Alessando nova (19 risultati)
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Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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Softcover, 336 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Art History Before English : Negotiating a European Lingua Franca from Vasari to the Present
Brennan, Robert (EDT); O'donnel, C. Oliver (EDT); Mascolo, Marco M. (EDT); Nova, Alessandro (EDT)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
Art History Before English : Negotiating a European Lingua Franca from Vasari to the Present
Brennan, Robert (EDT); O'donnel, C. Oliver (EDT); Mascolo, Marco M. (EDT); Nova, Alessandro (EDT)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. This book addresses a phenomenon that pervades the field of art history: the fact that English has become a widely adopted language. Art history employs language in a very particular way, one of its most basic aims being the verbal reconstruction of the visual past. The book seeks to shed light on the… particular issues that English's rise to prominence poses for art history by investigating the history of the discipline itself: specifically, the extent to which the European tradition of art historical writing has always been shaped by the presence of dominant languages on the continent. What artistic, intellectual, and historical dynamics drove the pattern of linguistic ascendance and diffusion in the art historical writing of past centuries? How have the immediate, practical ends of writing in a common language had unintended, long-term consequences for the discipline? Were art historical concepts transformed or left behind with the onset of a new lingua franca, or did they often remain intact beneath a shifting veneer of new words?Includes 10 essays in English, four in Italian, and one in German. Text in English, German and Italian.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Condizione: New. In English.
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Da: libreriauniversitaria.it, Occhiobello, RO, Italialibreriauniversitaria.it
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. multilingual edition. 335 pages. 9.00x6.50x1.00 inches. In Stock.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 48,96
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Paperback. Condizione: new. Paperback. AUSTRALIAN AUTHOR This book addresses a phenomenon that pervades the field of art history: the fact that English has become a widely adopted language. Art history employs language in a very particular way, one of its most basic aims being the verbal reconstruction of the visual past. The bo…ok seeks to shed light on the particular issues that English's rise to prominence poses for art history by investigating the history of the discipline itself: specifically, the extent to which the European tradition of art historical writing has always been shaped by the presence of dominant languages on the continent. What artistic, intellectual, and historical dynamics drove the pattern of linguistic ascendance and diffusion in the art historical writing of past centuries? How have the immediate, practical ends of writing in a common language had unintended, long-term consequences for the discipline? Were art historical concepts transformed or left behind with the onset of a new lingua franca, or did they often remain intact beneath a shifting veneer of new words? Includes 10 essays in English, four in Italian, and one in German. Text in English, German and Italian. AUTHORS: Robert Brennan is a postdoctoral fellow at the University of Sydney. His first book, Painting as a Modern Art in Early Renaissance Italy, was published by Harvey Miller in 2019. Marco M. Mascolo is a postdoctoral fellow at the Scuola Normale Superiore, Pisa. In 2017 he published a book on the German-American connoisseur Wilhelm R. Valentiner (1880-1958). Alessandro Nova is director of the Kunsthistorisches Institut in Florenz Max-Planck-Institut. His research focuses primarily on early modern Italian art. C. Oliver O'Donnell is a Research Associate at the Warburg Institute, University of London. His publications include Meyer Schapiro's Critical Debates: Art through a Modern American Mind (Penn State University Press, 2019) SELLING POINTS: . An important reflection on the status of the discipline of Art history in a changing, globalised world where English has become the lingua franca 14 colour, 60 b/w illustrations This book addresses the rise of English as the most widely adopted language in art history and the unintended, long-term consequences for the discipline. Text in English, German and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Art History Before English : Negotiating a European Lingua Franca from Vasari to the Present
Brennan, Robert (EDT); O'donnel, C. Oliver (EDT); Mascolo, Marco M. (EDT); Nova, Alessandro (EDT)
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.
Art History Before English : Negotiating a European Lingua Franca from Vasari to the Present
Brennan, Robert (EDT); O'donnel, C. Oliver (EDT); Mascolo, Marco M. (EDT); Nova, Alessandro (EDT)
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
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Condizione: New.
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Da: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, ItaliaLibro Co. Italia Srl
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Brossura. Condizione: new. Testo Italiano e Inglese.Milano, 2021; br., pp. 334, ill. b/n, cm 16x24. I saggi di questo libro sono centrati su una questione fondamentale per tutte le discipline umanistiche: qual è il rapporto tra la lingua predominante in una disciplina di studi e lo sviluppo della disciplina stessa. La storia del…l'arte, per esempio, ha come prima lingua il latino (a partire da Plinio il Vecchio), ma presto vede l'affermazione del volgare (prima e dopo Vasari) per poi approdare al francese e al tedesco, soprattutto per la teoria estetica. Quali dinamiche artistiche, intellettuali e storiche hanno guidato la diffusione e la preminenza di una particolare lingua nelle pubblicazioni storico artistiche nei secoli? Nel mondo globalizzato contemporaneo è l'inglese che si è affermato come la lingua principale degli studi storico-artistici. L'utilizzo di una nuova lingua franca ha modificato i principi e i concetti storico-artistici, oppure questi sono rimasti invariati sotto la veste di nuovi termini? Quali conseguenze ha avuto e ha l'utilizzo di un linguaggio condiviso, con finalità pratiche di immediatezza comunicativa? A queste domande fondamentali per lo status della storia dell'arte si tenta di dare risposta nei saggi di importanti specialisti contenuti nel volume. Libro.
