Alsdorf bridget (64 risultati)

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Da: HPB-Ruby, Dallas, TX, U.S.A.HPB-Ruby
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hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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Da: HPB-Diamond, Dallas, TX, U.S.A.HPB-Diamond
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EUR 16,18
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hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Lingua: Inglese
Editore: Guggenheim Museum, Solomon R., 2003
Serie: Guggenheim Museum Publications, Libro 12 di 13. Libro 12 di 13 - Guggenheim Museum Publications
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Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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EUR 20,24
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Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Da: Recycle Bookstore, San Jose, CA, U.S.A.Recycle Bookstore
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EUR 15,28
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Hardcover. Condizione: Very Good. Book has light wear to extremities, otherwise an attractive copy - tight binding, unmarked pages, no major defects. Photos and pages are crisp and bright.

Lingua: Inglese
Editore: Guggenheim Museum, 2003
Serie: Guggenheim Museum Publications, Libro 12 di 13. Libro 12 di 13 - Guggenheim Museum Publications
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Da: Bay State Book Company, North Smithfield, RI, U.S.A.Bay State Book Company
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EUR 27,87
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Condizione: very_good.

Cezanne and the Modern: Masterpieces of European Art from the Pearlman Collection (Princeton University Art Museum Monograph Series)
Delue, Rachael Z.,Allan, Scott,Alsdorf, Bridget,Baum, Kelly,Chu, Petra T.
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Da: Sell Books, Elland, YORKS, Regno UnitoSell Books
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hardcover. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category tha…t encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Lingua: Inglese
Editore: Guggenheim Museum, 2003
Serie: Guggenheim Museum Publications, Libro 12 di 13. Libro 12 di 13 - Guggenheim Museum Publications
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Da: Greenworld Books, arlington, TX, U.S.A.Greenworld Books
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EUR 28,49
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Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Lingua: Inglese
Editore: Guggenheim Museum, 2003
Serie: Guggenheim Museum Publications, Libro 12 di 13. Libro 12 di 13 - Guggenheim Museum Publications
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Da: Greenworld Books, arlington, TX, U.S.A.Greenworld Books
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EUR 28,71
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Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.
Editore: Guggenheim Musuem Publications
- Brossura
Da: Arader Galleries of Philadelphia, PA, Philadelphia, PA, U.S.A.Arader Galleries of Philadelphia, PA
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EUR 14,42
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Aggiungi al carrelloPaperback. Condizione: New. Still in publisher shrink wrap. This book is published on the occasion of the exhibition The Global Guggenheim: Selections from the Extended Collection, Solomon R. Guggenheim Museum, February 9-April 22, 2001.

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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
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EUR 31,55
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Hardcover. Condizione: VG+. Color illustrated dustjacket with abstract inside cover, black boards with gilt text on spine. xi, (1) 2-333 pp. features many b+w and color illustrations. "Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pier…re-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde. A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life. Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational"--Publisher's description.

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Da: The Next Page, Calgary, AB, CanadaThe Next Page
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EUR 27,97
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Hardcover. Condizione: Like New.

Manet and Modern Beauty: The Artists Last Years
Allan, Scott; Beeny, Emily A; Groom, Gloria; Alsdorf, Bridget; Armstrong, Carol M; Burnham, Helen; Lehmbeck, Leah; Ormond, Devi; Manet, Edouard
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
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EUR 36,05
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Hardcover. Quarto. Hardcover. Watercolor illustrated paper boards in illustrated jacket. xv, 384 pages : illustrations (chiefly color); 30 cm. "An examination of the last years of the artist Édouard Manet's life and work"--Provided by publisher. "The name Manet evokes the provocative, heroically scaled pictures he painted in the… 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolors, and impressionistic scenes of suburban gardens and Parisian cafés. Often dismissed as too pretty and superficial by critics, these later works reflect Manet's elegant social world, propose a radical new alignment of modern art with fashionable femininity, and record the artist's unapologetic embrace of beauty and visual pleasure in the face of death. Featuring nearly three hundred illustrations and nine fascinating essays by established and emerging Manet specialists, a technical analysis of the late Salon painting Jeanne (Spring), a selection of the artist's correspondence, a chronology, and more, Manet and Modern Beauty brings a diverse range of approaches to bear on a little-studied area of this major artist's oeuvre. This volume is published to accompany an exhibition on view at the Art Institute of Chicago May 26 to September 8, 2019, and at the J. Paul Getty Museum at the Getty Center October 8, 2019, to January 12, 2020."--from publisher. VG/VG-. Jacket has bumping at head/tail of spine and corners. Boards have fore edge bumping. Interior clean besides small stamp inside stating "withdrawn from an art museums library".

