Anders edstrom (61 risultati)

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: New. New copy.

Condizione: New. This text provides a review of venoms used by animals to defend themselves or to capture prey. Research into the field has revealed a great deal about animal behaviour and physiology, whilst the active venom components (toxins) have proved useful tools for studying human physiological mechanisms. Num Pages: 226 pages, bibliography, glossary, index. BIC Classification: PSBT; PSVW5. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230. Weight in Grams: 492. . 1992. hardcover. . . . . Books ship from the US and Ireland.…

Condizione: New. This text provides a review of venoms used by animals to defend themselves or to capture prey. Research into the field has revealed a great deal about animal behaviour and physiology, whilst the active venom components (toxins) have proved useful tools for studying human physiological mechanisms. Num Pages: 226 pages, bibliography, glossary, index. BIC Classification: PSBT; PSVW5. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230. Weight in Grams: 492. . 1992. hardcover. . . . .…

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Antenne Publishing presents its second publication in the ESTATE OF series, a publication that offers artists a space to realise projects in a specified format. Loops is Anders Edström's narrative chronology, from front to back covers. Shot during walks driving, during his travels, always looking, noticing, then stopping when the light and circumstance synthesize for him. He doesn't look for the spectacular or unusual, but rather for the preternatural union of light and circumstance. For this reason, they may seem mundane, but each is a statement about this union of light, time, and energy. Interspersed are reflective paint puddles, which he poured at home, getting the light to work for him. Each is a study in "light, form, and texture" - to use E. H. Gombrich's words from his essay on15th century paintings north and south of the Alps. In Loops, they are the creative investigations during this chronology. In Vladimir Nabokov's Bend Sinister, the novel before writing Lolita, one of his tropes was a puddle, which his main character, Adam Krug, first notices gazing out a window, a recent widower. Puddles distort reflections in reverse, like a "bend sinister," a heraldic shield with the band going from top left to bottom right instead of the reverse, a bend dexter. The puddle motif reappears as an inkblot, a footprint, an ink stain. Nabokov was a lucky sufferer of synesthesia, the crossing of one sensory modality into another, with words revealing different meanings. He played with language as sound and image, "caressing" details, as he called it, looking for the unnoticed, infusing his stories with undercurrents of his special intuition. Anders Edström was first discovered by the fashion industry, and first by Martin Margiela, who changed the look of fashion by being unspectacular, for example, simply covering boots, jeans, and backpacks in white gesso. Like Margiela, Anders Edström has always avoided the transcendent, spectacular, or highly stylized in preference for unaffected naturalism, but also for an alternative enlightenment in his synesthetic photography. Loops is a time capsule of his research. - Jeff Rian.…

Condizione: New.

Paperback. Condizione: New. Antenne Publishing presents its second publication in the ESTATE OF series, a publication that offers artists a space to realise projects in a specified format. Loops is Anders Edström's narrative chronology, from front to back covers. Shot during walks driving, during his travels, always looking, noticing, then stopping when the light and circumstance synthesize for him. He doesn't look for the spectacular or unusual, but rather for the preternatural union of light and circumstance. For this reason, they may seem mundane, but each is a statement about this union of light, time, and energy. Interspersed are reflective paint puddles, which he poured at home, getting the light to work for him. Each is a study in "light, form, and texture" - to use E. H. Gombrich's words from his essay on15th century paintings north and south of the Alps. In Loops, they are the creative investigations during this chronology. In Vladimir Nabokov's Bend Sinister, the novel before writing Lolita, one of his tropes was a puddle, which his main character, Adam Krug, first notices gazing out a window, a recent widower. Puddles distort reflections in reverse, like a "bend sinister," a heraldic shield with the band going from top left to bottom right instead of the reverse, a bend dexter. The puddle motif reappears as an inkblot, a footprint, an ink stain. Nabokov was a lucky sufferer of synesthesia, the crossing of one sensory modality into another, with words revealing different meanings. He played with language as sound and image, "caressing" details, as he called it, looking for the unnoticed, infusing his stories with undercurrents of his special intuition. Anders Edström was first discovered by the fashion industry, and first by Martin Margiela, who changed the look of fashion by being unspectacular, for example, simply covering boots, jeans, and backpacks in white gesso. Like Margiela, Anders Edström has always avoided the transcendent, spectacular, or highly stylized in preference for unaffected naturalism, but also for an alternative enlightenment in his synesthetic photography. Loops is a time capsule of his research. - Jeff Rian.…

Condizione: New.

