albrecht kim (48 risultati)

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Condizione: As New. Unread book in perfect condition.

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Brossura. Condizione: new. English Text.Milano, 2023; paperback, pp. 384, ill., col. plates, cm 17x23,5. Libro.

Paperback. Condizione: New. Driving the Human is a catalyst for experimentation, shaping sustainable and collective futures that combine science, technology, and the arts in a transdisciplinary and collaborative approach. This publication documents all milestones of the three-year project, contextualizing and expanding its discourse through expert voices and emerging creative visions. At its heart are seven prototypes for eco-social renewal, each proposing new ways to engage with one another and with what surrounds us, at the surface of the planet and beyond. They explore ways in which AI could mitigate climate change; immerse us in new forms of community through ancestral agricultural knowledge; employ fiction as a tool for new modes of multispecies conviviality; or create embodied connections to understand human impact in endangered territories. With contributions from Kim Albrecht, Brigitte Baptiste, Jan Boelen, Corine Pelluchon, Peter Weibel, among many others, this publication offers an in-depth look at our current moment of transformation and advances new proposals for planetary coexistence.

Paperback. Condizione: New. Driving the Human is a catalyst for experimentation, shaping sustainable and collective futures that combine science, technology, and the arts in a transdisciplinary and collaborative approach. This publication documents all milestones of the three-year project, contextualizing and expanding its discourse through expert voices and emerging creative visions. At its heart are seven prototypes for eco-social renewal, each proposing new ways to engage with one another and with what surrounds us, at the surface of the planet and beyond. They explore ways in which AI could mitigate climate change; immerse us in new forms of community through ancestral agricultural knowledge; employ fiction as a tool for new modes of multispecies conviviality; or create embodied connections to understand human impact in endangered territories. With contributions from Kim Albrecht, Brigitte Baptiste, Jan Boelen, Corine Pelluchon, Peter Weibel, among many others, this publication offers an in-depth look at our current moment of transformation and advances new proposals for planetary coexistence.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: new.

paperback. Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 402 pages. 5.91x9.06x1.06 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware - The calculus of design is a diagrammatic approach towards the relationship between design and insight. The thesis is that insights are not discovered, gained, explored, revealed, or mined, but are operatively de-signed. The de in design neglects the contingency of the space towards the sign. The - is the drawing of a distinction within the operation. Space collapses through the negativity of the sign; the command draws a distinction that neglects the space for the form's sake. The operation to de-sign is counterintuitively not the creation of signs, but their removal, the exclusion of possible sign propositions of space. De-sign is thus an act of exclusion; the possibilities of space are crossed into form. Das Kalkül des Designs ist ein diagrammatischer Denkansatz zum Verhältnis von Design und Erkenntnis. Die These lautet, dass Erkenntnisse nicht entdeckt, gewonnen, erkundet, aufgedeckt oder abgebaut werden, sondern operativ de-signed werden. Das de im Design vernachlässigt die Kontingenz des Raums gegenüber dem Zeichen. Das - ist die Zeichnung einer Unterscheidung innerhalb der Operation. Der Raum kollabiert durch die Negativität des Zeichens; der Befehl zieht eine Unterscheidung, die den Raum um der Form willen vernachlässigt. Die Operation »de-sign« ist kontraintuitiv nicht die Erschaffung von Zeichen, sondern ihre Beseitigung, der Ausschluss möglicher Zeichensätze des Raums. De-sign ist also ein Akt des Ausschlusses; die Möglichkeiten des Raums werden in die Form gekreuzt. 402 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware - The calculus of design is a diagrammatic approach towards the relationship between design and insight. The thesis is that insights are not discovered, gained, explored, revealed, or mined, but are operatively de-signed. The de in design neglects the contingency of the space towards the sign. The - is the drawing of a distinction within the operation. Space collapses through the negativity of the sign; the command draws a distinction that neglects the space for the form's sake. The operation to de-sign is counterintuitively not the creation of signs, but their removal, the exclusion of possible sign propositions of space. De-sign is thus an act of exclusion; the possibilities of space are crossed into form. Das Kalkül des Designs ist ein diagrammatischer Denkansatz zum Verhältnis von Design und Erkenntnis. Die These lautet, dass Erkenntnisse nicht entdeckt, gewonnen, erkundet, aufgedeckt oder abgebaut werden, sondern operativ de-signed werden. Das de im Design vernachlässigt die Kontingenz des Raums gegenüber dem Zeichen. Das - ist die Zeichnung einer Unterscheidung innerhalb der Operation. Der Raum kollabiert durch die Negativität des Zeichens; der Befehl zieht eine Unterscheidung, die den Raum um der Form willen vernachlässigt. Die Operation »de-sign« ist kontraintuitiv nicht die Erschaffung von Zeichen, sondern ihre Beseitigung, der Ausschluss möglicher Zeichensätze des Raums. De-sign ist also ein Akt des Ausschlusses; die Möglichkeiten des Raums werden in die Form gekreuzt. 402 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -The calculus of design is a diagrammatic approach towards the relationship between design and insight. The thesis is that insights are not discovered, gained, explored, revealed, or mined, but are operatively de-signed. The de in design neglects the contingency of the space towards the sign. The - is the drawing of a distinction within the operation. Space collapses through the negativity of the sign; the command draws a distinction that neglects the space for the form's sake. The operation to de-sign is counterintuitively not the creation of signs, but their removal, the exclusion of possible sign propositions of space. De-sign is thus an act of exclusion; the possibilities of space are crossed into form.

