Alex kitnick (172 risultati)

Paperback. Condizione: Like New. Clean copy. May have remainder mark.

Soft cover. Condizione: New. 1st Edition. For his 1966 work Critic, Les Levine made a video projection with two-minute clips of art critics sharing their thoughts on contemporary criticism. In the years following its only public screening (at New York University's Loeb Student Center on March 7, 1967) the work's video component was lost. But the audio survives, and this publication presents, for the first time, a transcript of the work. Illustrated with Levine's photographs of all thirteen critics, the book also includes an essay by art historian Alex Kitnick that explores other historical examples of art about criticism, situating Levine's work in an ongoing "crisis of criticism" produced by shifting roles of both artist and critic. …

Condizione: very_good. This is a well-cared-for used book with light signs of previous use. There may be minor cover wear, a faint crease, or slight spine wear, but overall it's in great shape and fully readable. Please note: -May contain library or rental stickers. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not include original exterior box. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading. …

Paperback. Condizione: Near Fine. 80 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. No remainder mark. Book still in the original publisher shrink wrap.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condizione: Used-Very Good. Pap. Slight shelf-wear.

paperback. Condizione: Fine. A nice copy. Clean text, solid binding. Unread.

Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Trade Paperback. Condizione: Used - Very Good. Light shelf wear along edges of covers; otherwise, very nice, clean, tight copy free of any marks.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Paperback. Condizione: Fine. 1st. x, 213 pages, illustrations; 23 cm. Tight, clean copy. First paperback edition. Essays by Robert Smithson, Rosalind E. Krauss, Elizabeth C. Baker, Karl Beveridge, Ian Burn, Brian Wallis, Lynne Cooke, Yve-Alain Bois, Ann Temkin, Mel Bochner, Joshua Shannon, Robert Slifkin, and Michael Meredith. *** "Artists, architects, art historians, critics, and curators explore the work of Donald Judd as both artist and critic in essays spanning all of Judd's career. Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as specific objects. Critics labeled it minimalism. Perhaps because Judd's own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. This volume collects critical and scholarly writings on Judd, examining his work as both artist and critic." - Publisher. Size: 8vo. Collectible.…

Paperback. Condizione: Very Good. Expendable Reader: Articles on Art, Architecture, Design, and Media (1951-79) (GSAPP Sourcebooks) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Paperback. Condizione: Good. A collection of essays on a key figure in postminimalist art, with texts spanning thirty years. Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham, who came of age during the emergence of earth art, minimalism, and conceptualism, has situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work (collected in Rock My Religion and Two-Way Mirror Power, both published by the MIT Press) have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.…

Soft cover. Condizione: New. 1st Edition.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. No Dust Jacket. Clean and solid.; October Files; B&W Illustrations; 8vo; 213 pages.

Paperback. Condizione: Good. A collection of essays on a key figure in postminimalist art, with texts spanning thirty years. Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham, who came of age during the emergence of earth art, minimalism, and conceptualism, has situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work (collected in Rock My Religion and Two-Way Mirror Power, both published by the MIT Press) have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.…

Condizione: very_good. This is a well-cared-for used book with light signs of previous use. There may be minor cover wear, a faint crease, or slight spine wear, but overall it's in great shape and fully readable. Please note: -May contain library or rental stickers. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not include original exterior box. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading. …

Condizione: very_good. This is a well-cared-for used book with light signs of previous use. There may be minor cover wear, a faint crease, or slight spine wear, but overall it's in great shape and fully readable. Please note: -May contain library or rental stickers. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not include original exterior box. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading. …

Condizione: new.

Softcover with dustjacket, unpaginated; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: New.

Softcover. Condizione: Near Fine. [ART HISTORY]. Ed. Katy Siegel. Contributors: Alex Kitnick, Beth Citron, Grant Kester, Sandra Zalman, Nuit Banai, et al. "Art Journal, Vol. 71, No. 2, Summer 2012." New York: College Art Association, 2012. English language. Softcover magazine with spine. Text with full-color images. 10 x 8.25 x 0.25 in. 26 x 12 x 1 cm. 15 oz. 126 pp. Crease on spine. bottom of spine rubbed. Text clean. Near Fine. No ISBN. No ASIN. ISSN: 0004-3249. "The mission of Art Journal, founded in 1941, is to develop rigorous and shared methods by which modern and contemporary art can be understood; to engage critically with twentieth- and twenty-first-century art and art history in national and global frameworks; to encourage broad and rigorous contributions to our disciplines and to institute, in our peer review and editorial structures, an inclusive, critical, and collaborative approach to the development of new and emerging forms of thought and communities of practice; to address and redress exclusionary histories of art and art history as fields of practice and scholarship; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production as well as within the fields of art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in and beyond the arts; and to promote dialogue and debate.".…

Paperback. Condizione: New. From the Bauhaus to Buckminster Fuller, from Elvis to ecology, the writings of John McHale (1922-1978) engage a diverse set of concerns. The Expendable Reader highlights McHale's theorization of technology and communication and their impact on traditional ideas of culture. Assembled from a broad range of sources, this book enables a sharper grasp on McHale's thinking and on our own cultural situation.…