amanda maples (38 risultati)

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover. Condizione: Very Good. First Edition. Illus., 327pp. Bright copy with no ownership markings. Corners of boards bumped, touch of buckling to edges of pages, slight cocking to spine. Well packaged in a box, ships with tracking.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: As New. Yale University Press; New Haven, 2012. Hardcover. Book is heavy and additional shipping cost may apply. NEW and in factory shrink wrap. A Fine, illustrated boards, binding firm, sharp corners, without Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 328pp. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

Hardcover. Condizione: new. Hardcover. An exploration of contemporary African masquerade that reveals its cultural contexts, artistic innovations, and intersection with museum collection practices By placing masquerade at the forefront of contemporary African art, this volume shows how masquerade is a dynamic and urban phenomenon shaped by shifting global concerns. Essays examine the lack of institutional recognition offered to present-day masquerade artists and the methods used to curate masquerade art at the museum level. An international group of scholars and artists explore the motivations and creative decisions of masquerade artists, highlighting their stories and providing a nuanced understanding of masquerade as a contemporary expression of human experience. This lavishly illustrated study includes more than 150 images, artist's biographies, in-depth analyses of masquerade ensembles in relation to themes of collaboration, economics, and meaning, and a discussion of the methodologies for ethically commissioning and acquiring masquerade art. Distributed for the New Orleans Museum of Art Exhibition Schedule: New Orleans Museum of Art (April 4August 10, 2025) Frist Museum, Nashville, TN (October 10, 2025January 4, 2026) San Antonio Museum of Art (February 27July 5, 2026 Museum of Fine Arts, St. Petersburg, FL (September 2026January 2027) National Museum of African Art, Smithsonian, Washington, DC (February 19September 26, 2027) Concurrently with: Museum of Black Civilization, Dakar, Senegal (TBD) Sierra Leone National Museum, Freetown (TBD) National Museum of Calabar, Nigeria (TBD) Published in the occasion of the exhibition of the same title, held at the New Orleans Museum of Art, April 4-August 10, 2025; Frist Art Museum, October 10, 2025-January 4, 2026; Museum of Fine Arts, St. Peterburg, mid-September, 2026-January 2027; and the National Museum of African Art, Smithsonian Institution, February 19-September 26, 2027. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. 2025. hardcover. . . . . .

hardcover. Condizione: New. Special order direct from the distributor.

Hardcover. First edition, first printing. Near Fine hardcover with a small abrasion to the back fore edge, a touch of rubbing to the lower tips, and a tiny dog ear to two pages, otherwise fine/as new; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "This comprehensive publication celebrates one of the largest and most significant bequests in the Yale University Art Gallery's history: the exceptional Charles B. Benenson Collection of African art. Bequeathed from 2002 to 2004, this gift of 586 objects nearly tripled the Gallery's holdings in this area, transforming what was once a modest installation into one of the nation's premier university collections of African art. Accumulating Histories features full cataloguing data (including culture, date, provenance, bibliography, and exhibition history) and beautiful color reproductions of every object. In a departure from traditional collections catalogues, essays recount the testimony of Benenson's family, close friends, professional advisors, and African art dealers, to examine the history of his stunning collection." Essays by Frederick John Lamp, Michael Kan, Amanda M. Maples, Laura Smalligan, and Susan Vogel. 328 pages; 586 color photographs of works + 23 text illustrations + full-page chapter frontispieces; 9.75 x 12.25 inches. Timeline. Indices: of cultures; of provenance; of exhibitions. Due to size and weight, international and expedited shipping will be more than quoted.

Condizione: new.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. 319 pages : color illustrations, map ; 31 cm. Summary:A volume unveiling for the first time the African art held in the celebrated Leslie Sacks Collection of Los Angeles. Covering a collection assembled over many years by the modernist art dealer Leslie Sacks, this book unveils for the first time 187 African art pieces accompanied by a number of essays of exceptional interest.

