Ann lindberg (35 risultati)

Paperback. Condizione: New.

Condizione: New.

Paperback. Condizione: Fair. Subsequent. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardcover in overall good shape with light general wear. Binding firm and intact. Clean throughout.

Paperback. Condizione: Brand New. 114 pages. 5.00x0.24x8.00 inches. In Stock. Pierard, John (illustratore).

Paperback. Condizione: Brand New. 118 pages. 5.00x0.25x8.00 inches. In Stock. Pierard, John (illustratore).

Paperback. Condizione: Brand New. 120 pages. 5.00x0.25x8.00 inches. In Stock. Pierard, John (illustratore).

Paperback. Condizione: Brand New. 128 pages. 5.00x0.27x8.00 inches. In Stock. Pierard, John (illustratore).

Paperback. Condizione: Brand New. 126 pages. 5.00x0.27x8.00 inches. In Stock. Pierard, John (illustratore).

Condizione: New.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: Used. pp. 464.

Condizione: Used. pp. 464 2nd Revised Edition.

Paperback. Condizione: Brand New. 262 pages. 8.15x5.75x0.60 inches. In Stock.

Condizione: Used. pp. 464.

Condizione: Used. pp. 370 1st Edition.

Condizione: Used. pp. 370.

Pamphlet. Condizione: Very Good. Staple-bound paperback. No markings noted, mild wear.

Condizione: Used. pp. 370.

Soft cover. Condizione: Good. Publisher: J.B. Lippincott Company, 1983, Good, Soft Cover, ISBN: 0-397-54426-X, cover wear. Book.

Brossura. Condizione: new. Firenze, 1988; br., pp. XVIII-323, ill. b/n, cm 16,5x23.(Nursing). Libro.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: New.

ICA Bokförlag, Västerås 2004. 96 sidor. Förlagsband. Illustrerad. Gott skick.

Brossura. Condizione: fine. Torino, 1992; br., pp. XVIII-320, cm 17x23.(Collezione nursing). Libro.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Near Fine. A clean, unmarked book with a tight binding. Full beige cloth boards. A tiny bit of wear to edges of dust jadket, no tears. 10 1/4"w x 11 3/4"h. 144 pages. Many full page, full color photos. Inscribed on title page and signed by ":Ann." This book explores Ann Morris's figurative bronze sculptures at her 15-acre Sculpture Woods on Lummi Island, tracing her artistic journey from printmaker to sculptor and examining how her monumental works draw on Jungian archetypes, Celtic and classical mythology, and her intimate Bone Journey series. Keywords: Lummi Island, Figurative Bronze, Jungian Archetypes, Celtic Mythology, Classical Antiquity, Bone Journey Series, Northwest Forest, Outdoor Sculpture, Museum Northwest Art, Pacific Northwest, Mythological Themes, University Washington 2. Signed by Author.…

Hardcover. Condizione: New. Ann Morris has become a priestess of sorts, investing her mind and spirit into an ambitious oeuvre of figurative bronzes that speak with a singular and meditative voice. In a comprehensive and insightful essay, Ted Lindberg traces the arc of Morris's artistic development from her beginnings as a mother, philosophy student, and Pasadena printmaker, to her reclusion on the wind-swept bluffs of Lummi Island in north Puget Sound. There Morris has created an extraordinary bronze park that she calls Sculpture Woods, a 15-acre sanctuary of stately forest and highbank waterfront that is home to her studio and to a winding path populated by 16 sculptural tableaus seen through a Jungian lens. Monumental figures emerge from the forest, as if stepping through a rift in time from the mists of classical and celtic antiquities, to tell their archetypal tales. In a second essay, Jake Seniuk muses on how Morris moved from such overtly mythological themes to a kind of talismanic naturalism when she turned to an ongoing series of more intimately scaled bronzes that trace an ongoing Bone Journey. Unfolding her own creation myth through her work, Morris remains true to the marriage of the Platonic and the aboriginal, where a clear-eyed awareness of mortality is liberating and transcendent.…

In-8-carre, 102pp., 22 cm, illustr., planches, certaines depliantes, reliure pleine toile de l'editeur avec jaquette, bon etat, Ats33.