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Condizione: New.

Paperback or Softback. Condizione: New. The Art of Stealing Time. Book.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. The Dutch composer, Louis Andriessen, has been writing and talking about his own work and everything which is directly, indirectly, or nothing at all to do with it, for many years now and The Art of Stealing Time is a collection of these articles, lectures and interviews. Andriessen talks about his childhood memories, his literary and cinematic preferences, colleagues he admires and ensembles he has established. He also talks about his own work, from De Staat [The Republic], the piece with which, twenty-five years ago, he changed the face of the musical landscape in the Netherlands up to and including the last opera he created with Peter Greenaway, Writing to Vermeer. Andriessen's style is informal, direct and always engaging, and through his use of anecdote, he is able to convey complex ideas to the widest of audiences, musicians and non-musicians alike. Controversial, funny, stimulating and thought-provoking, The Art of Stealing Time gives us a unique insight into the mind and working methods of one of the most significant composers alive today. This is, without doubt, a book to return to again and again. …

Condizione: New.

Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Softcover. Condizione: Good. Paperback, 8vo.; Leesvouwen rug; kreuk voorplat.

Paperback. Condizione: Brand New. 350 pages. 9.20x6.10x0.90 inches. In Stock.

paperback. Condizione: Very Good. This book is in stock now, in our UK premises. Photos of our books are available on request (dustjacket and cover illustrations vary, and unless the image accompanying the listing is marked 'Bookseller Image', it is an Abebooks Stock Image, NOT our own). BUYERS OUTSIDE UK please also note the following: 1. shipping rates apply to packets of 750g and under, and should the packed weight of an item exceed this we reserve the right to ship via 'Economy', or request extra postage prior to fulfilling the order, or cancel 2. many countries apply import or other taxes - these are the buyers responsibility; we may ask for extra payment to cover any taxes which we have to pay 'up front' on the buyer's behalf.…

Hawkes Pocket Scores, no.1332. Size: 8vo. [vi], 79pp. Stapled as issued in publisher's printed wrappers.

Condizione: As New. Unread book in perfect condition.

Size: Folio. [iv (title, lyrics)], 28pp. Spiral bound in publisher's plain blue wrappers with printed title label. Commissioned by the Sudwestfunk for the 75th anniversary of the Donaueschinger Musiktage (1996), and with financial support from the Foonds voor de Scheppende Toonkunst.

Condizione: New.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Schöner original Kupferstich von ca. 1780. -- Blattmaße ca.25 x20 cm. -- gut erhalten. || Beautiful engraving from c. 1780. -- in very good condition. || Gravure sur cuivre originale d'environ 1780. || Georges-Louis Leclerc, Comte de Buffon (1707-1788) war bedeutender ein französischer Naturforscher im Zeitalter der Aufklärung. Sein Hauptwerk ist die "Histoire naturelle générale et particulière", welche ab 1749 bis zu seinem Tod im Jahre 1788 erschien. Das in viele Sprachen übersetzte Werk verschaffte seinem Urheber große wissenschaftliche Anerkennung und Popularität. Das naturwissenschaftliche Wirken Buffons basierte auf den Methoden von Beobachtung und Experiment. Er versuchte, die Entstehung der Lebewesen durch Urzeugung aus kleinsten Teilchen und ihre Entwicklung als Folge klimatischer Änderungen zu erklären, und setzte dem hierarchischen System Linnés die Idee einer evolutionären Stufenleiter entgegen. Seine Theorie stützte Buffon durch vergleichend-anatomische Studien. So erklärte er nutzlose Körperteile durch die Rückbildung ehemals nützlicher Teile eines Vorfahren. Buffon vertrat die Ansicht, dass alle Mitglieder einer Familie von Arten vom gleichen Vorfahren abstammen, von dem ausgehend sich einige vervollkommnet, andere jedoch zurückgebildet haben. Buffon sah zum Beispiel in einem Affen einen unvollständigen oder rückgebildeten Menschen. Carl von Linné benannte ihm zu Ehren die Gattung Bufonia der Pflanzenfamilie der Nelkengewächse (Caryophyllaceae). Der Mondkrater Buffon und der Asteroid (7420) Buffon wurden ebenfalls nach ihm benannt. Gleiches gilt für die Buffon-Inseln in der Antarktis. -- -- Georges-Louis Leclerc, Comte de Buffon (1707-1788) was a major French naturalist of the Age of Enlightenment. His main work is the "Histoire naturelle générale et particulière", which was published from 1749 until his death in 1788. The work, translated into many languages, brought great scholarly recognition and popularity to its author. Buffon's scientific work was based on the methods of observation and experiment. He tried to explain the origin of living beings through spontaneous generation from the smallest particles and their development as a result of climatic changes, and countered Linnaeus's hierarchical system with the idea of an evolutionary ladder. Buffon supported his theory with comparative anatomical studies. He explained useless body parts by the regression of formerly useful parts of an ancestor. Buffon held that all members of a family of species descended from the same ancestor, from which some perfected but others degenerated. For example, Buffon saw in a monkey an incomplete or degenerate human. Carl von Linné named the genus Bufonia of the carnation family (Caryophyllaceae) in his honor. The lunar crater Buffon and the asteroid (7420) Buffon were also named after him. The same applies to the Buffon Islands in Antarctica. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

