Andre gaudreault (193 risultati)

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Trade Paperback. Condizione: Very Good.

Condizione: New.

Condizione: New.

Paperback. Condizione: Fine.

Soft cover. Condizione: Near Fine.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. Establishing a new vision for film history, Film and Attraction: From Kinematography to Cinema urges readers to consider the importance of complex social and cultural forces in early film. André Gaudreault argues that Edison and the Lumières did not invent cinema; they invented a device. Explaining how this device, the kinematograph, gave rise to cinema is the challenge he sets for himself in this volume. He highlights the forgotten role of the film lecturer and examines film's relationship with other visual spectacles in fin-de-siècle culture, from magic sketches to fairy plays and photography to vaudeville. In reorienting the study of film history, Film and Attraction offers a candid reassessment of Georges Méliès' rich oeuvre and includes a new, unabridged translation of Méliès' famous 1907 text "Kinematographic Views." A foreword by Rick Altman stresses the relevance of Gaudreault's concerns to Anglophone film scholarship.…

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Softbound. Condizione: Fine. Systeme du recit. Preface de Paul Ricoeur. Paris (Meridiens Klincksieck) 1988. Pictorial wraps. Fine.

Paperback. Condizione: New. Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," Andre Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.…

Soft cover. Condizione: Very Good. French and English Text. Very Good to Near Fine Condition. Binding tight, pages clean. Minimal wear along edges. Pictures available upon request.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780813544434.…

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condizione: As New. No Jacket. In a soft cover with orange and pink titles to spine and front and a colour illustration to front. No dust jacket, illustrated in black and white. The book is in as new condition. The cover is free of shelf-wear, the binding tight and the pages clean and unmarked. The book appears to be unread.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. At the turn of the twentieth century, cinema was quickly establishing itself as a legitimate form of popular entertainment. The essays in American Cinema 1890-1909 explore and define how the making of motion pictures flowered into an industry that would finally become the central entertainment institution of the world. Beginning with all the early types of pictures that moved, this volume tells the story of the invention and consolidation of the various processes that gave rise to what we now call "cinema." By examining the battles over patents, production, exhibition, and the reception of film, readers learn how going to the movies became a social tradition in American society. In the course of these two decades, cinema succeeded both in establishing itself among other entertainment and instructional media and in updating various forms of spectacle.…

Condizione: As New. : El relato cinematográfico explora las diferencias y similitudes entre diversos tipos de filmes, desde los mudos hasta los sonoros, y desde los policiacos hasta las comedias. André Gaudreault y François Jost analizan la diversidad del cine a través de los conceptos clave de la narratología, como el narrador, el tiempo y el punto de vista. Esta obra ofrece una visión innovadora de las épocas, los géneros y los autores cinematográficos, siendo accesible tanto para especialistas como para aquellos interesados en los mecanismos del relato.Este libro es una exposición metódica de los conceptos clave de la narratología, principalmente los de narrador, tiempo y punto de vista. Los autores, internacionalmente conocidos por sus investigaciones sobre el relato, hacen accesibles, así, para todo tipo de lectores, no sólo las más recientes teorías sobre la narración cinematográfica, sino también, a través de ellas, una nueva visión de las épocas, los géneros y los autores. EAN: 9788449300929 Tipo: Libros Categoría: Arte y Cultura|Películas Título: El relato cinematográfico Autor: François Jost| André Gaudreault Editorial: Ediciones Paidós Idioma: es-ES Páginas: 176 Formato: tapa blanda.…

paperback. Condizione: Very Good. DETAILS: sewn PAPERBACK, very good. GAUDREAULT, ANDRÉ / JOST, FRANÇOIS. Le Récit cinématographique. Paris: Nathan, 1994, 159pp., . Nathan-Université. Fac. cinéma, Cinéma et récit ; 2. 9782091900124 ISBN 2091907119.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.