Andreas marks kida takuya (7 risultati)

Autore
Perfeziona con la Ricerca avanzata

Perfeziona la tua ricerca

  • Libri (7)

  • Nuovo (7)

a

Fascia di prezzo personalizzata (EUR)

a

  • Lingua: Inglese

    Editore: Tuttle Publishing, US, 2026

    4805320796 / 9784805320792

    • Brossura

    Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA

    Venditore con 5 stelle
    Contatta il venditore

    Condizione: Nuovo

    EUR 25,08

     Spedizione gratuita 
    Spedito da Regno Unito a U.S.A.

    Quantità: Più di 20 disponibili

    Paperback. Condizione: New. This is a Pre - Release due out 10-06-2026 (This item will be delivered on or after the release date). A stunning survey of the avant-garde in Japanese ceramics from 1948 to 1990, from renowned art historian Andreas Marks.For many Japanese artists, the process of conceptualizing and producing artwork underwent fundamental change after the end of World War II in 1945. The long-standing emphasis on continuity, as was embedded for centuries in traditional media, formats, and hereditary lineages, was rejected by some in favor of a radical new approach, particularly within the field of ceramics. The emergence of an avant-garde and a formal pursuit of innovation can be traced across multiple media. One significant development was the shift by certain artists toward the creation of sculptural forms rather than functional objects.In 1948, a group of five ceramic artists, including Yagi Kazuo (1918-1979), Yamada Hikaru (1923-2001), and Suzuki Osamu (1926-2001), founded Sodeisha-literally, the Crawling through Mud Association. The group remained active until 1998. While more than 60 artists were associated with Sodeisha over time, not all ceramic artists pursuing innovative sculptural work chose to join. Artists such as Kawamoto Goro (1919-1986) and Morino Taimei (born 1934) worked independently, developing distinct artistic paths.Individualism remains a defining characteristic of contemporary Japanese ceramics. This volume examines the origins of that shift by presenting works created before 1990 by both independent artists and members of Sodeisha, tracing the early rupture with established ceramic traditions.

  • Lingua: Inglese

    Editore: Tuttle Publishing, 2026

    4805320796 / 9784805320792

    • Brossura

    Da: INDOO, Avenel, NJ, U.S.A.INDOO

    Venditore con 5 stelle
    Contatta il venditore

    Condizione: Nuovo

    EUR 25,09

     Spedizione gratuita 
    Spedito in U.S.A.

    Quantità: 20 disponibili

    Condizione: New.

  • Lingua: Inglese

    Editore: Tuttle Publishing, 2026

    4805320796 / 9784805320792

    • Brossura

    Da: California Books, Miami, FL, U.S.A.California Books

    Venditore con 4 stelle
    Contatta il venditore

    Condizione: Nuovo

    EUR 25,15

     Spedizione gratuita 
    Spedito in U.S.A.

    Quantità: Più di 20 disponibili

    Condizione: New.

  • Lingua: Inglese

    Editore: Tuttle Publishing, US, 2026

    4805320796 / 9784805320792

    • Brossura

    Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA

    Venditore con 5 stelle
    Contatta il venditore

    Condizione: Nuovo

    EUR 30,67

     Spedizione gratuita 
    Spedito in U.S.A.

    Quantità: 9 disponibili

    Paperback. Condizione: New. A stunning survey of the avant-garde in Japanese ceramics from 1948 to 1990, from renowned art historian Andreas Marks.For many Japanese artists, the process of conceptualizing and producing artwork underwent fundamental change after the end of World War II in 1945. The long-standing emphasis on continuity, as was embedded for centuries in traditional media, formats, and hereditary lineages, was rejected by some in favor of a radical new approach, particularly within the field of ceramics. The emergence of an avant-garde and a formal pursuit of innovation can be traced across multiple media. One significant development was the shift by certain artists toward the creation of sculptural forms rather than functional objects.In 1948, a group of five ceramic artists, including Yagi Kazuo (1918-1979), Yamada Hikaru (1923-2001), and Suzuki Osamu (1926-2001), founded Sodeisha-literally, the Crawling through Mud Association. The group remained active until 1998. While more than 60 artists were associated with Sodeisha over time, not all ceramic artists pursuing innovative sculptural work chose to join. Artists such as Kawamoto Goro (1919-1986) and Morino Taimei (born 1934) worked independently, developing distinct artistic paths.Individualism remains a defining characteristic of contemporary Japanese ceramics. This volume examines the origins of that shift by presenting works created before 1990 by both independent artists and members of Sodeisha, tracing the early rupture with established ceramic traditions.

