Allen holly c (30 risultati)

Condizione: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condizione: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condizione: Very Good. 389pp. Covers lightly rubbed & faded; owner name half-title; small crack top of spine. Endnotes & index.

Condizione: new.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. No markings. Oversize. Published in conjunction with an exhibition. 242 pages.

Paperback. Condizione: Brand New. 185 pages. 8.80x5.80x0.40 inches. In Stock.

Hardcover. Condizione: NEW. Condizione sovraccoperta: NEW. First Edition. Demy folio, [27.75cm/11inches], full gilt-embossed conifer-green cloth with mylar-protected dust jacket, pp. 242, indexed. Illustrated with b-w halftones, colour plates &ct. Please feel free to ask for particulars and/or additional photographs. . One reviewer noted: "There is something disconcerting about reviewing a sumptuously produced coffee table book on Orientalism. The risk is that in documenting the legacy of Orientalism in America, the book's representation of naked odalisques, mysterious bazaars, and harems perpetuates the very spectacularization of Asia its essays often decry. Perhaps this paradox accompanies all Orientalist discourse, whether celebratory or critical: in marking the Asian as exotic other, such discourse reinforces western difference and uniqueness. To be sure, the coordinator of the Clark Institute exhibition, Holly Edwards, and her coauthors, are well aware of Orientalism's insidious role in western expansionist and imperialist designs, but the very fact of this full-color, glossy catalogue gives one pause. This caveat aside, the exhibition, held at the Sterling and Francine Clark Art Institute in 2000, comes at a propitious time for "re-orienting" our national perspective on the Middle East. As the "war on terror" helps to perpetuate a view of all Arab men with turbans as terrorists and demonizes Islam as primitive superstition, this survey of an earlier American involvement with the Middle East provides a corrective. While most accounts of Orientalism are based on Europeanparticularly Frenchmodels of Islamic culture, less has been said about the range and implications of American concerns with the east. Edward Said's book, Orientalism (1978), explains this avoidance by noting that U.S. political involvement in the regions was less intense than France's imperial adventures in North Africa and the Near East. Edwards counters this view by showing important differences between French Orientalism, epitomized by Jean Léon Gérome's The Snake Charmer (1880) or Slave Market (1866), which focus on the human (preferably naked female) body, and paintings by Frederick Church or Frederick Arthur Bridgman, which feature landscapes. American painters such as Church, Bridgman, Edwin Lord Weeks, and John Singer Sargent, and writers such as Mark Twain and Washington Irving, created picturesque views of the Orient that, as Edwards says, "enabled the viewer to benefit from the lessons embedded in more distant and exotic landscapes" . Such depictions participated in projects of nation building by depicting Moorish Spain or the Holy Land as faded ruins, while offering comforting images of a kinder, gentler world that was being lost to commercialization and industrialization.".…

Hardcover. Condizione: Brand New. 180 pages. 11.50x11.00x0.75 inches. In Stock.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Square 4to, 178 pp. Dark Purple cloth with gilt titles. Green eps. Presumed First Edition, First Printing. No indication of later printing. Gorgeous! --both the condition and the photography. As New: a term I rarely use. photographs by author (illustratore).…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: NEW.

Condizione: New. In English.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New. pp. 400 Minnesota Archive Editions ed.

Condizione: New. pp. 400.

Paperback. Condizione: Brand New. minne edition. 400 pages. 9.00x6.00x1.00 inches. In Stock.

Paperback. Condizione: Brand New. minne edition. 400 pages. 9.00x6.00x1.00 inches. In Stock. This item is printed on demand.