache. pages.

Belgrade and Ljubljana: Galerija Doma Omladine, ?tudentski kulturni center, and Salon Muzeja savremene umetnosti, 1969-1979. Octavos (between 20 × 19.7 and 22 × 21.7 cm). Original printed wrappers, two of them staple-stitched and one with blind embossing ("OHO"). Glue binding of catalog (b) slightly loosened; else very good. Rare group of three exhibition catalogs by the Yugoslav neo-avant-garde group "OHO". The name is derived from a combination of the Slovenian words for "eye" (oko) and "ear" (uho). The neologism was first used as the title of a self-published book by Marko Poga?nik and Iztok Geister in 1966. In its first two years, the group focused on publishing various printed materials, such as artist books, cards, ephemera, experimental poetry, theoretical texts, etc., under the OHO imprint. The self-published OHO editions were less at risk of censorship. Nevertheless, the cultural and social climate in Yugoslavia at that time was characterized by liberalism, leading to the formation of various avant-garde groups in the 1960s and 1970s. Unlike the other socialist states in Europe, the republic on the Mediterranean did not belong to the Eastern Bloc, but remained neutral during the Cold War. Despite the economic system, there was freedom of travel and a liberal cultural life. Unlike with solo exhibitions, the group was also able to reach a larger audience with its own ideas in a shorter period of time through various publications. In the process, they also coined their own terms, which are often associated with the philosophical reflections of Edmund Husserl and Martin Heidegger. One of these terms is "Reismus," derived from the Latin "res" (thing). In 1968, other forms of artistic work became more important for the group. Performances were organized in urban spaces. The iconic performance "Triglav" (a play on words with the name of Slovenia's highest mountain, which means "three-headed") is well documented photographically. Against the backdrop of the snow-covered Zvezda Park in Ljubljana, Milenko Matanovi?, David Nez, and Drago Dellabernardina stuck their heads through a black cloth and became a three-headed mountain. When the group became concentrated around the four artists Poga?nik, Nez, Matanovi?, and Andra? ?alamun in 1969, the focus shifted even more toward public space and landscape. Matanovi?, for example, tied a series of sticks together and hung them under a window in order to make the otherwise invisible air currents visible. The group's interest increasingly turned to the different relationships that things ("res") have with each other and the forces that act between them. Poga?nik, for example, produced a series of works intended to show the relationships between the four elements (earth, air, fire, water) in static and dynamic modes. David Nez, who hails from the USA, placed mirrors in the landscape on which fragments of what lay outside the section he photographed could be seen. Another project that made the invisible visible was a map that not only documented the locations of the ephemeral actions and installations that OHO produced in the Zarica Valley in May 1970, but also related them to a Neolithic settlement and a medieval church, for example. After only a few years, the artist group disbanded in 1971 to reunite as a rural commune. "OHO's work as an artist collective had an important impact on Yugoslav culture at the time and resonates in Slovene culture up to the present day." (Ksenya Gurshtein, From the MoMA Archives: Works and Materials by OHO Group, >ht ps://post.moma.o rg/from-the-moma-archives-works-and-materials-by-oho-group/.…