Alec harman editor (3 risultati)
Editore: J.M. Dent and Sons [1952], London, 1952
- Rilegato
Da: Colin Coleman Music, Stewkley, Regno UnitoColin Coleman Music
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 18,17
EUR 22,93 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Size: 8vo. xxix, 325pp. + plate. Publisher's cloth. Music examples. Tables.
A Plain and Easy Introduction to Practical Music (Norton Library)
Thomas Morley; Alec Harman [Editor]; Thurston Dart [Foreword];
- Brossura
Da: BennettBooksLtd, Los Angeles, CA, U.S.A.BennettBooksLtd
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 70,69
EUR 6,08 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
paperback. Condizione: New. In shrink wrap. Looks like an interesting title.
The Interpretation of the Music of the XVII and XVIII Centuries Revealed by Contemporary Evidence.[Handbooks for Musicians][Expression; Tempo; Conventional Alterations of Rhythm; Ornamentation; Thorough Bass; Position & Fingering; Musical Instrument
Dolmetsch, Arnold, 1858-1940. [preface, Carl F. Dolmetsch, 1911-1997; editor, Ernest Newman, N. Alec Harman]
Lingua: Inglese
Editore: London : Novello ; Oxford University Press, [1946], 1946
- Rilegato
Da: Joseph Valles - Books, Stockbridge, GA, U.S.A.Joseph Valles - Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Buono
EUR 122,46
EUR 14,82 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Good. x, 493 pp. 19 cm. ; LCCN: 49-5608 ; OCLC: 410919 ; green cloth with dark green lettering ; greatly foxed ; front hinge shaken ; some underlining in red pencil ; covers faded ; this, the 1946 edition, corrected from the manuscript ; a seminal work in the history of the early music revival ; "One of th…e most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch was the first to apply scholarly attention to the issue of authentic historical performance. His ground breaking 1915 study remains a landmark of musicology, offering not only a text on performance practices of the baroque but also glimpses of what music meant, both as an art and a science, to musicians of the period. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning and fingering, and musical instruments of the era." ; G. Book.