Hardback. Condizione: New. An exploration of contemporary African masquerade that reveals its cultural contexts, artistic innovations, and intersection with museum collection practices   By placing masquerade at the forefront of contemporary African art, this volume shows how masquerade is a dynamic and urban phenomenon shaped by shifting global concerns. Essays examine the lack of institutional recognition offered to present-day masquerade artists and the methods used to curate masquerade art at the museum level. An international group of scholars and artists explore the motivations and creative decisions of masquerade artists, highlighting their stories and providing a nuanced understanding of masquerade as a contemporary expression of human experience.   This lavishly illustrated study includes more than 150 images, artist's biographies, in-depth analyses of masquerade ensembles in relation to themes of collaboration, economics, and meaning, and a discussion of the methodologies for ethically commissioning and acquiring masquerade art.   Distributed for the New Orleans Museum of Art  Exhibition Schedule:  New Orleans Museum of Art (April 4-August 10, 2025)  Frist Museum, Nashville, TN (October 10, 2025-January 4, 2026)San Antonio Museum of Art (February 27-July 5, 2026  Museum of Fine Arts, St. Petersburg, FL (September 2026-January 2027)National Museum of African Art, Smithsonian, Washington, DC (February 19-September 26, 2027)   Concurrently with:  Museum of Black Civilization, Dakar, Senegal (TBD)  Sierra Leone National Museum, Freetown (TBD)  National Museum of Calabar, Nigeria (TBD).

Condizione: NEW.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: New.

Condizione: New. In.

Condizione: New.

Hardback. Condizione: New. An exploration of contemporary African masquerade that reveals its cultural contexts, artistic innovations, and intersection with museum collection practices   By placing masquerade at the forefront of contemporary African art, this volume shows how masquerade is a dynamic and urban phenomenon shaped by shifting global concerns. Essays examine the lack of institutional recognition offered to present-day masquerade artists and the methods used to curate masquerade art at the museum level. An international group of scholars and artists explore the motivations and creative decisions of masquerade artists, highlighting their stories and providing a nuanced understanding of masquerade as a contemporary expression of human experience.   This lavishly illustrated study includes more than 150 images, artist's biographies, in-depth analyses of masquerade ensembles in relation to themes of collaboration, economics, and meaning, and a discussion of the methodologies for ethically commissioning and acquiring masquerade art.   Distributed for the New Orleans Museum of Art  Exhibition Schedule:  New Orleans Museum of Art (April 4-August 10, 2025)  Frist Museum, Nashville, TN (October 10, 2025-January 4, 2026)San Antonio Museum of Art (February 27-July 5, 2026  Museum of Fine Arts, St. Petersburg, FL (September 2026-January 2027)National Museum of African Art, Smithsonian, Washington, DC (February 19-September 26, 2027)   Concurrently with:  Museum of Black Civilization, Dakar, Senegal (TBD)  Sierra Leone National Museum, Freetown (TBD)  National Museum of Calabar, Nigeria (TBD).

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Hardcover. Condizione: Brand New. 264 pages. 11.00x9.50x1.00 inches. In Stock.

Hardcover. Condizione: Brand New. 264 pages. 11.00x9.50x1.00 inches. In Stock.

Hardcover. Condizione: new. Hardcover. An exploration of contemporary African masquerade that reveals its cultural contexts, artistic innovations, and intersection with museum collection practices By placing masquerade at the forefront of contemporary African art, this volume shows how masquerade is a dynamic and urban phenomenon shaped by shifting global concerns. Essays examine the lack of institutional recognition offered to present-day masquerade artists and the methods used to curate masquerade art at the museum level. An international group of scholars and artists explore the motivations and creative decisions of masquerade artists, highlighting their stories and providing a nuanced understanding of masquerade as a contemporary expression of human experience. This lavishly illustrated study includes more than 150 images, artist's biographies, in-depth analyses of masquerade ensembles in relation to themes of collaboration, economics, and meaning, and a discussion of the methodologies for ethically commissioning and acquiring masquerade art. Distributed for the New Orleans Museum of Art Exhibition Schedule: New Orleans Museum of Art (April 4August 10, 2025) Frist Museum, Nashville, TN (October 10, 2025January 4, 2026) San Antonio Museum of Art (February 27July 5, 2026 Museum of Fine Arts, St. Petersburg, FL (September 2026January 2027) National Museum of African Art, Smithsonian, Washington, DC (February 19September 26, 2027) Concurrently with: Museum of Black Civilization, Dakar, Senegal (TBD) Sierra Leone National Museum, Freetown (TBD) National Museum of Calabar, Nigeria (TBD) Published in the occasion of the exhibition of the same title, held at the New Orleans Museum of Art, April 4-August 10, 2025; Frist Art Museum, October 10, 2025-January 4, 2026; Museum of Fine Arts, St. Peterburg, mid-September, 2026-January 2027; and the National Museum of African Art, Smithsonian Institution, February 19-September 26, 2027. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: NEW.