and shepard sam (33 risultati)

Trade paperback. Condizione: New. Trade paperback (US). Glued binding. 150 p. Audience: General/trade.

Trade Paperback. Condizione: Very Good +. First edition. Fool for Love by Sam Shepard and The Sad Lament of Pecos Bill on the Eve of Killing His Wife / words by Sam Shepard ; music by Sam Shepard & Catherine Stone. A clean, unmarked copy.

Hardcover without dustjacket as issued, 60 pages, very good condition, scratch to cover, no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine. Aged book. Tanned pages and age spots, however, this will not interfere with reading.

Soft cover. Condizione: VG+. 1st Edition. A VGF or better 2-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Size: 11" X 14". Book.

Soft cover. Condizione: VG+. A VG or better 2-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Size: 11" X 14". Book.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. Edited by Barry Daniels. First printing. Remainder mark on bottom edge, else fine in a fine dust jacket.

Paperback. Condizione: Good. Series: Bantam World Drama 211p white paperback, purple illustrated front cover shows two creases otherwise very well preserved, eight Off-Off Broadway plays by Shepard, van Italie, Mednick, Sankey et al Language: English.

Soft cover. Condizione: VG+. An original 9" x 12" presskit that contains eleven supplements as well as eleven 8 x 10 stills! Book.

Soft cover. Condizione: Very Good. 1st Edition. Trade paperback, 281 pp, 8 full-page black & white illustrations. Cotatins Shepard's "Chicago," his first play published in a book; it won an Obie Award. Also plays by Frank O'Hara, Joel Oppenheimer, and Lanford Wilson.

First Edition. First edition and first printing. Oblong hardcover. 60 pages. Exhibition catalog for a show that ran October 9, 1997 through June 14, 1998. Features a preface by Michael Govan and texts by Isaac Julien, Mark Nash, Lynne Cooke, and Sam Shepard. Includes 16 color illustrations, list of previous exhibitions, selected bibliography, and a checklist. A very good plus copy in boards that are lightly rubbed. No dust jacket as issued.

Soft cover. Condizione: VG+. An original 9" x 12" presskit that contains six supplements as well as thirteen 8 x 10 stills. Book.

Condizione: Good. Good condition. Good dust jacket. Book Club edition. (Plays, Drama, Monologues) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. First edition. Edited by Barry Daniels. xii, 252pp. Pages and boards lightly age-toned, edges of boards nicked and worn, thus good only in a good only dust jacket with corresponding wear on edges.

Hardcover. Condizione: About Fine. Condizione sovraccoperta: Very Good+. First Edition, First Printing. 1 volume (unpaged) : illustrations ; 34 cm. 4to. Hardcover. Glossy white paper over boards, red lettering to spine and front cover. Book Condition: About fine. Dust Jacket Condition: Mild rubbing to panels with some superficial scratches to rear panel. Portraits of all 35 members of the Steppenwolf company alongside historic production photography and reflections by Christiansen, DeLillo, Shepard, Vonnegut et al.

Soft cover. Condizione: As New. No Jacket. Special Edition. First edition / First printing. Advance Uncorrected Proof. Printed wrappers. xiii, 411 pages. Fine.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First edition. Edited by Barry Daniels. 252pp. Fine in a fine dust jacket.

Soft cover. Condizione: VG. A good original release 27 x 41 folded one sheet. Size: 27" x 41". Poster.

Unbound. Condizione: Fine. Promotional brochure. One 8 1/4" x 11 1/2" white sheet printed in blue, folded to make six pages. A brochure advertising the Black Theatre Co-operative's production of Sam Shepard's *The Tooth of Crime* at Bush Theatre, as well as Bush Theatre's own production of *Topokana Martyrs' Day* by Jonathan Falla. *Topokana Martyrs' Day* made its premier at Bush Theatre in 1983, but we can't be certain if this brochure is from the premier or a later production.

Soft cover. Condizione: New. New. and pristine. See scans and description. New York: Dramatist's Play Service, Inc., 2007. 'When the World Was Green (A Chef's Fable)', by Joseph Chaikin and Sam Shepard. Acting Edition. 12mo, printed stapled wraps, 38 pp.(34 numbered + 1 + 3 pp New Play listings). New, and flawless. See all scans. A perfect example of the Acting Edition for this short, moving, 2-character Shepard piece. Ships in a new, sturdy, protective box - not a bag. L200.

Soft cover. Condizione: Fine. 120 pp., b&w illus. Essays by Todd Gitlin, Stanley Kauffmann, Richard Schechner and others. Scripts for Sam Shepard's "The Tooth of Crime" and Jean-Claude van Itallie's "Eat Cake" and more. This is the first appearance in print of "The Tooth of Crime," preceding by a year the trade edition published by Grove Books (New York) and Faber and Faber (London). The play first opened in London and Princeton, NJ in 1972. A well-preserved, clean and unread copy.

Hardcover. Condizione: Near Fine. 1st Edition, Limited Edition. Original limited edition hardcover with wraparound small jacket, # 934 of 2000 copies, photography by Ed Ruscha, very collectible monograph in near fine condition. Minimal wear - light smudge atop spine. Otherwise, very bright. NO INTERNATIONAL SHIPPING. Thank you.

Condizione: Like New. Text block, wraps and binding are in like new condition, without markings of any kind. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

13,9 x 1,7 x 19,3 cm, DVD. Condizione: Wie neu. Auflage: Standard Version. 1 DVD kleine Lagerspuren an der Box, DVD neuwertig Sprache: Englisch Gewicht in Gramm: 100.

