almada carlos (49 risultati)

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

A very nice copy. The pages are clean and unmarked. The binding is tight.

Paperback. Condizione: Brand New. 32 pages. 11.25x8.75x0.25 inches. In Stock.

Paperback. Condizione: Brand New. 40 pages. 11.00x8.50x0.10 inches. In Stock.

Paperback. Condizione: Brand New. 64 pages. 11.00x8.50x0.15 inches. In Stock.

Paperback. Condizione: Brand New. 32 pages. 11.00x8.50x0.08 inches. In Stock.

Softcover. Condizione: Fine. Leichte Rillen / Abschürfungen / Risse / Knicke; Geknickte Ecken / Seiten.

Paperback. Condizione: Brand New. 136 pages. 11.00x8.50x0.31 inches. In Stock.

Condizione: Good. Mexican lobby card. 20 cm. x 26 cm.

Condizione: Good. Mexican lobby card. 20 cm. x 26 cm.

Condizione: Good. Mexican lobby card featuring lovers embracing. 20 cm. x 26 cm.

Condizione: Good. Mexican lobby card featuring gunman wandering in graveyard. 20 cm. x 26 cm.

Condizione: Good. Mexican lobby card. 20 cm. x 26 cm.

Condizione: Good. Mexican lobby card. 20 cm. x 26 cm.

Condizione: New.

Condizione: New. In.

Condizione: New.

Condizione: Nuevo. Presenta las vidas entrelazadas de los miembros de la familia Díaz Covarrubias y su cuñado Gabino Barreda, un enfoque que permite entender la historia del siglo XIX mexicano a través de sus experiencias personales y contribuciones. 435 pages.

Condizione: New. In.

Condizione: Hervorragend. Zustand: Hervorragend | Seiten: 344 | Sprache: Englisch | Produktart: Bücher | This book offers an in-depth analysis of musical variation through a systematic approach, heavily influenced by the principles of Grundgestalt and developed variations, both created by the Austrian composer Arnold Schoenberg (1874-1951). The author introduces a new transformational-derivative model and the theory that supports it, specifically crafted for the examination of tonal music. The idea for this book emerged during a sabbatical at Columbia University, while the content is the product of extensive research conducted at the Federal University of Rio de Janeiro, resulting in the development of the Model of Derivative Analysis. This model places emphasis on the connections between musical entities rather than viewing them as separate entities. As a case study, the Intermezzo in A Major Op.118/2 by Brahms is selected for analysis. The author's goal is to provide a formal and structured approach while maintaining the text's readability and appeal for both musicians and mathematicians in the field of music theory. The book concludes with the author's recommendations for further research.

Condizione: New.

Condizione: New. 1st ed. 2023 edition NO-PA16APR2015-KAP.

Taschenbuch. Condizione: Neu. Musical Variation | Toward a Transformational Perspective | Carlos de Lemos Almada | Taschenbuch | xxxv | Englisch | 2024 | Springer | EAN 9783031314537 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book offers an in-depth analysis of musical variation through a systematic approach, heavily influenced by the principles of Grundgestalt and developed variations, both created by the Austrian composer Arnold Schoenberg (1874-1951). The author introduces a new transformational-derivative model and the theory that supports it, specifically crafted for the examination of tonal music.The idea for this book emerged during a sabbatical at Columbia University, while the content is the product of extensive research conducted at the Federal University of Rio de Janeiro, resulting in the development of the Model of Derivative Analysis. This model places emphasis on the connections between musical entities rather than viewing them as separate entities. As a case study, the Intermezzo in A Major Op.118/2 by Brahms is selected for analysis.The author's goal is to provide a formal and structured approach while maintaining the text's readability and appeal for both musicians and mathematicians in the field of music theory. The book concludes with the author's recommendations for further research.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book offers an in-depth analysis of musical variation through a systematic approach, heavily influenced by the principles of Grundgestalt and developed variations, both created by the Austrian composer Arnold Schoenberg (1874-1951). The author introduces a new transformational-derivative model and the theory that supports it, specifically crafted for the examination of tonal music.The idea for this book emerged during a sabbatical at Columbia University, while the content is the product of extensive research conducted at the Federal University of Rio de Janeiro, resulting in the development of the Model of Derivative Analysis. This model places emphasis on the connections between musical entities rather than viewing them as separate entities. As a case study, the Intermezzo in A Major Op.118/2 by Brahms is selected for analysis.The author's goal is to provide a formal and structured approach while maintaining the text's readability and appeal for both musicians and mathematicians in the field of music theory. The book concludes with the author's recommendations for further research.

Hardcover. Condizione: Brand New. 342 pages. 9.25x6.10x9.21 inches. In Stock.