Schöner original Kupferstich von ca. 1780. -- Blattmaße ca.25 x20 cm. -- im Außenrand leicht fleckig - sonst gut erhalten. || Beautiful engraving from c. 1780. -- in very good condition. || Gravure sur cuivre originale d'environ 1780. || Georges-Louis Leclerc, Comte de Buffon (1707-1788) war bedeutender ein französischer Naturforscher im Zeitalter der Aufklärung. Sein Hauptwerk ist die "Histoire naturelle générale et particulière", welche ab 1749 bis zu seinem Tod im Jahre 1788 erschien. Das in viele Sprachen übersetzte Werk verschaffte seinem Urheber große wissenschaftliche Anerkennung und Popularität. Das naturwissenschaftliche Wirken Buffons basierte auf den Methoden von Beobachtung und Experiment. Er versuchte, die Entstehung der Lebewesen durch Urzeugung aus kleinsten Teilchen und ihre Entwicklung als Folge klimatischer Änderungen zu erklären, und setzte dem hierarchischen System Linnés die Idee einer evolutionären Stufenleiter entgegen. Seine Theorie stützte Buffon durch vergleichend-anatomische Studien. So erklärte er nutzlose Körperteile durch die Rückbildung ehemals nützlicher Teile eines Vorfahren. Buffon vertrat die Ansicht, dass alle Mitglieder einer Familie von Arten vom gleichen Vorfahren abstammen, von dem ausgehend sich einige vervollkommnet, andere jedoch zurückgebildet haben. Buffon sah zum Beispiel in einem Affen einen unvollständigen oder rückgebildeten Menschen. Carl von Linné benannte ihm zu Ehren die Gattung Bufonia der Pflanzenfamilie der Nelkengewächse (Caryophyllaceae). Der Mondkrater Buffon und der Asteroid (7420) Buffon wurden ebenfalls nach ihm benannt. Gleiches gilt für die Buffon-Inseln in der Antarktis. -- -- Georges-Louis Leclerc, Comte de Buffon (1707-1788) was a major French naturalist of the Age of Enlightenment. His main work is the "Histoire naturelle générale et particulière", which was published from 1749 until his death in 1788. The work, translated into many languages, brought great scholarly recognition and popularity to its author. Buffon's scientific work was based on the methods of observation and experiment. He tried to explain the origin of living beings through spontaneous generation from the smallest particles and their development as a result of climatic changes, and countered Linnaeus's hierarchical system with the idea of an evolutionary ladder. Buffon supported his theory with comparative anatomical studies. He explained useless body parts by the regression of formerly useful parts of an ancestor. Buffon held that all members of a family of species descended from the same ancestor, from which some perfected but others degenerated. For example, Buffon saw in a monkey an incomplete or degenerate human. Carl von Linné named the genus Bufonia of the carnation family (Caryophyllaceae) in his honor. The lunar crater Buffon and the asteroid (7420) Buffon were also named after him. The same applies to the Buffon Islands in Antarctica. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