Paperback. Condizione: New.

Condizione: New. 2019. Paperback. . . . . .

Paperback. Condizione: Brand New. 11.02x8.27x0.28 inches. In Stock.

Condizione: New.

Condizione: New.

Condizione: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: new.

Condizione: New. In English.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: Brand New. 11.02x8.27x0.28 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Magazine. First edition. Fine magazine, with a hint of handling/shelving. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The February 19, 2017, issue of the Sunday New York Times Style Magazine, T, with: Susannah Frankel profiles "The Woman Behind Martin Margiela," Jenny Meirens, with photos by Anders Edstrom and Danilo Scarpati; fashion portfolios by Collier Schorr, Karim Sadli, and Robi Rodriguez; a profile feature on Riley Keough by Taffy Brodesser-Akner with portraits and a fashion portfolio photographed by Patrick Demarchelier; Gary Indiana on the Pictures Generation and their continued relevance, with a portrait of 17 by Jason Schmidt; a profile of Anthony Vaccarello, the new head of Saint Laurent, by Alexander Fury and photographs by Jackie Nickerson; a tour of the minimalist SoHo apartment of Ronnie Sassoon and James Crump with photos by Francois Halard and text by Mary Kaye Schilling; a profile of the Italian chef Giacomo Bulleri by Deborah Needleman and photos by Bert Teunissen; Chloe Sevigny tours her hometown of Darien, Conn.; a Profile in Style of Min Hogg; Stockholm; Tilda Swinton and Gentle Monster; the artist Rashid Johnson responds to a poem by Robin Coste Lewis; the conceptual artist Anicka Yi; an illustrated Interview with Marge Simpson; Luke Edward Hall; and much more. Perfect-bound magazine; 248 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. …

Condizione: New.

Condizione: New.

Hardcover. Condizione: Brand New. english edition. 210 pages. 9.50x6.50x0.75 inches. In Stock.

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - Antenne Publishing presents its second publication in the ESTATE OF series, a publication that offers artists a space to realise projects in a specified format. Loops is Anders Edström's narrative chronology, from front to back covers. Shot during walks driving, during his travels, always looking, noticing, then stopping when the light and circumstance synthesize for him. He doesn't look for the spectacular or unusual, but rather for the preternatural union of light and circumstance. For this reason, they may seem mundane, but each is a statement about this union of light, time, and energy. Interspersed are reflective paint puddles, which he poured at home, getting the light to work for him. Each is a study in 'light, form, and texture' - to use E. H. Gombrich's words from his essay on15th century paintings north and south of the Alps. In Loops, they are the creative investigations during this chronology. In Vladimir Nabokov's Bend Sinister, the novel before writing Lolita, one of his tropes was a puddle, which his main character, Adam Krug, first notices gazing out a window, a recent widower. Puddles distort reflections in reverse, like a 'bend sinister,' a heraldic shield with the band going from top left to bottom right instead of the reverse, a bend dexter. The puddle motif reappears as an inkblot, a footprint, an ink stain. Nabokov was a lucky sufferer of synesthesia, the crossing of one sensory modality into another, with words revealing different meanings. He played with language as sound and image, 'caressing' details, as he called it, looking for the unnoticed, infusing his stories with undercurrents of his special intuition. Anders Edström was first discovered by the fashion industry, and first by Martin Margiela, who changed the look of fashion by being unspectacular, for example, simply covering boots, jeans, and backpacks in white gesso. Like Margiela, Anders Edström has always avoided the transcendent, spectacular, or highly stylized in preference for unaffected naturalism, but also for an alternative enlightenment in his synesthetic photography. Loops is a time capsule of his research. - Jeff Rian.…