alison saar (54 risultati)

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. 1st Edition. No markings.

paperback. Condizione: Very Good. Alison Saar (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Softcover, 82 pages; new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Paperback. Condizione: As New. Appears unread. U.S. orders are shipped from Lewiston, NY location.

First Edition. First edition and first printing. Hardcover. 127 pages. Features essays by Nancy Doll and Susan Tallman and with a statement by Alison Saar. Includes numerous color illustrations. A very good ex-library copy with a small sticker to the rear pastedown and a bookplate to the front free endpaper but otherwise free of marks. No dust jacket as issued.

Paperback. Condizione: Near Fine. Oversize wraps with minor wear, like new with no faults to note.

Paperback. Condizione: Fine. 1st. 80 pages, colour illustrations; 28 cm. Monograph series; no. 29. Catalogue of an exhibition held at the UCLA Fowler Museum of Cultural History, November 12, 2000 to May 13, 2001. Firm binding, clean inside copy. *** "Although the sculpture of African American artist Alison Saar is influenced by African objects and ideas, this volume does not seek to establish direct linkages, opting instead to present dialogues. It features an extended interchange between noted Africanist and art historian Mary Nooter Roberts and Saar, and through a series of beautfully photographed images, it also establishes a visual dialogue between Saar s frequently large-scale sculptural pieces and the intimate and intricate works of the Luba peoples of the Democratic Republic of the Congo." - Publisher. Size: 4to. Collectible.

Paper. Condizione: Fine Copy. Fine paper copy ex. cat. Nov. 12, 2000 - May 13, 2001, 80 pp, illustrated in 4/C throughout.

Paperback. Condizione: Very good +. First Edition. Body POLITICS: The Female Image in Luba Art and the Sculpture ol Alison Saar is the exhibition catalog for the 2000 the show at the UCLA FOWLER MUSEUM OF CULTURAL HISTORY. Text by Mary Nooter Roberts and Alison Saar. 80 pages. Paper with satiff wraps. Color reproduyctions. 11' x 8 1/2". Very good + condition.

First Edition. Paperbound, tri-folded, 7 3/4Ó x 9Ó. An illustrated catalogue issued to accompany an exhibit of art works by Alison Saar. Fine in printed wrappers.

Softcover. Condizione: Near Fine. First edition. Small quarto. 82pp. Illustrated from color photographs. Pictorial wrappers. Spine ends gently bumped, near fine.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Original publishers sewn paperback, pictorial frontcover, large 4to: frontispiece, 82pp., very richly illustrated, 100 objects depicted and described, bibliography, credits, notes on authors. Very fine copy - as new. Volume 29: Monograph Series.

Softcover, 32 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Very Good. duped: Prints By Alison Saar with an essay by J. Susan Isaacs and an artist's statement by Saar. 32 pages, paper with stiff cover. Color reproductions. Very good condition.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address, abrasions and postal marks on rear.

Hardback. Condizione: New. Mirror, Mirror collects the vast body of prints made by Los Angeles-based artist Alison Saar (born 1956) over the past 35 years. Addressing issues of race, gender and spirituality, her lithographs, etchings and woodblock prints are evocations of the sculptures for which she is renowned. Saar undertakes printmaking with the same tangible approach to unconventional materials and methods found in her sculpture. Cast-off objects such as old chair backs and found ceiling tin become the foundations for etching or lithography plates. Carved wooden panels used for wood block prints echo similar techniques established in her hewn wooden forms. In addition to printing on paper, Saar also employs a variety of used fabrics like vintage handkerchiefs, old shop rags and antique sugar sacks that are layered, cut, sewn and collaged-empowering the content of the image while resisting the flat repetitive nature of the medium.

Soft cover. Condizione: Good. Paperback book in good+ condition. Minor general wear to covers with a couple of small dings to spine. Page edges lightly tanned. 4to. 80pp.

Softcover with metal spiral binding, 86 pages; very good condition, owner's name and date stamp; no other internal marks. Foreign shipping may be extra.

Hardback. Condizione: New. Mirror, Mirror collects the vast body of prints made by Los Angeles-based artist Alison Saar (born 1956) over the past 35 years. Addressing issues of race, gender and spirituality, her lithographs, etchings and woodblock prints are evocations of the sculptures for which she is renowned. Saar undertakes printmaking with the same tangible approach to unconventional materials and methods found in her sculpture. Cast-off objects such as old chair backs and found ceiling tin become the foundations for etching or lithography plates. Carved wooden panels used for wood block prints echo similar techniques established in her hewn wooden forms. In addition to printing on paper, Saar also employs a variety of used fabrics like vintage handkerchiefs, old shop rags and antique sugar sacks that are layered, cut, sewn and collaged-empowering the content of the image while resisting the flat repetitive nature of the medium.

Spiral bound. Condizione: Near Fine. Condizione sovraccoperta: No dust jacket. Betye and Alison Saar (illustratore). First Edition. Essays by Lucy R. Lippard, Ishmael Reed and Judith Williams.

Hardcover. Condizione: new. Hardcover. Mirror, Mirror collects the vast body of prints made by Los Angelesbased artist Alison Saar (born 1956) over the past 35 years. Addressing issues of race, gender and spirituality, her lithographs, etchings and woodblock prints are evocations of the sculptures for which she is renowned. Saar undertakes printmaking with the same tangible approach to unconventional materials and methods found in her sculpture. Cast-off objects such as old chair backs and found ceiling tin become the foundations for etching or lithography plates. Carved wooden panels used for wood block prints echo similar techniques established in her hewn wooden forms. In addition to printing on paper, Saar also employs a variety of used fabrics like vintage handkerchiefs, old shop rags and antique sugar sacks that are layered, cut, sewn and collagedempowering the content of the image while resisting the flat repetitive nature of the medium. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

Condizione: Very Good.

softcover. Condizione: Fine copy. Well-illustrated (illustratore). 1st. Tall 8vo, 32 pp., Signed by the artist on the title page.

Soft Cover. Condizione: As New. First Edition; First Printing. Tight, clean and crisp. The book appears unread and looks New. No inscriptions. No remainder mark. Not ex-library. ; 14 color plates. Essay by Mary Davis MacNaughton. Published on the occasion of the exhibition at Ruth Chandler Williamson Gallery, Scripps College, March 18 - April 16, 2000.