Trade paperback. 512 p. Audience: General/trade. Good. Wear to cover and edges Text appears unmarked.

Trade paperback. Condizione: Very good. 512 p. Audience: General/trade.

Condizione: Good. - Small folio [14 inches high by 10-1/2 inches wide], unbound leaves laid into pictorial wrappers, as issued. The wraps are lightly rubbed & chipped with some rippling to the paper. There is a partially detached mailing label on the front wrap. 58 pages, unbound as issued. Full-page pictorial story titles in color. There is a small area of very light dampstaining to the bottom corners of the pages. Good. Francis Coppola explains in his introductory Letter to the Reader that this new magazine will publish only short stories and one-act plays. He emphasizes that stories will not be chosen because they seem to lend themselves to film adaptation but solely on the strength of the writer's voice and the quality of the writing. Each issue will include a short story commissioned by Coppola and based on a idea provided to the writer, and also a classic short story which has been successfully adapted to film. The magazine was later renamed Zoetrope: All-Story and has received every major short-fiction award, including the National Magazine Award for Fiction.Among the contents of this first issue are a commissioned story,"The Baker's Wife" by Sara Powers; an essay by David Thomson "What Happens Next? Hollywood and the short story"; and fiction by Nicola Barker, Joseph Chaikin and Sam Shepard, and Thom Jones.Rare.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. First edition, clothbound issue. Introduction by Michael Smith. Octavo. 281 [1] pp. Illustrated from black and white photographs. Covers trifle splayed, about fine in a modestly toned and lightly soiled, very good dust jacket with a couple of tiny chips and short tears. Contains Pulitzer Prize winner Sam Shephard's first play in book format, "Chicago," which would win an Obie award the same year for Best Distinguished Play. The other playwrights included are Frank O'Hara ("The General Returns from One Place to Antoher"); Landford Wilson ("The Madness of Lady Bright"); Joel Oppenheimer ("The Great American Desert"); Paul Foster ("Balls"); Jean-Claude van Itallie ("America Hurrah"); Maria Irene Fornes ("The Successful Life of 3"); and Megan Terry ("Calm Down Mother"). Also includes notes on several "Off-Off Broadway" theatres. Somewhat uncommon in the hardcover issue.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. A Fine tight hardcover copy in a Fine dust jacket. In these gripping, sometimes gut-wrenching letters, the men open themselves to each other with amazing honesty. Shepard s letters between Shepard and his former father-in-law and housemate, give us the deepest look we will ever get into his personal philosophy and creative process, while in Dark s letters we discover insights into Shepard s character that only an intimate friend could provide. The writers also reflect on the books and authors that stimulate their thinking, their relationships with women (including Shepard s anguished decision to leave his wife and son Dark s stepdaughter and grandson for actress Jessica Lange), personal struggles, and accumulating years.

Condizione: Good. 29 x 23 inches. Printer proof with 3 smaller poster and one large one.Interview with Wertheimer about the photograph on this poster:'How did you shoot the "Kiss"?I was in the men's room on the floor above the stage area at the Mosque Theater in Richmond, Virginia, on June 30 of 1956. I got more or less sidetracked and then I turned around and said: "Where's Elvis?" Elvis had disappeared. I go down the stairs of the theater. I get down to the landing where the stage area is. You've now got 3,000 kids, mostly girls, in there, and the "Elvis Presley Show" is going on; except there's no Elvis Presley around. I look down this long, narrow passageway, the light at the end of the tunnel. There's a silhouette of two people at the far end, and I say, "Oh yes, there's Elvis, with a girl, his date for the day." Do I interrupt them? Do I squeeze off a frame or two from a distance or do I go closer in? Well, you start off becoming a human tripod, because you don't want to start using flash. It's really quite dark. So then you decide, well, if I get closer and Elvis gets annoyed, he might say, "Al, get out of here, you've had it, go back to New York, don't bother." But, if I don't shoot it, I can't really consider myself a journalist. After all, I came here to do the story, and that's part of the story. There's a handrail on the left side. So I move up about five feet, and they're busy, they're intently involved with themselves. So I climb up on the handrail, and I wrap my legs around these metal tubes, and I'm now shooting over her shoulder, into his face. I'm getting close-ups. Nobody's paying any attention to me because when people are doing things that are more important to themselves than having their picture taken, you usually get good pictures. It's a simple formula. So now I'm not satisfied, typically. I'm not satisfied with what? I'm not satisfied with back lighting. I want front lighting. But the only way to get front lighting is to go beyond where they are. So I put on my best maintenance man voice and say, "Excuse me, coming through." I squeeze past the two of them. Again they don't pay attention to me because they're like hypnotizing each other. I'm now set on the landing facing the two of them, and I'm setting myself with the frame. It's a fairly decent composition, and I'm waiting for something to happen within my frame. She says to him: "Elvis, I'll betcha can't kiss me," and she sticks out her tongue just a teeny bit. And he says, "I'll betcha I can," in a very masculine, cool way. And he then approaches the kiss, he's got his tongue stuck out just a wee bit, and he overshoots the mark. I didn't realize that till I developed my film later on. He bent her nose, you see, a very romantic view. So now he backs off coolly, and tries it a second time, comes in for a perfect landing, and that's the end of that. That tenth of a second became history.' Provenance: Peter Howard, Serendipity Books, Berkeley.