Andrzej koziel (49 risultati)
Lingua: Tedesco
Editore: Salzburger Barockmuseum, 2001
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Da: M H Harrington, Boston, MA, U.S.A.M H Harrington
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Aggiungi al carrelloSoft cover. Condizione: Fine. Self-wraps - text and covers are fine; 9.5" x 12", exhibition catalogue, 175 pages 80 black-and-white and color illustrations, bibliography and further black-and-white illustrations in text.
Editore: Salzburg, Selbstverlag 2001., 2001
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Da: Antiquariat Les-art, Burgstetten, GermaniaAntiquariat Les-art
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Aggiungi al carrello4°. 175 S. mit 80 teils ganzseitigen und farbigen Abbildungen. Farbig illustrierter Okart. So gut wie tadelloses Exemplar. Der aus Königsberg stammende, später in Leubus (heute Lubiaz), Niederschlesien tätige Willmann (1630-1706) war einer der erfolgreichsten deutschen Maler der Barockzeit. Sprache: de.
Cistercian Abbey in Krzeszow : European Center of Art and Theological Thought
Koziel, Andrzej (EDT); Pietkiewicz, Rajmund (EDT); Stasiak, Slawomir (EDT)
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Cistercian Abbey in Krzeszow : European Center of Art and Theological Thought
Koziel, Andrzej (EDT); Pietkiewicz, Rajmund (EDT); Stasiak, Slawomir (EDT)
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Cistercian Abbey in Krzeszow : European Center of Art and Theological Thought
Koziel, Andrzej (EDT); Pietkiewicz, Rajmund (EDT); Stasiak, Slawomir (EDT)
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Cistercian Abbey in Krzeszow : European Center of Art and Theological Thought
Koziel, Andrzej (EDT); Pietkiewicz, Rajmund (EDT); Stasiak, Slawomir (EDT)
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Da: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, GermaniaRheinberg-Buch Andreas Meier eK
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Buch. Condizione: Neu. Neuware -Was the Cistercian abbey in Krzeszów really a European center of art and theological thought This study in eight chapters tries to answer this question. The first chapter shows how deep the foundations of the Krzeszów Abbey go. The next three chapters are devoted to various works, initiatives and…architecture of the Baroque era. First, the unique painting of Our Lady of Mercy in the Mater Misericordiae type, which was created in 1624, was presented. Then, the sculptural foundations of Abbot Geyer in the area of the Krzeszów abbey and in its latifundia were discussed. Finally, the architecture of the baroque abbey church, unique on a European scale, was presented. Grace of the Blessed Virgin Mary. This proves what an extraordinary center Krzeszów was in terms of the art created there.In the next two chapters, the reader finds the answer to the question: Was Krzeszów also a significant theological center in Europe at that time First in terms of Catholic dogmatic, and then in terms of biblical linguistics.The study ends with two chapters, the first of which focuses on the sacralization of the landscape by introducing modern forms of imitation of the Holy Land and the cult of saints. The second one presents the baroque iconography of the Cistercian monastery in Krzeszów from the end of the 17th century to the beginning of the 20th century, which shows the changes in its social function over the centuries. 203 pp. Englisch.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Buch. Condizione: Neu. Neuware -Was the Cistercian abbey in Krzeszów really a European center of art and theological thought This study in eight chapters tries to answer this question. The first chapter shows how deep the foundations of the Krzeszów Abbey go. The next three chapters are devoted to various works, initiatives and…architecture of the Baroque era. First, the unique painting of Our Lady of Mercy in the Mater Misericordiae type, which was created in 1624, was presented. Then, the sculptural foundations of Abbot Geyer in the area of the Krzeszów abbey and in its latifundia were discussed. Finally, the architecture of the baroque abbey church, unique on a European scale, was presented. Grace of the Blessed Virgin Mary. This proves what an extraordinary center Krzeszów was in terms of the art created there.In the next two chapters, the reader finds the answer to the question: Was Krzeszów also a significant theological center in Europe at that time First in terms of Catholic dogmatic, and then in terms of biblical linguistics.The study ends with two chapters, the first of which focuses on the sacralization of the landscape by introducing modern forms of imitation of the Holy Land and the cult of saints. The second one presents the baroque iconography of the Cistercian monastery in Krzeszów from the end of the 17th century to the beginning of the 20th century, which shows the changes in its social function over the centuries. 203 pp. Englisch.
