Amendola aurelio (161 risultati)

Paperback. Condizione: Fine.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2150grams, ISBN:9783823809616.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

softcover. Condizione: Used; Very Good. First Edition; First Printing. Numerous full page illustrations in color and black and white. With text in English and Italian. ; Tight and clean. Solid binding. A touch of light shelf/edge wear, otherwise in Very Good condition. No inscriptions. No remainder mark. Not ex-library.…

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. 95 pages, chiefly illustrations; 35 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Profusely illustrated. Includes essay "Michelangelo's David: from symbol to myth" by Antonio Paolucci. *** "In this book art historian Antonio Paolucci revisits the biblical story of David to rediscover his personality, reconstructing the milestones in the creation of this magnificent work of art and its subsequent history. The precision of Michelangelo's rendering of human anatomy, the grace of the carving and the virile elegance of the figure's pose can all be appreciated in Aurelio Amendola's photographs, which reveal every detail as well as the wonder of the whole." - Publisher. Size: Folio. Collectible. …

Hardcover. Condizione: Bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Size: 12" x 12", 191pp. Near new, fresh unused condition, covers bright, text clean & binding tight / bright and crisp dust jacket which is now in a clear protective mylar sleeve.

Hardcover. Condizione: Good. DJ shows minor wear and tear, pages clean.

Hardcover. Condizione: Like New. First Edition. First Edition, First Printing. Published by Ore Cultura Srl (Acc), 2014. Quarto. Hardcover. Book is like new. Dust jacket is like new.

Paperback. Condizione: New. In a completely unexpected way, Aurelio Amendola, a world-renowned photographer, goes beyond his consolidated practice of printing on paper to take up the challenge of the contemporary medium par excellence, digital, exhibiting his shots dedicated to Michelangelo on the screens of Rifugio Digitale. The gallery that hosted the exhibition draws its identity from its origin: an anti-aircraft bunker built in Florence during the Second World War to protect the neighbourhood from bombing. The redevelopment of the tunnel has given rise to a space that welcomes artistic expressions of all kinds, with a strong look towards the future and a strong predilection for everything that moves in the digital field.Antonio Natali, together with the photographer from Pistoia, selected these images, curating the exhibition and the volume, inviting us to pay attention to something completely different from the canonical iconography to which we are accustomed. In fact, we are presented with an iconic Michelangelo.…

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: Buone. inglese Condizioni dell'esterno: Molto buone Condizioni dell'interno: Molto buone.

Paperback. Condizione: new. Paperback. In a completely unexpected way, Aurelio Amendola, a world-renowned photographer, goes beyond his consolidated practice of printing on paper to take up the challenge of the contemporary medium par excellence, digital, exhibiting his shots dedicated to Michelangelo on the screens of Rifugio Digitale. The gallery that hosted the exhibition draws its identity from its origin: an anti-aircraft bunker built in Florence during the Second World War to protect the neighbourhood from bombing. The redevelopment of the tunnel has given rise to a space that welcomes artistic expressions of all kinds, with a strong look towards the future and a strong predilection for everything that moves in the digital field. Antonio Natali, together with the photographer from Pistoia, selected these images, curating the exhibition and the volume, inviting us to pay attention to something completely different from the canonical iconography to which we are accustomed. In fact, we are presented with an iconic Michelangelo. AUTHORS: Aurelio Amendola, born in Pistoia in 1938, during his exceptional career as an art photographer has dedicated himself intensely to contemporary themes, coming to collect a real gallery of portraits of the most famous masters of the twentieth century. In 2024, the Spazio Vedova in Venice welcomed many of his shots in the exhibition "Amendola. Burri, Vedova, Nitsch: Actions and gestures", produced by the Emilio and Annabianca Vedova Foundation in collaboration with the Palazzo Albizzini Foundation Burri Collection. Antonio Natali, born in Piombino in 1951, worked at the Uffizi from 1981 to 2016, being its director from 2006 to 2015. In 2006 he became Full Professor of History of Modern Art at the Politecnico di Milano. At the Uffizi he was also responsible for the departments of 16th-century and 17th-century painting and contemporary art. Among the exhibitions he curated is the triad of Palazzo Strozzi dedicated to Florentine art of the 16th century (in 2010, 2014 and 2017). SELLING POINTS: . Exclusive Exhibition: Experience Aurelio Amendola's first-ever digital photography of iconic sculptures by Michelangelo, blending traditional craftsmanship with innovative digital techniques . Immersive Viewing: Admire stunning, large-scale images of masterpieces like the David, Moses, and Pieta, offering a unique perspective through refraction and transparency . Timeless Art: Engage with timeless sculptures in a new light, allowing for an intimate connection with Michelangelo's genius through high-resolution digital reproductions Masterful Photography: Renowned photographer Aurelio Amendola brings his expertise to digital photography, offering a fresh narrative of classic art in the Buonarrotiani style . Unprecedented Access: For the first time, visitors can immerse themselves in the detailed craftsmanship of Michelangelo's works, displayed on 164x92 cm screens Accompanying catalogue to the The Primacy of Informal exhibition held at Rifugio Digitale in Italy from 13 November 2024 to 5 January 2025 33 b/w illustrations Aurelio Amendola's digital photography of iconic sculptures, offering an immersive experience of Buonarrotiani masterpieces. Accompanies 'The Primacy of Informal' exhibition held at Rifugio Digitale in Italy from 13 November 2024 to 5 January 2025. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Book good. Jacket. .Not paginated. Coloured photos by Aurelio Amendola. Italian and English parallel texts. landscape.

