anderson barbata laura (16 risultati)

Hardcover. Condizione: Good.

Fine and bright glossy colorful large stiff wraps with excellent square spine and crisp bright text throughout. Nicely illustrated in color with full page size color paintings. With informative text.

Hardcover. Condizione: New. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed.

Soft cover. Condizione: As New. 1st Edition. Softcover, French fold wraps. 122 pages, 7 1/4 x 9 3/8, perfect-bound, 4-color throughout, vellum sheets front and back. Terra Incognita: Proyecto Intervenciones Sociales captures in static images a sense of the dynamic, visual, tactile, auditory and even olfactory experience of Barbata's multimedia pieces while expressing the cultural layering at the heart of her work, which is inspired through her extended contact with the Yanomami and Ye'kuana tribes of Venezuela.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Large heavy hardcover is UNREAD in shrinkwrap. There is some bumping to the bottom cover edges and corners (not significant). Otherwise, handling wear only.

Condizione sovraccoperta: dj. First Edition. First edition and first printing. Large hardcover. Feaetures a preface by Geofrrey Holder, an introduction by Earl Lovelace, and interviews by Laura Anderson Barbata. Includes numerous color photographs by Stefan Falke. A fine copy in a fine dust jacket. A fresh copy.

Softcover, 100+ pages, in English and Spanish; very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 160 pages; new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Softcover exhibition catalog, 48 pages, in English; very good condition, no internal marks, clean and crisp.

Softcover, 48 pages, in English and Spanish; very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Encuadernación de tapa dura. Condizione: Nuevo. 1ª Edición. - Esta monografía celebra la alianza de la artista con zanqueros tradicionales de las Antillas y México -Moko Jumbies y zancudos- para quienes crea, en colaboración con miembros de la comunidad y artesanos tradicionales, disfraces a modo de esculturas. -Las obras resultantes desafían las nociones de arte comunitario, arte público, performance, escultura y tradición. Transcomunalidad examina el inicio de este proyecto en Trinidad y Tobago, y pone de relieve la forma en que Anderson Barbata ha integrado en su obra el trabajo de The Brooklyn Jumbies, un grupo de zanqueros de las Indias occidentales y África occidental que viven en Brooklyn y, más recientemente, en colaboración con Los zancudos de Zaachila de Oaxaca, México. Al unir estas dos tradiciones vivas y trabajando junto a ellos, la artista crea puentes entre continentes, culturas y comunidades elaborando un trabajo asombroso que fusiona arte contemporáneo con prácticas de patrimonio cultural.

230 p 26 Ã 34.5 Encuadernación editorial en tela impresa. Fotos en color.

1. Aufl. Transcommunality examines the beginning of the project in Trinidad and Tobago, and highlights the way Anderson Barbata has integrated into her work The Brooklyn Jumbies, a group of stilt dancers from the West Indies and West Africa living in Brooklyn and more recently collaborating with Los Zancudos de Zaachila from Oaxaca, Mexico. By uniting these two living traditions and working alongside them, Anderson Barbata bridges continents, cultures and communities creating astonishing work that melds contemporary art and cultural heritage practices. (Sehr gut erhalten - neu / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 2400 ill. OLeinen / Hardcover (cloth).

Hardcover. Condizione: New.

ill., + 1 printed card (10 x 10 cm.) in a linen-covered clamshell box 37 cm. Illustrated folktale of the brothers who taught the Yanomami how to build a house. Block printed book on handmade paper sewn with thread to a split stick spine; first and last leaves serve as covers. Tissue paper guard sheets loosely inserted./ Date "1996" in cut on back cover; each of the last three numbers is inverted./ "This is . a limited edition of 50. Made in the Yanomami Community of Platanal in the state of Amazonas of Venezuela in November of 2000 . the result of a community effort and collaboration involving the elders, scholars and youth working in the self-development project Yanomami Owe Mamotima . signed by the leader of this project"--Printed card laid in./ "The paper is hand made using abaca, the thread is kurathasi, and the pigment on the spine is onoto. The cover is a blend of shiki with abaca. The plates are rubber and printed using a water based ink"--Printed card laid in./ Accompanied by: "Yanomami Owë Mamotima Paper" = "Papel Yanomami Owë Mamotima" (1 sheet ; 22 x 28 cm.); "Traducción del texto del libro Shapono" = "Translation of the text from the book Shapono" (1 sheet : col. ill., ports ; 22 x 28 cm.); flier advertising Shapono and the Amazon paper project, including the Best Book of the Year Award bestowed on it in 1999 by the Venezuelan Ministry of Education (1 sheet : ill. (some col.), ports. ; 22 x 28 cm.). Text in Yanomami language. Publication information on accompanying card in English. The ink shades can vary, most of the covers are the darker color and inside sheets have the lighter color red. All spines are sewn and in some cases the stitches vary as well as the thickness and look of the spine. All spines are made from discarded arrows that are not used because they have broken. s. Signed.

Type C printing on photo paper. NOTE: All in a linen covered box-folder, which opens at the top like a door or a window that was handmade in Mexico. This is a numbered limited edition of 3 copies, plus 2 Artist Proofs and one Exhibition Copy. LIMITED EDITION OF 3. Laura Anderson Barbata (Mexico 1958) is a transdisciplinary artist born in Mexico City who lives and works between New York and Mexico City. In this series, the book "Retrato de Familia", the photographs by Lourdes Almeida, (which aims to make an exhaustive photographic record of the "Mexican family") have been completely intervened by cutting out all the sides of the book. The result was large color images where absence plays a leading role in the portrait, showing what is behind each of the people and revealing the complexity of each of the stories. The images are the result of a search for a faithful portrait. Each photo in the series is made up of several cut-out pages, and then they are photographed to make a new portrait. Laura Anderson Barbata since 1992 has initiated long-term projects and collaborations in the Venezuelan Amazon, Trinidad and Tobago, Mexico, Norway, and the United States that address social justice and the environment. Her work often combines performance, procession, dance, music, textile arts, costuming, papermaking, zines and protest. Some of Lourdes Almeida's works reveal that her work has an important dose of documentary photography. In the emblematic series "Family Portrait", her most recent book, she addresses migration and the border. She was a student of the "Charlas de Otoño" workshop taught by Manuel Álvarez Bravo. Since 1978, she has had 100 solo exhibitions in important museums in Mexico, Latin America, the United States, Europe, and Asia. She has participated in more than 300 collective exhibitions around the world. She is considered the master of experimental Polaroid photography in Mexico. "Since 1994, Laura Anderson Barbata has worked on self portraits in which her head and face have been removed in order to expand the reading of the self by reducing the importance of facial features. In these series, Barbata has worked with the book "Retratos de Familia" (with photographs by Lourdes Almeida) -a work that attempts to make and exhaustive photographic register of "Mexican families"- by carefully cutting all faces out of the book. Each photo of the series is composed of several pages that have been cut, after which they are photographed to create a new portrait. The resulting images permit absence to play an integral role in the portrait, showing us the complexities of each individual life story. They are the search of a true portrait." -sheet mounted in left inner flap.