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Buch. Condizione: Neu. Neuware -Was the Cistercian abbey in Krzeszów really a European center of art and theological thought This study in eight chapters tries to answer this question. The first chapter shows how deep the foundations of the Krzeszów Abbey go. The next three chapters are devoted to various works, initiatives and…architecture of the Baroque era. First, the unique painting of Our Lady of Mercy in the Mater Misericordiae type, which was created in 1624, was presented. Then, the sculptural foundations of Abbot Geyer in the area of the Krzeszów abbey and in its latifundia were discussed. Finally, the architecture of the baroque abbey church, unique on a European scale, was presented. Grace of the Blessed Virgin Mary. This proves what an extraordinary center Krzeszów was in terms of the art created there.In the next two chapters, the reader finds the answer to the question: Was Krzeszów also a significant theological center in Europe at that time First in terms of Catholic dogmatic, and then in terms of biblical linguistics.The study ends with two chapters, the first of which focuses on the sacralization of the landscape by introducing modern forms of imitation of the Holy Land and the cult of saints. The second one presents the baroque iconography of the Cistercian monastery in Krzeszów from the end of the 17th century to the beginning of the 20th century, which shows the changes in its social function over the centuries.
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Hardcover. Condizione: new. Hardcover. Was the Cistercian abbey in Krzeszow really a European center of art and theological thought? This study in eight chapters tries to answer this question. The first chapter shows how deep the foundations of the Krzeszow Abbey go. The next three chapters are devoted to various works, initiati…ves and architecture of the Baroque era. First, the unique painting of Our Lady of Mercy in the Mater Misericordiae type, which was created in 1624, was presented. Then, the sculptural foundations of Abbot Geyer in the area of the Krzeszow abbey and in its latifundia were discussed. Finally, the architecture of the baroque abbey church, unique on a European scale, was presented. Grace of the Blessed Virgin Mary. This proves what an extraordinary center Krzeszow was in terms of the art created there.In the next two chapters, the reader finds the answer to the question: Was Krzeszow also a significant theological center in Europe at that time? First in terms of Catholic dogmatic, and then in terms of biblical linguistics.The study ends with two chapters, the first of which focuses on the sacralization of the landscape by introducing modern forms of imitation of the Holy Land and the cult of saints. The second one presents the baroque iconography of the Cistercian monastery in Krzeszow from the end of the 17th century to the beginning of the 20th century, which shows the changes in its social function over the centuries. Krzeszow, in Lower Silesia a place to be for theological thought and architectural and artistic activity Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Buch. Condizione: Neu. Neuware -This volume deals with original mystical initiatives and related artistic realizations, which were created in the circle of the outstanding Silesian poet and theologian, Johannes Scheffler, known as Angelus Silesius, abbot of the Cistercian monastery in Krzeszów, Bernhard Rosa and the most outstan…ding Silesian artist, Michael Willmann. Although the 17th century Silesian mysticism is now very popular worldwide, we know very little about the relationship between mysticism and art in former Silesia. This issue has never been the subject of a comprehensive study. It is not surprising, therefore, that the research so far overlooked the unusual and unique joint initiative mentioned above by two outstanding Silesian mystics and the best Silesian artist of the Baroque era. Its aim was to combine elements of mystical experience with various forms of mass piety of a counter-Reformation nature. Importantly, all forms of mass mystical piety were closely linked to the use of devotional works of art, which were designed primarily by Michael Willmann. They became the most popular images in the religious culture of Silesia until the end of the 18th century. Just as the literary and philosophical achievements of Silesian mystics led by Angelus Silesius, so also works of art serving mystical piety, which were created by Willmann, we can safely consider as a kind of event and an important contribution of Silesia to the culture of European Baroque. 552 pp. Englisch.
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Buch. Condizione: Neu. Neuware -This volume deals with original mystical initiatives and related artistic realizations, which were created in the circle of the outstanding Silesian poet and theologian, Johannes Scheffler, known as Angelus Silesius, abbot of the Cistercian monastery in Krzeszów, Bernhard Rosa and the most outstan…ding Silesian artist, Michael Willmann. Although the 17th century Silesian mysticism is now very popular worldwide, we know very little about the relationship between mysticism and art in former Silesia. This issue has never been the subject of a comprehensive study. It is not surprising, therefore, that the research so far overlooked the unusual and unique joint initiative mentioned above by two outstanding Silesian mystics and the best Silesian artist of the Baroque era. Its aim was to combine elements of mystical experience with various forms of mass piety of a counter-Reformation nature. Importantly, all forms of mass mystical piety were closely linked to the use of devotional works of art, which were designed primarily by Michael Willmann. They became the most popular images in the religious culture of Silesia until the end of the 18th century. Just as the literary and philosophical achievements of Silesian mystics led by Angelus Silesius, so also works of art serving mystical piety, which were created by Willmann, we can safely consider as a kind of event and an important contribution of Silesia to the culture of European Baroque. 552 pp. Englisch.