Hardcover. Condizione: Near Fine. Near Fine. First edition. Oblong quarto. 35pp. Illustrated with color plates. Editorial Director, Angelo Salvioni. Slightly bowed with soft bumping on the corners and slight edgewear else near fine in a near fine dustwrapper with faint rubbing on the panels.

Condizione: MOLTO BUONO. Cinisello Balsamo, Silvana - Cassa di Risparmio di Pistoia e Pescia cm.25x30,5, pp.220, 226 tavole e illustrazioni a colori e bn, legatura editoriale cartonata, sopraccoperta figurata a colori.

Text Bruno Contardi. Kempen, te Neues Verlag 1999. 191 Seiten m. zahlreichen Abbildungen. Orig. Hardcover, Schutzumschl., 4°. Sehr gut erhalten. Gewicht: 2,2 Kilogramm. Versandspesen im Inland nur 3,50 EURO.

34,5 x 25 cm ; Pp. . Condizione: Gut. 95 S. ; Großformatige Hardcoverausgabe mit Schutzumschlag, 95 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1722 ISBN: 3832171894.

Paperback. Condizione: Brand New. 72 pages. 0.54x0.39x9.84 inches. In Stock.

Couverture rigide. Condizione: Très bon. Condizione sovraccoperta: Très bon. 191 p. Cote, cachet et porte-carte de biblio. Abondamment ill. de photos. La cote est collée sur la jaquette du livre. Amendola, Aurelio (photographe) (illustratore).

Condizione: COME NUOVO. NOTA:Esemplare con dedica di Santo Ficara. / Santo Ficara cm.15x21,5, pp.64 ill.a colori e bn. brossura. n.632/700. Questo libro comunica scelte di vita e di lavoro che dimostrano come nel mondo dell'arte si possa ancora agire con successo senza abdicare a quel senso di condivisione, di amicizia, di rispetto che sono le basi di ogni nucleo "umano" capace di esprimere qualche idea nuova. Aurelio Amendola ha ritratto gli artisti che Santo Ficara ha esposto nel corso degli anni nella sua galleria: Carla Accardi, Roberto Barni, Enrico Castellani, Gianluigi Colin, Piero Dorazio, Marcello Jori, Luigi Mainolfi, Aldo Mondino, Luigi Ontani, Pino Pinelli, Roberto Pietrosanti, Antonella Zazzera. Un sistema di relazioni per immagini, una dichiarazione di poetica quasi sentimentale, perché ci si abbandona alla fisiognomica, ovvero a quella pseudoscienza che vuol riconoscere nelle fattezze di una persona, specialmente nel viso, il carattere, le qualità e magari anche qualche somiglianza col lavoro e con i suoi requisiti morali o intellettuali. Con un testo di Marco Meneguzzo.…

Condizione: NEW.

Condizione: , 112pp, , mooi exemplaar. Condizione sovraccoperta: , 112pp, , mooi exemplaar. 2011, 112pp, softcover, mooi exemplaar.

Hardback. Condizione: Very Good. Condizione sovraccoperta: Very Good. Black boards. Pictorial jacket. 300 x 300 mm. 192 pp. A lavishly illustrated collection of b&w photographs, with an introductory essay by architectural historian Bruno Contardi. Parallel English-German language edition. This copy is in the English-language dustjacket. St. Peter's basilica, Rome. Faint dust spotting on top edge. Book.…

Hardcover. Condizione: Fine. Near Fine. First Edition. Hardcover in dust jacket. Folio. First printing. Book is As New. Dust jacket has a small chip and closed tear on bottom rear, else fine. Detailed study of Michelangelo's noted sculpture, with many vivid, beautifully lit close-ups of the marble forms. Text is in Italian; inset is a booklet with text in English. The photo section has no text. All photos in black and white. An essential book for admirer's of Michelangelo's David. 95 pp. In protective Mylar. Heavy--may require additional postage if shipped other than domestic media mail.…

Fotografie di Aurelio Amendola, saggio di Bruno Contardi. Legatura editoriale con sovracoperta e astuccio, 31x31 cm, 191 pg. con fotografie in bianco e nero a piena pagina. Ottimo.

Condizione: very good. Kempen, teNeues. 1999. Hardback, dustjacket. 192pp. Illustrated, photo's. Large format. English and german text. Condition: very good. -Großformatiger Band über die Peterskirche in Rom. Condition : very good copy. ISBN 9783823809616. Keywords : ARCHITECTURE, photography.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Oversized hardcover, with dust jacket. Black paper over boards with black embossed lettering to the front cover. Glossy black and white pictorial dust jacket with red lettering. Dated 1996 on copyright page. No date on title page. 173 pages. This is the English language edition. Very good condition. Binding is strong and corners are square. Spine and corners are lightly bumped. Pages are bright and clean. Free of marks. Gorgeous, glossy black and white photographs throughout, accompanied by essays. Dust jacket is clean. Some light wear and wrinkling at the head and foot of the spine. Corner have very light wear as well. A gentle crease along the foot of the front cover. A small closed tear at the head of the spine. Some overall faint scuffing from shelf-wear. Overall good condition. This is an oversized book, extra shipping will be required for international or priority shipping. Please email with questions or to see any photos.…