Paperback. Condizione: New. Driving the Human is a catalyst for experimentation, shaping sustainable and collective futures that combine science, technology, and the arts in a transdisciplinary and collaborative approach. This publication documents all milestones of the three-year project, contextualizing and expanding its discourse through expert voices and emerging creative visions. At its heart are seven prototypes for eco-social renewal, each proposing new ways to engage with one another and with what surrounds us, at the surface of the planet and beyond. They explore ways in which AI could mitigate climate change; immerse us in new forms of community through ancestral agricultural knowledge; employ fiction as a tool for new modes of multispecies conviviality; or create embodied connections to understand human impact in endangered territories. With contributions from Kim Albrecht, Brigitte Baptiste, Jan Boelen, Corine Pelluchon, Peter Weibel, among many others, this publication offers an in-depth look at our current moment of transformation and advances new proposals for planetary coexistence.

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware -The calculus of design is a diagrammatic approach towards the relationship between design and insight. The thesis is that insights are not discovered, gained, explored, revealed, or mined, but are operatively de-signed. The de in design neglects the contingency of the space towards the sign. The - is the drawing of a distinction within the operation. Space collapses through the negativity of the sign; the command draws a distinction that neglects the space for the form's sake. The operation to de-sign is counterintuitively not the creation of signs, but their removal, the exclusion of possible sign propositions of space. De-sign is thus an act of exclusion; the possibilities of space are crossed into form.Kulturverlag Kadmos, Waldenser Straße 2-4, 10551 Berlin 402 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware - The calculus of design is a diagrammatic approach towards the relationship between design and insight. The thesis is that insights are not discovered, gained, explored, revealed, or mined, but are operatively de-signed. The de in design neglects the contingency of the space towards the sign. The - is the drawing of a distinction within the operation. Space collapses through the negativity of the sign; the command draws a distinction that neglects the space for the form's sake. The operation to de-sign is counterintuitively not the creation of signs, but their removal, the exclusion of possible sign propositions of space. De-sign is thus an act of exclusion; the possibilities of space are crossed into form. Das Kalkül des Designs ist ein diagrammatischer Denkansatz zum Verhältnis von Design und Erkenntnis. Die These lautet, dass Erkenntnisse nicht entdeckt, gewonnen, erkundet, aufgedeckt oder abgebaut werden, sondern operativ de-signed werden. Das de im Design vernachlässigt die Kontingenz des Raums gegenüber dem Zeichen. Das - ist die Zeichnung einer Unterscheidung innerhalb der Operation. Der Raum kollabiert durch die Negativität des Zeichens; der Befehl zieht eine Unterscheidung, die den Raum um der Form willen vernachlässigt. Die Operation »de-sign« ist kontraintuitiv nicht die Erschaffung von Zeichen, sondern ihre Beseitigung, der Ausschluss möglicher Zeichensätze des Raums. De-sign ist also ein Akt des Ausschlusses; die Möglichkeiten des Raums werden in die Form gekreuzt.

