Andersson andrea (90 risultati)

hardcover. Condizione: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condizione: Fine. 1st Edition. Color illustrations.

Paperback. Condizione: Brand New. 122 pages. 11.00x8.50x0.31 inches. In Stock.

Paperback. Condizione: Brand New. 116 pages. 11.00x8.50x0.29 inches. In Stock.

Paperback. Condizione: Brand New. 119 pages. 11.00x8.50x0.30 inches. In Stock.

Pamphlet. The original brochure for an exhibition of work by Yto Barrada titled "Ways to Baffle the Wind" and held at Mass MoCA, North Adams, MA. The show "features new and recent work by French-Moroccan artist Yto Barrada and includes sculpture, textile, films, and games assembled to model, parody, and learn from attempts to regulate and organize nature." Staple-bound pamphlet; self-wrappers; 8 pages; essay by Andrea Andersson; 6 color illustrations; 6 x 8.5 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. …

Condizione: New.

Hardcover without dustjacket as issued, 114 pages; very good condition; except large gallery withdrawn sticker on rear cover; no internal marks. Foreign shipping may be extra.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. A sweeping retrospective of Tina Girouard's pioneering contributions across video, performance, textile and community-based art and morePublished with Rivers Institute for Contemporary Art & Thought.From the 1970s until her death, Louisiana-born artist Tina Girouard (19462020) was a dedicated experimental artist, collaborator and art worker. Alongside her individual creative endeavors, she nurtured and was a part of numerous influential artist communities and organizations in New York, Louisiana and Haiti, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, the restaurant Food, the Kitchen, P.S. 1 and the Festival International de la Louisiane. Her acts of upkeep, including domestic labor traditionally associated with "women's work," blurred the boundaries between artmaking and what she called life-making. Sign-In is the first comprehensive monograph on her interdisciplinary oeuvre. It gathers documentation of her work in video, performance, drawing, textile, wall works and installation, tracing Girouard's practice and legacy across genres and geographies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condizione: New. In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space.Hinge Pictures is an artist's book in eight parts-a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping.") and formal liberation ("discover true form.develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint-a commitment to abstraction-in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. A sweeping retrospective of Tina Girouard's pioneering contributions across video, performance, textile and community-based art and morePublished with Rivers Institute for Contemporary Art and Thought.From the 1970s until her death, Louisiana-born artist Tina Girouard (1946-2020) was a dedicated experimental artist, collaborator and art worker. Alongside her individual creative endeavors, she nurtured and was a part of numerous influential artist communities and organizations in New York, Louisiana and Haiti, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, the restaurant Food, the Kitchen, P.S. 1 and the Festival International de la Louisiane. Her acts of upkeep, including domestic labor traditionally associated with "women's work," blurred the boundaries between artmaking and what she called life-making. Sign-In is the first comprehensive monograph on her interdisciplinary oeuvre. It gathers documentation of her work in video, performance, drawing, textile, wall works and installation, tracing Girouard's practice and legacy across genres and geographies.…

Condizione: New.

Hardback. Condizione: New. In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space.Hinge Pictures is an artist's book in eight parts-a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping.") and formal liberation ("discover true form.develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint-a commitment to abstraction-in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: New.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: New. No Jacket. 1st Edition. Yale University Press / The Bronx Meseum of the Arts, 2020. Hardbound, decorated boards. First edition. First printing. Very fine/issued without dust jacket. A clean tight unread copy, still in publisher's original shrink-wrap. 173 pages. Size: 10.50(h) x 9.50(w) inches. Sanford Biggers (b. 1970) is a Harlem-based artist working in various media including painting, sculpture, video, and performance. He describes his practice as code-switching mixing disparate elements to create layers of meaning to account for his wide-ranging interests. This catalogue focuses on a series of repurposed quilts (many made in the 19th century) that embodies this interest in mixture. Informed by the significance of quilts to the Underground Railroad, Biggers transforms the quilts into new works using materials such as paint, tar, glitter, and charcoal to add his own layers of codes, whether they be historical, political, or purely artistic. Several essays survey Biggers's career, his art in relation to music, and the history upon which the series draws. Also featured a graphic essay that introduces the layered meanings inherent in the art and craft of quilting. …

Condizione: New. 2020. Hardcover. . . . . .

Hardcover. Condizione: Brand New. 113 pages. 9.50x6.25x0.75 inches. In Stock.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.