Soft cover. Condizione: Very Good. 1st Edition. Directores: António Coelho dos Reis e António Ferro. Brochura, 28x20cm, pp 185 a 373. Impressão em duas cores sobre papel vergé. Ilustrações em cores e P&B de Cícero Dias, Domingos Vieira, Carlos Botelho e Cristiano Cruz, Manuel Lapa, Frederico George, Roberto Araúgo etc. Textos inéditos da fina flor das literaturas portuguesa e brasileira: Carlos Drummond de Andrade (Versos à Boca da Noite), Manuel Bandeira (Ultima Canção do Beco), Jorge de Lima (Poesia veloz, homem lerdo), Sofia de Mello Breuner Andresen (Ao encontro da noite), etc. Pequenos e leves desgastes na capa. Exemplar sólido e completo, sem carimbos ou anotações.

Condizione: Fine. ~ Foreword by Nuno Júdice for this edition ~ COMPLETE RUN BOUND IN ONE VOLUME of one of the most important Portuguese literary journals, representing a platform for launching aesthetic proposals common to the "old" and "new" modernist generations: that of «Orpheu» (1915) and that of «Presença» (1927). Directed by Almada Negreiros, Sudoeste had three issues, published in Lisbon between June and November 1935. A fourth issue has been planned but never published. The first two issues are unipersonal, presented as «Cadernos de Almada Negreiros» and written by Almada from one end to the other with just a quote borrowed from a book of Norwegian oceanographer Johan Hjort shoehorned in between. The third and final number is the most significant from a historical-literary point of view, collecting works by 16 collaborators, those of the extinct magazine «Orpheu» and those of «Presença», then still being issued. The essay texts published by Almada in the first two issues of the magazine undergo the purpose of analyzing the European cultural, social and political moment in a historical context marked by the rise and triumph of nationalist and dictatorial regimes (Mussolini, Hitler, Salazar), but in opposition to the basic principles of these regimes. This is followed by one of the best-known texts from Southwest, «Civilization and Culture», in which Almada defines civilization as "a collective phenomenon" and culture as "an individual phenomenon". Cf. Dutra Faria: «SW. Sudoeste - Europa-Portugal» in Fradique, Lisboa, nº 73, 1935 & Clara Cabrée Rocha: «Sudoeste» in MODERN!SMO. Arquivo Virtual da Geração de Orpheu ~ The 2th issue inserts 2 plates with the drawings «O Céu» and «Madrid 30» by Almada, very rare because they were suppressed by the censorship. The 3rd one bears two plates with drawings by Sarah Affonso (1899-1983) and the expressionist painter Mário Eloy (1900-1951). ~ Publisher's wrappers ~ VII+31+[3]p ; 44+[4]p : 44+[2]p+16p ~ 25x18x2cm. ~ In fine condition with just a small closed tear on toe of spine ~ LANGUAGE: Português / Portuguese Literature / Modernism / Avant-garde // We accept PayPal & EU bank transfer in EUROS. Magazines & Periodicals.

paperback. Este livro apresenta uma perspectiva original e inédita sobre o campo de estudos da harmonia na música popular, formalizando uma proposta de teoria cuja essência é a ideia de funcionalidade, tratada de maneira abrangente e aprofundada. Construída a partir da observação da prática harmônica estendida em música popular, essa teoria é estruturada como um amplo conjunto de princípios e novos conceitos, tais como a ideia de uma detalhada taxonomia de classes, subclasses e categorias funcionais, a sistematização de funções melódicas, bem como formulações referentes a expectativa contextual e níveis de organização funcional, entre outros aspectos. No livro, a noção de funcionalidade é ainda generalizada e estendida a contextos modais e coleções não diatônicas (simétricas ou não), o que gera novas abordagens teóricas e analíticas. Carlos Almada é compositor, arranjador e professor da Escola de Música da Universidade Federal do Rio de Janeiro (UFRJ). Pesquisador, tem interesses em variação musical e em estudos sistemáticos em música popular, com diversas publicações em periódicos especializados e anais de congressos nacionais e internacionais. É membro da Associação Brasileira de Teoria e Análise Musical, líder do grupo de pesquisa MusMat e editor-chefe do Brazilian Journal of Music and Mathematics (MusMat). Publicou A estrutura do choro (2006), Contraponto em música popular (2013), Nas fronteiras da tonalidade (2016), Musical Variation: Toward a Transformational Perspective (2023) e quatro títulos pela Editora da Unicamp: Arranjo (2001), Harmonia funcional (2009), A harmonia de Jobim (2022) e A melodia de Jobim (2023).