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.

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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Da: Gleebooks, Sydney, NSW, AustraliaGleebooks
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Hardcover. Condizione: Fine. 283pp., b/w and colour illus., notes, index. Very light surface wear to cover. Otherwise excellent tight clean copy. GL 12/23.

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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Hardback. Condizione: New. How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French artGawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known a…s badauds. In contrast to the singular and aloof bourgeois flâneur, badauds were passive, collective, instinctive, and highly impressionable. Above all, they were visual, captivated by the sights of everyday life. Beautifully illustrated and drawing on a wealth of new research, Gawkers excavates badauds as a subject of deep significance in late nineteenth-century French culture, as a motif in works of art, and as a conflicted model of the modern viewer.Bridget Alsdorf examines the work of painters, printmakers, and filmmakers who made badauds their artistic subject, including Félix Vallotton, Pierre Bonnard, Henri de Toulouse-Lautrec, Honoré Daumier, Edgar Degas, Jean-Léon Gérôme, Eugène Carrière, Charles Angrand, and Auguste and Louise Lumière. From morally and intellectually empty to sensitive, empathetic, and humane, the gawkers these artists portrayed cut across social categories. They invite the viewer's identification, even as they appear to threaten social responsibility and the integrity of art.Delving into the ubiquity of a figure that has largely eluded attention, idling on the margins of culture and current events, Gawkers traces the emergence of social and aesthetic problems that are still with us today.

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.

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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2022. Hardcover. . . . . .

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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: New.

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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condizione: new.

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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.

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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frederic Bazille, and Pierre-Auguste Renoir, this book argues for the importance of the group as a defining subject of nineteenth-century French painting. Num Pages: 352 pages, 42 color illus. 1…22 halftones. BIC Classification: 1DDF; 3JH; ACV; AFC. Category: (P) Professional & Vocational. Dimension: 189 x 260 x 27. Weight in Grams: 1234. . 2012. Hardcover. . . . .

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.

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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Hardback. Condizione: New. How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French artGawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known a…s badauds. In contrast to the singular and aloof bourgeois flâneur, badauds were passive, collective, instinctive, and highly impressionable. Above all, they were visual, captivated by the sights of everyday life. Beautifully illustrated and drawing on a wealth of new research, Gawkers excavates badauds as a subject of deep significance in late nineteenth-century French culture, as a motif in works of art, and as a conflicted model of the modern viewer.Bridget Alsdorf examines the work of painters, printmakers, and filmmakers who made badauds their artistic subject, including Félix Vallotton, Pierre Bonnard, Henri de Toulouse-Lautrec, Honoré Daumier, Edgar Degas, Jean-Léon Gérôme, Eugène Carrière, Charles Angrand, and Auguste and Louise Lumière. From morally and intellectually empty to sensitive, empathetic, and humane, the gawkers these artists portrayed cut across social categories. They invite the viewer's identification, even as they appear to threaten social responsibility and the integrity of art.Delving into the ubiquity of a figure that has largely eluded attention, idling on the margins of culture and current events, Gawkers traces the emergence of social and aesthetic problems that are still with us today.

Women Artists in Paris 1850-1900
Madeline, Laurence; Alsdorf, Bridget (CON); Kendall, Richard (CON); Becker, Jane R. (CON); Hansen, Vibeke Waallann (CON)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 78,23
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Condizione: New.

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.

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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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EUR 81,25
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Hardback. Condizione: New. Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frederic Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of so…me of the most ambitious paintings of the realist and impressionist generation, Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde. A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life.Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational.
Altre immagini- Rilegato
Da: Hugh Hardinge Books, Cambridge, Regno UnitoHugh Hardinge Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 24,24
EUR 56,47 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Very Good. Black boards and spine, the latter lettered in gilt. Clean contents.

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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
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Condizione: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.