Soft cover. Condizione: Fine. 1st Edition. 1 score (214 pages) ; 28 cm ; ISBN 9780073325026, 0073325023 ; OCLC 607092944 ; Spiral-bound collection of scores ; Contents: 1. Claude Debussy (1862-1918), "La cathédrale engloutie," no. 10 from Preludes, book I(1910)2. Claude Debussy, "Canope," no. 10 from Preludes, book II (1910-13)3. Claude Debussy, "Sarabande," from Pour le piano (1894-1901)4. Igor Stravinsky (1882-1971), Introduction to Part I, from The Rite of Spring (1913)5. Béla Bartók (1881-1945), "Song of the Harvest," no. 33 from Forty-four Violin Duets (1931)6. Béla Bartók, "Whole-tone Scale," no. 136 from Mikrokosmos, vol. 5 (1932-39)7. Béla Bartók, "Diminished Fifth," no. 101 from Mikrokosmos, vol. 4 (1932-39)8. Béla Bartók, "From the Island of Bali," no 109 from Mikrokosmos, vol 4 (1932-39)9. Anton Webern (1883-1945), Five Movements for String Quartet, op. 5, II (1909)10. Anton Webern, Five Movements For String Quartet, op. 5, III (1909)11. Arnold Schoenberg (1874-1951), "Angst und Hoffen," no. 7 from Book of The Hanging Gardens, op. 15 (1909)12. Alban Berg (1885-1935), "Schlafend trägt man mich," no. 2 from Four Songs, op. 2 (1908-1909)13. Igor Stravinsky (1882-1971), Agnus Dei, from Mass (1944-48)14. Paul Hindemith (1895-1963), Interlude in G, from Ludus tonalis (1942)15. Paul Hindemith, "Vom Tode Mariä I," from Das Marienleben (1923)16. Charles Ives (1874-1954), "The Things Our Fathers Loved," from 114 Songs (ca. 1917)17. Charles Ives, "The Cage," from 114 Songs (1906)18. Ruth Crawford Seeger (1901-1953), Diaphonic Suite no. 4, III (1930)19. Luigi Dallapiccola (1904-1975), "Contrapunctus secundus," no. 5 from Quaderno musicale di Annalibera (1952-53)20. Luigi Dallapiccola, "Quartina," no. 11 from Quaderno musicale di Annalibera (1952-53)21. Anton Webern (1883-1945), "Wie bin ich froh," no. 1 from Drei Lieder, op. 25 (1935)22. Anton Webern, Piano Variations, op. 27, II (1935-36)23. Arnold Schoenberg (1874-1951), Klavierstück, op. 33a (1929)24. Igor Stravinsky (1882-1971), "Lacrimosa," from Requiem Canticles (1966)25. Pierre Boulez (b. 1925), Structures Ia, mm. 1-39 (1952)26. Milton Babbitt (b. 1916), Composition for Twelve Instruments, mm. 1-26 (1948)27. Olivier Messiaen (1908-1992), Turangalîla Symphony, Introduction, reh. 12-22 (1946-48)28. Elliott Carter (b. 1908), String Quartet no. 2, I, mm. 35-134 (1959)29. Karlheinz Stockhausen (b. 1928), Stimmung (three pages: Formschema, one sample page of Magische Namen, and one sample page of Modelle) (1968)30. John Cage (1912-1992), Winter Music (one page) (1957)31. Witold Lutoslawski (1913-1994), Jeux vénitiens, I (1960-61)32. György Ligeti (1923-2006), Ramifications, mm. 1-44 (1968-69)33. George Rochberg (1918-2005), Music for the Magic Theater, reh. 1-17 (1965)34. Luciano Berio (1925-2003), Sinfonia, III ("In ruhig fliessender Bewegung"), mm. 1-120 (to reh. F) (1968)35. George Crumb (b. 1923), "Dream Images (Love-Death Music)," no. 11 from Makrokosmos, vol. 1 (1972-73)36. Steve Reich (b. 1936), Violin Phase (1967)37. Louis Andriessen (b. 1939), De Staat, mm. 1-161 (1972-76)38. Arvo Pärt (b. 1935), Cantus (1977)39. Augusta Read Thomas (b. 1964), Spring Song, mm. 1-41 (1995)40. Thomas Adès (b. 1971), Asyla, II, mm. 1-43 (1997)41. Kaija Saariaho (b. 1952), Ariel's Hail (2000) ; Designed for use with Understanding Post-tonal music by Miguel Roig-Francoli ; Miguel Ángel Roig-Francolí (born 1953) is a Spanish/American composer, music theorist, and pedagogue. His 1980 Cinco piezas para orquesta (Five Pieces for Orchestra), commissioned by Radio Nacional de España and written in a postmodern, neotonal style, won first prize in the National Composition Competition of the Spanish Jeunesses Musicales in 1981 and second prize at the UNESCO International Rostrum of Composers in 1982, and continues to be widely performed in Spain. ; This collection of 41 selections and excerpts represents a wide range of music from the 20th Century. Designed for use with Understanding Post-Tonal Music by Miguel Roig-Francoli; FINE. Sheet music.…

