andrews evelyn (33 risultati)

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condizione: good. Gently used with light wear to the cover, corners, or spine. Pages are clean and free of writing or highlighting. Binding is tight and fully intact. Dust jacket included with hardcover books. Ships fast in a protective poly mailerâ"Monday through Friday, excluding weekends and holidays.

library. Condizione: Very Good. Andrews, Gary (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Unknown. Condizione: Good. No Jacket. Andrews, Gary (illustratore). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Unknown. Condizione: Very Good. No Jacket. Andrews, Gary (illustratore). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.9.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. In.

Condizione: New. In.

Condizione: New. In.

Condizione: New.

Vintage studio still photograph from the 1965 film. Based on the 1948 novel by Evelyn Waugh. The sister film to "Dr. Strangelove," and in the eyes of many, just as much a masterpiece of exquisitely wrought black humor. Made in the US, but in a dense, British-American style. Ostensibly a satire of the funeral business, in which a young British poet winds up in a Hollywood cemetery as part of an inheritance arrangementbut in reality a satire of Hollywood itself, as well as the Western malaise of the mid 1960s. Shot on location throughout Southern California. 8 x 10 inches. Very Good, with pinholes at the corners and edges.

Hardcover. Condizione: New.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

, [76] pages, colour and black and white illustrations, other stories by Frances E. Crompton, Helen Milman, Maggie Browne, Olive Molesworth, E. Nesbit First edition , bumping to spine, heavy rubbing to corners and board edges, marks to boards, front hinge cracked but board held, a few illustrations have been scribbled on, occasional mark and cockling to pages, fair condition , quarter cloth and colour illustrated paper covered boards , 24 cm x 20 cm Hardback ISBN:

Vintage oversize, double weight, borderless still photograph from the 1974 film, based on the 1971 novel by Evelyn Anthony. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with manuscript notation on the verso in his hand. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 11 x 14 inches. Near Fine.

Archive of three scripts and one post-production script for the 1942 film. May 4 script missing one page, likely as used or issued. First, an early Draft script, under the working title "Sherlock Holmes vs. Lord Haw-Haw," by screenwriter John Bright, noted as "Contract File Copy" on front wrapper. Carbon typescript, preceded by a four page ribbon copy typescript outline, dated 3/10/42. Annotation of inquiry into necessary story elements and plotline on title page, in manuscript pencil. Several annotations throughout, of Bright's name, page numbers, strikes, question mark, and dates (ranging from 3/10/42 to 3/27/42), in manuscript pencil and ink. Second is a Draft script, under the working title "Sherlock Holmes #1," by screenwriter Lynn Riggs, dated April 2, 1942. Annotations in red and graphite manuscript pencil on front wrapper, some illegible, citing Arthur Conan Doyle and the story upon which script is based, and "Copy from which we mimeod yellow script 4/27/42." Carbon typescript on onionskin, with annotations in manuscript pencil and ink throughout, primarily amending page numbers, scene numbers, and character names, as well as striking the "#1" on title page title and adding "Saves London," amending title to "Sherlock Holmes Saves London," another early working title. Third is a Draft script, under the working title "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'," credited as "A Free Adaptation" by Robert Andrews, and credits for screenwriters Lynn Riggs and John Bright, dated May 4, 1942. One annotation in manuscript pencil of the name "M. Nicht" on top right of page 107, likely a stenographer. Lastly, the post-production Dialogue and Contitnuity script, here under the working title "Sherlock Holmes and the Voice of Fear," dated July 28, 1942. Annotation on front wrapper, in manuscript pencil, striking "Fear" in title, adding "Terror," amending title to it's release title. Based on the 1917 short story "His Last Bow. The War Service of Sherlock Holmes," by Sir Arthur Conan Doyle, and loosely, on the real-life exploits of Lord Haw-Haw, (several broadcasters, but most notably) William Joyce, a US born Briton who broadcast Nazi Propaganda from Germany to the UK during WWII. Joyce would be convicted of high treason in 1945 and hanged in 1946, the last person executed for treason in the UK. The third Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce, and the first produced at Universal Studios. Preceded by "The Adventures of Sherlock Holmes" (1939), directed by Alfred L. Werker, and followed by "Sherlock Holmes and the Secret Weapon" (1942), directed by Roy William Neill. Watson and Holmes, transplanted from their usual Victorian setting, and from the WWI setting of the original story, are now in England at the start of WWII investigating the mysterious broadcasts by "The Voice of Terror," apparently from Nazi Germany, warning of acts of terror moments before their occurrence. 3/10/42 script, "Sherlock Holmes vs. Lord Haw-Haw": Gray titled wrappers, with credits for screenwriter John Bright. Title page present, with credits for screenwriter John Bright. 126 leaves, with last page of text numbered 121. Carbon typescript, rectos only. Pages Near Fine, wrapper Very Good plus with some chipping, creasing, and closed tears at extremities, primarily to front wrapper, bound with three gold brads. April 2, 1942 script, "Sherlock Holmes #1": Gray titled wrappers, dated April 2, 1942, with credits for screenwriter Lynn Riggs. Title page integral with first page, with credits for screenwriter Lynn Riggs. 127 leaves, with last page of text numbered 122a. Carbon typescript on onionskin. Pages Near Fine, wrapper Very Good plus, with some creasing and small closed tears to extremities on front wrapper, bound with three gold brads. May 4, 1942 script, "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'": Gray titled wrappers, dated May 4, 1942, with credits for adaptation by Robert Andrews, author Sir Arthur Conan Doyle, and screenwriters Lynn Riggs and John Bright. Title page integral with first page. 115 leaves, with last page of text numbered 113. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 5/8/42 and 5/14/42. Pages Near Fine, wrapper Very Good, with some chipping, creasing and closed tears to extremities, bound with three gold brads. July 28, 1942 Dialogue and Contiuity post-production script: Title self wrappers, noted as DIALOGUE CONTINUITY on the front wrapper, dated July 28, 1942. 117 leaves. Mimeograph duplication, rectos only. Pages Near Fine, bound at top with two gold brads.

Paperback. Condizione: new. Paperback. The Soul's Compass: Navigating Life with Inner Wisdom is a gentle yet powerful guide to living a soul-led life in an often noisy, chaotic world. Through 40 heartfelt chapters, this book invites you to slow down, listen inward, and trust the quiet wisdom already within you. With reflections on presence, intuition, healing, trust, and courage, it offers a steady companion for anyone walking through uncertainty, longing for deeper connection, and ready to live from their truest self.This is not a manual for perfection - it's a living invitation to return to your own sacred compass, one breath, one step, one soul-led moment at a time. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.