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Da: Brook Bookstore, Milano, MI, ItaliaBrook Bookstore
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Condizione: new.
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Da: Gallix, Gif sur Yvette, FranciaGallix
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Condizione: Neuf.
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Da: Book Broker, Berlin, GermaniaBook Broker
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Ottimo
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Condizione: Sehr gut. Multilingual. 335 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Englisch Gewich…t in Gramm: 950 Taschenbuch, Maße: 17.25 cm x 2.72 cm x 24.23 cm.
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Da: Book Broker, Berlin, GermaniaBook Broker
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Ottimo
EUR 30,97
EUR 38,20 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Condizione: Sehr gut. Multilingual. 335 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Copyright: 2021. Sprache…: Englisch Gewicht in Gramm: 1050 Taschenbuch, Maße: 17.25 cm x 2.72 cm x 24.23 cm.
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Da: moluna, Greven, Germaniamoluna
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 32,21
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Condizione: New. This book addresses the rise of English as the most widely adopted language in art history an the unintended, long-term consequences for the discipline. Text in English, German and Italian.Über den AutorRobert Brennan is a pos.
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 54,29
EUR 32,34 spedizioneSpedito da Australia a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. AUSTRALIAN AUTHOR This book addresses a phenomenon that pervades the field of art history: the fact that English has become a widely adopted language. Art history employs language in a very particular way, one of its most basic aims being the verbal reconstruction of the visual past. The bo…ok seeks to shed light on the particular issues that English's rise to prominence poses for art history by investigating the history of the discipline itself: specifically, the extent to which the European tradition of art historical writing has always been shaped by the presence of dominant languages on the continent. What artistic, intellectual, and historical dynamics drove the pattern of linguistic ascendance and diffusion in the art historical writing of past centuries? How have the immediate, practical ends of writing in a common language had unintended, long-term consequences for the discipline? Were art historical concepts transformed or left behind with the onset of a new lingua franca, or did they often remain intact beneath a shifting veneer of new words? Includes 10 essays in English, four in Italian, and one in German. Text in English, German and Italian. AUTHORS: Robert Brennan is a postdoctoral fellow at the University of Sydney. His first book, Painting as a Modern Art in Early Renaissance Italy, was published by Harvey Miller in 2019. Marco M. Mascolo is a postdoctoral fellow at the Scuola Normale Superiore, Pisa. In 2017 he published a book on the German-American connoisseur Wilhelm R. Valentiner (1880-1958). Alessandro Nova is director of the Kunsthistorisches Institut in Florenz Max-Planck-Institut. His research focuses primarily on early modern Italian art. C. Oliver O'Donnell is a Research Associate at the Warburg Institute, University of London. His publications include Meyer Schapiro's Critical Debates: Art through a Modern American Mind (Penn State University Press, 2019) SELLING POINTS: . An important reflection on the status of the discipline of Art history in a changing, globalised world where English has become the lingua franca 14 colour, 60 b/w illustrations This book addresses the rise of English as the most widely adopted language in art history and the unintended, long-term consequences for the discipline. Text in English, German and Italian. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 39,89
EUR 64,73 spedizioneSpedito da Germania a U.S.A.Quantità: 2 disponibili
Taschenbuch. Condizione: Neu. Neuware - Revised and enlarged papers presented at a conference held at the Kunsthistorisches Institut in Florenz, Florence, Italy, March 8-10, 2018.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 32,85
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Paperback. Condizione: New. This book addresses a phenomenon that pervades the field of art history: the fact that English has become a widely adopted language. Art history employs language in a very particular way, one of its most basic aims being the verbal reconstruction of the visual past. The book seeks to shed light on the… particular issues that English's rise to prominence poses for art history by investigating the history of the discipline itself: specifically, the extent to which the European tradition of art historical writing has always been shaped by the presence of dominant languages on the continent. What artistic, intellectual, and historical dynamics drove the pattern of linguistic ascendance and diffusion in the art historical writing of past centuries? How have the immediate, practical ends of writing in a common language had unintended, long-term consequences for the discipline? Were art historical concepts transformed or left behind with the onset of a new lingua franca, or did they often remain intact beneath a shifting veneer of new words?Includes 10 essays in English, four in Italian, and one in German. Text in English, German and Italian.