191 pp.; 28 x 23 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph presenting an overview of contemporary printmaking by Paul Coldwell. Artists include Norman Ackroyd, Banksy, Georg Baselitz, Christiane Baumgartner, Tony Bevan, Marko Blazo, Cécile Boucher, Louise Bourgeois, Siân Bowen, Jacques Callot, Patricia Caulfield, Vija Celmins, Stephen Chambers, Hwajin Chang, Sang-Gon Chung, Chuck Close, Prunella Clough, Bernard Cohen, Willie Cole, Susan Collins, Tony Cragg, Michael Craig-Martin, Árpád Daradics, John Davies, Richard Deacon, Anne Desmet, Trenton Doyle Hancock, Albrecht Dürer, Robin Duttson, Faile Collective, Henri Fantin-Latour, Helen Frederick, Lucian Freud, Hamish Fulton, Alberto Giacometti, Francisco Goya, Anthony Gross, Wenda Gu, Richard Hamilton, Valgerdur Hauksdóttir, Dan Hays, Tim Head, Charlotte Hodes, Howard Hodgkin, Katsushika Hokusai, Andrzej Jackowski, Kennardphillipps, William Kentridge, Anselm Kiefer, Thomas Kilpper, Seung Yeon Kim, Ernst Ludwig Kirchner, Barbara Kruger, Christopher Le Brun, Fang Lijun, Christoph Loos, Marilène Oliver, Julian Opie, Mick Moon, Giorgio Morandi, Anna Maria Pacheco, Eduardo Paolozzi, Simon Patterson, Grayson Perry, Pablo Picasso, Giovanni Battista Piranesi, Sigmar Polke, Kathy Prendergast, Robert Rauschenberg, Odilon Redon, Paula Rego, Rembrandt van Rijn, Dieter Rot [Dieter Roth], Michael Rothenstein, Bartolomeu Dos Santos, Sean Scully, Hercules Seghers, Nana Shiomi, Regina Silveira, Kiki Smith, Devorah Sperber, Emma Stibbon, Antoni Tàpies, Masami Teraoka, Joe Tilson, Barthélémy Toguo, Henri de Toulouse-Lautrec, Kitagawa Utamaro, John Utting, Édouard Vuillard, Kara Walker, Andy Warhol, Rachel Whiteread, Terry Winters, Bill Woodrow, Richard Woods, and Katsutoshi Yuasi. Includes a glossary and bibliography. Very Good / Fine. Light rubbing of cover corners, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Paperback. Condizione: New. Driving the Human is a catalyst for experimentation, shaping sustainable and collective futures that combine science, technology, and the arts in a transdisciplinary and collaborative approach. This publication documents all milestones of the three-year project, contextualizing and expanding its discourse through expert voices and emerging creative visions. At its heart are seven prototypes for eco-social renewal, each proposing new ways to engage with one another and with what surrounds us, at the surface of the planet and beyond. They explore ways in which AI could mitigate climate change; immerse us in new forms of community through ancestral agricultural knowledge; employ fiction as a tool for new modes of multispecies conviviality; or create embodied connections to understand human impact in endangered territories. With contributions from Kim Albrecht, Brigitte Baptiste, Jan Boelen, Corine Pelluchon, Peter Weibel, among many others, this publication offers an in-depth look at our current moment of transformation and advances new proposals for planetary coexistence.

Taschenbuch. Condizione: Neu. Insight by de-sign | A calculus of computation | Kim Albrecht | Taschenbuch | Reihe des Brandenburgischen Zentrums für Medienwissenschaften - ZeM | 402 S. | Englisch | 2025 | Burckhardt, Wolfram | EAN 9783865995810 | Verantwortliche Person für die EU: Kulturverlag Kadmos Berlin, Waldenserstr. 2-4, 10551 Berlin, info[at]kulturverlag-kadmos[dot]de | Anbieter: preigu.

Taschenbuch. Condizione: Neu. Neuware -The calculus of design is a diagrammatic approach towards the relationship between design and insight. The thesis is that insights are not discovered, gained, explored, revealed, or mined, but are operatively de-signed. The de in design neglects the contingency of the space towards the sign. The - is the drawing of a distinction within the operation. Space collapses through the negativity of the sign; the command draws a distinction that neglects the space for the form's sake. The operation to de-sign is counterintuitively not the creation of signs, but their removal, the exclusion of possible sign propositions of space. De-sign is thus an act of exclusion; the possibilities of space are crossed into form. 402 pp. Englisch.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studienarbeit aus dem Jahr 2015 im Fachbereich Pflegewissenschaft - Sonstiges, Note: 2, Katholische Fachhochschule Mainz, Sprache: Deutsch, Abstract: Vorliegende Hausarbeit untersucht 'Aggression' schwerpunktmäßig im Hinblick auf unterschiedliche Möglichkeiten der Messung des Phänomens und sich daran anschließende Pflegediagnosen, Interventionen und deren Outcomes. Der diagnostische Prozess wird anhand von zahlreichen Beispielen und Realitätsbezügen veranschaulicht.Es gibt eine Vielzahl an Definitionen, welche das Phänomen der Aggression beschreiben. So ist es ungemein schwer, genaue Aussagen treffen zu können. Die Literatur beschreibt 'Aggression' immer als ein absichtlich schädliches Verhalten (psychisch und/oder physisch) gegenüber Dingen, Menschen und Tieren. Dies wird in differenzierter Art und Weise dargestellt, mit einer Vielzahl an Faktoren, welche die Aggression beeinflussen. Beeinflussende Faktoren und Indikatoren geben Auskunft darüber, welche Bedeutung und Auswirkung das Phänomen der Aggression hat. Die Wechselseitigkeit zwischen den beeinflussenden Faktoren und Auswirkung kann das Phänomen verstärken. Internationale Assessmentinstrumente beschreiben Items, mit welchem man die Aggression messen kann, sowohl prospektiv als auch die Aggression selbst. Durch ein adäquates Messinstrument kann eine gute Einschätzung der Situation durch die Pflegediagnostik erfolgen, um passende Interventionen, die eine gute Validität und Reliabilität haben, einleiten zu können. Patientenergebnisse nach der Pflegeergebnisklassifikation NOC können Auskunft darüber geben, ob und wie eine Intervention wirksam ist.