Da: Gate City Books, GREENSBORO, NC, U.S.A.
Condizione: good. USED book in GOOD condition. Great binding, pages and cover show normal signs of wear from use.
Da: Your Online Bookstore, Houston, TX, U.S.A.
Condizione: New.
unknown_binding. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
unknown_binding. Condizione: Good.
Editore: Studio International London, United Kingdom, 1974
Da: Specific Object / David Platzker, New York, NY, U.S.A.
156 pp.; 30.7 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. Asztalos; "Experience in reality: the art of A.R. Penck," by Dieter Koepplin; "Every Artist is a con-man," a discussion between Roger Hilton and Alan Green; "A Letter from Roger Hilton;" "Robert Ryman: unfinished II (Procedures)," by Barbara Reise; "Review" and "Supplement Spring 1974: new and recent art books," reviews by Rosetta Brooks, Ben Creme, Toni del Renzio, John Elderfield, Eva Figes, Graham Howard, Christopher Neve, Barbara Reise, Peter Smith, Michael Spens, William Tucker, and John Walker. Good. Light curling of spine edge, rubbing of cover edges, dusting of covers, and 6.4 cm. of writing in pencil on verso, and additional rubbing and yellowing of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Editore: Studio International London, United Kingdom, 1971
Da: Specific Object / David Platzker, New York, NY, U.S.A.
56 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July / August 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "What is Reality? The Theme of Documenta 5," by Georg Jappe; "This Spring in West Germany," by Robert Kudielka; "Science in Art," by Marcello Salvadori; "Correspondence;" "News and Notes;" "Experimental Art: Stubbs to Sonfist," by Jonathan Benthall; "Sydney: Art in the Universities," by Donald Brook; "'True Patriot Love': Joyce Wieland at the National Gallery of Canada;" "Bridget Riley," by David Thompson; "Three Shows at the Hayward: Hodler and Böcklin," by Frank Whitford and "Henri Laurens," by William Tucker; "Letter from Bucharest," by Radu Varia; "A Tail of Two Exhibitions," by Barbara Reise; "Background to the Foreground: The Haacke Exhibition History," by Edward Fry and Thomas M. Messer; "Which is in Fact What Happened," Thomas M. Messer in an interview with Barbara Reise; "The Limits of Collecting," by Sir Norman Reid; "Three Early African Sculptures;" "Supplement: New and Recent Art Books" "Reviews," by Marth Haworth-Booth, Jonathan Benthall, Alan Bowness, Timothy Clark, Richard Cork, Peter Gidal, Andrew Higgens, Timothy Hilton, and Frank Whitford. Cover: Sketch for "Zing" 1970 by Bridget Riley. Very Good. Light rubbing and bumping of cover edges. 8 cm. vertical creasing to verso with 6 cm. of pencil writing on verso edge. Contents clean and unmarked.
Editore: Studio International London, United Kingdom, 1970
Da: Specific Object / David Platzker, New York, NY, U.S.A.
222 pp.; 31 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. Lippard; "Carl Andre: Artworker," Carl Andre interviewed by Jeanne Siegel; "Dissenting Ideologies and the German Revolution," by John Elderfield; "Gene Davis and the Issue of Complexity," by Donald Wall; "Paintings by John Hubbard," by Bryan Robertson; "'A Very Abstract Context,'" by Charles Harrison; "U.S. Commentary," by Dore Ashton; "inn7o," by APG "Supplement: New and Recent Art Books," reviews by Alan Bowness, Andrew Forge, Andrew Higgins, Timothy Hilton, Edward Lucie-Smith, Jeremy Maas, Joseph Masheck, Barbara Reise, Deborah Stott, William Townsend. Cover: Photograph by Jan van Raay of members of the Art Workers' Coalition, including Jon Hendricks and Jean Toche, protesting in front of Picasso's 'Guernica' in New York. Includes a Dwan Gallery half page ad for Robert Smithson's 16mm film on the "Spiral Jetty." Very Good / Fine. Light rubbing of cover edges and small soft fold to lower right corner of front cover. Contents clean and unmarked and pages are tight to the spine.