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Buch. Condizione: Neu. Neuware -This volume deals with original mystical initiatives and related artistic realizations, which were created in the circle of the outstanding Silesian poet and theologian, Johannes Scheffler, known as Angelus Silesius, abbot of the Cistercian monastery in Krzeszów, Bernhard Rosa and the most outstan…ding Silesian artist, Michael Willmann. Although the 17th century Silesian mysticism is now very popular worldwide, we know very little about the relationship between mysticism and art in former Silesia. This issue has never been the subject of a comprehensive study. It is not surprising, therefore, that the research so far overlooked the unusual and unique joint initiative mentioned above by two outstanding Silesian mystics and the best Silesian artist of the Baroque era. Its aim was to combine elements of mystical experience with various forms of mass piety of a counter-Reformation nature. Importantly, all forms of mass mystical piety were closely linked to the use of devotional works of art, which were designed primarily by Michael Willmann. They became the most popular images in the religious culture of Silesia until the end of the 18th century. Just as the literary and philosophical achievements of Silesian mystics led by Angelus Silesius, so also works of art serving mystical piety, which were created by Willmann, we can safely consider as a kind of event and an important contribution of Silesia to the culture of European Baroque.
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Condizione: New. 2025. 1. hardcover. . . . . .
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Buch. Condizione: Neu. Neuware -Was the Cistercian abbey in Krzeszów really a European center of art and theological thought This study in eight chapters tries to answer this question. The first chapter shows how deep the foundations of the Krzeszów Abbey go. The next three chapters are devoted to various works, initiatives and…architecture of the Baroque era. First, the unique painting of Our Lady of Mercy in the Mater Misericordiae type, which was created in 1624, was presented. Then, the sculptural foundations of Abbot Geyer in the area of the Krzeszów abbey and in its latifundia were discussed. Finally, the architecture of the baroque abbey church, unique on a European scale, was presented. Grace of the Blessed Virgin Mary. This proves what an extraordinary center Krzeszów was in terms of the art created there.In the next two chapters, the reader finds the answer to the question: Was Krzeszów also a significant theological center in Europe at that time First in terms of Catholic dogmatic, and then in terms of biblical linguistics.The study ends with two chapters, the first of which focuses on the sacralization of the landscape by introducing modern forms of imitation of the Holy Land and the cult of saints. The second one presents the baroque iconography of the Cistercian monastery in Krzeszów from the end of the 17th century to the beginning of the 20th century, which shows the changes in its social function over the centuries.Vandenhoeck + Ruprecht, Theaterstraße 13, 37073 Göttingen 203 pp. Englisch.
Cistercian Abbey in Krzeszow: European Centre of Art and Theological Thought
Koziel, Andrzej (Editor)/ Stasiak, Slawomir (Editor)/ Pietkiewicz, Rajmund (Editor)
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Buch. Condizione: Neu. Neuware - Was the Cistercian abbey in Krzeszów really a European center of art and theological thought This study in eight chapters tries to answer this question. The first chapter shows how deep the foundations of the Krzeszów Abbey go. The next three chapters are devoted to various works, initiatives and… architecture of the Baroque era. First, the unique painting of Our Lady of Mercy in the Mater Misericordiae type, which was created in 1624, was presented. Then, the sculptural foundations of Abbot Geyer in the area of the Krzeszów abbey and in its latifundia were discussed. Finally, the architecture of the baroque abbey church, unique on a European scale, was presented. Grace of the Blessed Virgin Mary. This proves what an extraordinary center Krzeszów was in terms of the art created there.In the next two chapters, the reader finds the answer to the question: Was Krzeszów also a significant theological center in Europe at that time First in terms of Catholic dogmatic, and then in terms of biblical linguistics.The study ends with two chapters, the first of which focuses on the sacralization of the landscape by introducing modern forms of imitation of the Holy Land and the cult of saints. The second one presents the baroque iconography of the Cistercian monastery in Krzeszów from the end of the 17th century to the beginning of the 20th century, which shows the changes in its social function over the centuries.
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Buch. Condizione: Neu. Cistercian Abbey in Krzeszów | European Centre of Art and Theological Thought | Andrzej Koziel (u. a.) | Buch | Eastern and Central European Voices | 203 S. | Englisch | 2025 | Vandenhoeck & Ruprecht | EAN 9783525500880 | Verantwortliche Person für die EU: Brill Deutschland GmbH, Wollmarktstr. 115, 33098 P…aderborn, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.
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