8°. Geheftet. 64 S. Sprache: Niederländisch Gewicht in Gramm: 300.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good.

sonst. Bücher. Condizione: Neu. Neuware - Als Louis Andriessen 1989 an der State University of New York at Buffalo lehrte, erschien Miles Davis Autobiography. Während er das Buch las, wusste er plötzlich, was das Thema des Stückes sein musste, das er für das Kronos Quartet schreiben sollte -der frühe Bebop und insbesondere das Werk von Charlie Parker. Damit wollte er das Unmögliche schaffen - Bebop ist ganz und gar keine idiomatische Stilrichtung für Streichinstrumente. Aber der Bebop hatte einen bedeutenden Einfluss auf Andriessens musikalische Entwicklung in jungen Jahren, und so entschied er sich dazu, etwas mit der Musik seiner Jugend zu machen. Im Wesentlichen ist die Essenz von Charlie Parkers Spiel ein extrem schnelles Tempo. Dieses schnelle Tempo ist wirklich schnell, denn das Spiel baut auf der Akkordstruktur existierender Melodien auf, die zwei- oder dreimal so schnell gespielt werden wie im Normalfall. Parker benötigte Geschwindigkeit um auszudrücken, was er musikalisch fühlte: ihm blieb nur wenig Zeit übrig. Dies ist der Hauptgrund für den Titel dieses Werkes, Facing Death. An Anfang von Facing Death zitiert Andriessen Fragmente aus Improvisationen Charlie Parkers wörtlich. Auch eine Originalmelodie wird zitiert: Ornithology (das auf How High the Moon basiert). Der siebte und achte Takt aus Ornithology werden dabei zu einem wichtigen Motiv des Stückes. Die ganze Komposition ist eine einzige lange Entwicklung in Parkers schnellem Tempo. Das Werk wurde 1990 für Streichquartett komponiert und später vom Komponisten für Saxophonquartett bearbeitet. Schwierigkeitsgrad: 5.…

Size: Folio. [ii (title, instrumentation)], 107pp. Spiral bound as issued in publisher's plain blue wrappers with printed title label.

Audio CD. Condizione: Sehr gut. 1 CD Hülle mit kleinen Lagerspuren, CD wie neu W52 Sprache: Englisch Gewicht in Gramm: 505.

Condizione: New.

80 S. Sprache: Deutsch Gewicht in Gramm: 300 Kl.-8°. Hardcover. Viele Fotos.Kl. Randschaden Rand oben.

Paperback. Condizione: As New. 1st Edition Limited. 112 pages, throughout illustrated in B&W. Text in Dutch Synopsis in ENglish. - de Materie - Libretto Louis Andriessen En Robert Wilson - an edition by De Nederlandse Opera. As new. Size: 240 x 165 Mm. Book.

Taschenbuch. Condizione: Neu. Neuware - (Boosey & Hawkes Scores/Books). In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis's autobiography was published. While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parker's playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif in the piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.…