aline jacquiot (13 risultati)

Condizione: Good. Original gilt lettered cloth, dust jacket, (full-page) illustrations in b/w.; Some foxing; small damages dust jacket.

Hardcover. Condizione: Very Good. Paris: Pierre Belfond, 1973. 12 x 9.5 inches. 234 pp. w/ 215 b/w illustrations throughout. Black cloth lettered in gilt. Wear to board edges and spine-ends, a few spots of light rubbing. Very Good. No dust jacket.

Condizione: Gut. k.A. 230 Seiten. Seitenwerk vollständig und textsauber, lediglich altersgemäß nachgedunkelt und Namenseintrag im Vorsatz. Einband leicht angestaubt, berieben und randlagerspurig. SU stark berieben und randlagerspurig - mit mehreren Läsuren. Sprache: Italienisch Gewicht in Gramm: 1850 Gebundene Ausgabe, Gewebeeinband mit SU.

1 vol. in-4°, toile noire de l'éditeur. 234 pp., (2) ff., nombreuses illustrations dans le texte.[D15] -.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First American Edition. Profusely (and fantastically) illustrated. Clean and unmarked.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Fascinating collection of examples of the grotesque in art since 1450. Originally published, as 'Quatre sie?cles de surre?alisme : l'art fantastique dans la gravure'. Paris , Belfond, 1973. 224 p. : chiefly ill. ; 31 cm. First UK edition, first printing. Green cloth boards, unclipped dust jacket. Small hole to front cover, slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Paris, Club Français du Livre (Belfond), 1973. Grand in-4 relié toile noire, ill. contrecollée sur le premier plat, 234 p. : 14 p. Préface + 216 planches en noir : Doré, Redon, Delacroix, Goya, Durer, Brueghel. + 51 p. Notes et commentaires. Edition H.C. : exemplaire N° 1572 / 5000. Très bon état malgré dos décoloré (marron).

Hardcover. Condizione: Gut. 30,5x24,5cm; 216; Hardcover. Sprache: Englisch, 216 Plates; Zustand: Gut bis Sehr Gut gering gebräunt (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Schutzumschlag (hat geringe Gebrauchsspuren); * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Jacket has light general wear and no tears. Feint pencil mark to top corner of ffep, otherwise internally very clean. Binding tight.215pp Size: 245mm x 305mm. Book.

UK FIRST EDITION, quarto, green buckram boards, gilt lettering to spine, gilt publisher's motif to front board, 224pp, illus, VG (light bruising & rubbing to spine & extrems, light to moderate chafing & soiling to boards, light to moderate tanning & foxing to page edges & eps, moderate foxing to prelims & terminals, patches of moderate foxing sporadically throughout).

Encuadernación de tapa dura. Condizione: Bien. 1? Edición. Pierre Belfond, París. 1973. Texto en francés. Arte. Historia. Profusamente ilustrado. 236 pp. 31 x 25. Tela editorial tapa dura con dorados en tapa y lomo y sobrecubierta de editorial ilustrada. Sin subrayados ni anotaciones. Dedicatoria anterior propietario en página de cortesía. Sobrecubierta fatigada, volumen en buen estado de conservación.

Paris, Club Français du Livre (Belfond), 1973. Grand in-4 relié toile noire, ill. contrecollée sur le premier plat, 234 p. : 14 p. Préface + 216 planches en noir : Doré, Redon, Delacroix, Goya, Durer, Brueghel. + 51 p. Bon état, petites épidermures insignifiantes sur les contre-plats d'ouverture et de fermeture, intérieur frais. Bel exemplaire Français.

Condizione sovraccoperta: dj. First Edition. First edition and first printing. Hardcover. 224 pages. Features an introduction and commentaries by Edward Lucie-Smith and notes on the plates by Aline Jacquiot. Includes 216 black and white plates. A near fine copy with a small date notation to the front free endpaper and in a near fine dust jacket and from the library of Lucas Samaras with estate stamp to the front free endpaper. A very nice copy with an interesting provenance.