Amanda botha editor (1 risultati)
Altre immaginiLingua: Inglese
Editore: Brundyn + Gonsalves / Sasol Art Gallery, Cape Town/Stellenbosch, 2012
- Brossura
- Prima edizione
Da: The Archives, Manassas, VA, U.S.A.The Archives
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: ESA
Condizione: Usato - Quasi ottimo
EUR 53,11
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Near Fine. No Jacket. 1st Edition, Limited Edition. Exhibition catalogue for Paul Emsley, US Woordfees/Wordfest Artist 2012, retrospective exhibition, Sasol Art Gallery, Stellenbosch, 2 March-21 April 2012. Softcover with French flaps. Illustrated throughout. Laid in: business card of gallery owner/director Elana Brundyn of Brundyn + Gonsalves. A substantial and visually accomplished retrospective devoted to Paul Emsley (b. 1947), the Glasgow-born artist who grew up and established his early career in South Africa before relocating to England. Curated by Amanda Botha, the exhibition surveyed more than three decades of Emsley's drawings and paintings, from his earlier expressionist work through the meticulously observed black-chalk and pencil drawings for which he became internationally known. Essays include Botha's "Beauty and Truth: An Aesthetic Appreciation of Paul Emsley's Art" and Clare Menck's "Portrait of Paul Emsley," accompanied by reproductions of portraits, flowers, landscapes, animals and other works. The catalogue notably reproduces Emsley's 2010 portrait of Nelson Mandela, now in the Nelson Mandela Foundation collection. Emsley had won the National Portrait Gallery's 2007 BP Portrait Award and had also painted V. S. Naipaul for the Gallery. The timing of this catalogue makes it especially interesting. The Stellenbosch retrospective opened in March 2012; during that same year Emsley produced the National Portrait Gallery's commissioned portrait of Catherine, then Duchess of Cambridge, unveiled in January 2013. The National Portrait Gallery records both that painting and Emsley's preliminary drawings in its collection. Thus this retrospective captures Emsley's career at the precise point immediately before that royal commission brought him extraordinary international attention. His institutional standing is considerable: the Redfern Gallery records work in the British Museum, National Portrait Gallery, South African National Gallery, Johannesburg Art Gallery and numerous university and corporate collections. Condition is Near Fine. Square-format softcover with French flaps, clean and firmly bound, with a bright interior and only light superficial handling/rubbing to the predominantly black covers. No dust jacket, as issued. Laid in is the business card of Elana Brundyn, director/co-founder of Brundyn + Gonsalves, Cape Town, the gallery responsible for publishing the catalogue. The card is retained as relevant contemporary gallery ephemera and provides an appealing provenance connection to the publication itself. The catalogue's own credits give "special recognition" to Elana Brundyn & Ann Gonsalves (Brundyn + Gonsalves, Cape Town), and Emsley personally thanks Brundyn in his acknowledgements for initiating and organizing the exhibition and for promoting his work "over a number of years." Independent bibliographical records identify Brundyn + Gonsalves as the publisher of this specific catalogue, while a later Strauss & Co. auction record explicitly cites the catalogue when documenting a work exhibited in the 2012 retrospective. …