  • Lingua: Inglese

    Editore: Tuttle Publishing, 2026

    4805320796 / 9784805320792

    • Brossura

    Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books

    Venditore con 5 stelle
    Contatta il venditore

    Condizione: Nuovo

    EUR 36,98

    EUR 17,50 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 2 disponibili

    Paperback. Condizione: Brand New. 144 pages. 9.00x2.00x12.00 inches. In Stock.

  • Lingua: Inglese

    Editore: Tuttle Publishing, US, 2026

    4805320796 / 9784805320792

    • Brossura

    Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United

    Venditore con 5 stelle
    Contatta il venditore

    Condizione: Nuovo

    EUR 32,67

    EUR 43,60 spedizione 
    Spedito in U.S.A.

    Quantità: 9 disponibili

    Paperback. Condizione: New. A stunning survey of the avant-garde in Japanese ceramics from 1948 to 1990, from renowned art historian Andreas Marks.For many Japanese artists, the process of conceptualizing and producing artwork underwent fundamental change after the end of World War II in 1945. The long-standing emphasis on continuity, as was embedded for centuries in traditional media, formats, and hereditary lineages, was rejected by some in favor of a radical new approach, particularly within the field of ceramics. The emergence of an avant-garde and a formal pursuit of innovation can be traced across multiple media. One significant development was the shift by certain artists toward the creation of sculptural forms rather than functional objects.In 1948, a group of five ceramic artists, including Yagi Kazuo (1918-1979), Yamada Hikaru (1923-2001), and Suzuki Osamu (1926-2001), founded Sodeisha-literally, the Crawling through Mud Association. The group remained active until 1998. While more than 60 artists were associated with Sodeisha over time, not all ceramic artists pursuing innovative sculptural work chose to join. Artists such as Kawamoto Goro (1919-1986) and Morino Taimei (born 1934) worked independently, developing distinct artistic paths.Individualism remains a defining characteristic of contemporary Japanese ceramics. This volume examines the origins of that shift by presenting works created before 1990 by both independent artists and members of Sodeisha, tracing the early rupture with established ceramic traditions.

  • Lingua: Inglese

    Editore: Tuttle Publishing, US, 2026

    4805320796 / 9784805320792

    • Brossura

    Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK

    Venditore con 5 stelle
    Contatta il venditore

    Condizione: Nuovo

    EUR 29,29

    EUR 75,85 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: Più di 20 disponibili

    Paperback. Condizione: New. This is a Pre - Release due out 06-10-2026 (This item will be delivered on or after the release date). A stunning survey of the avant-garde in Japanese ceramics from 1948 to 1990, from renowned art historian Andreas Marks.For many Japanese artists, the process of conceptualizing and producing artwork underwent fundamental change after the end of World War II in 1945. The long-standing emphasis on continuity, as was embedded for centuries in traditional media, formats, and hereditary lineages, was rejected by some in favor of a radical new approach, particularly within the field of ceramics. The emergence of an avant-garde and a formal pursuit of innovation can be traced across multiple media. One significant development was the shift by certain artists toward the creation of sculptural forms rather than functional objects.In 1948, a group of five ceramic artists, including Yagi Kazuo (1918-1979), Yamada Hikaru (1923-2001), and Suzuki Osamu (1926-2001), founded Sodeisha-literally, the Crawling through Mud Association. The group remained active until 1998. While more than 60 artists were associated with Sodeisha over time, not all ceramic artists pursuing innovative sculptural work chose to join. Artists such as Kawamoto Goro (1919-1986) and Morino Taimei (born 1934) worked independently, developing distinct artistic paths.Individualism remains a defining characteristic of contemporary Japanese ceramics. This volume examines the origins of that shift by presenting works created before 1990 by both independent artists and members of Sodeisha, tracing the early rupture with established ceramic traditions.