Ann philbin (60 risultati)

Trade Paperback. Condizione: Used.

Hardcover. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: As New. Used hardcover like new. No underlining, tears, highlighting, or marginalia. A clean sound and serviceable copy.

Paperback. Condizione: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Pamphlet. Condizione: Very Good.

Hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket as Published. 1st. (USA) Preseumed 1st eidtion. No markings, but corners of cover bumped with rubbing to lower corner tips just breaking the cover paper, a couple of faint scuff marks to off-white covers, Good used copy; no dust jacket as published. Hardcover, [128]pp, colour and B&W full-page reproductions of drawings. This book was published to accompany an exhibition held at the Drawing Center in New York City in 1999. The catalog highlights drawings in the collections of major contemporary artists: Jasper Johns, Roy Lichtenstein, Helen Frankenthaler, Roger Brown, Eric Fischl, Howard Hodgkin, Alex Katz, Ellsworth Kelly, Sol LeWitt, Helen Marden and Brice Marden, Elizabeth Murray, Ellen Phelan and Joel Shapiro, Ed Ruscha, Julian Schnabel, Terry Winters, and Georg Baselitz. Compiled by Ann Philbin (former director of the Drawing Center) and Jack Shear, this fascinating book collects an unusually broad array of Western and non-Western traditional and outsider art. There is also an excellent critical essay by Museum of Modern Art curator Bill Storr about the relationship of these drawings to their owners, explaining how an artist's collection may influence his or her style or express support for peers and "aesthetic communities." The book is illustrated with beautiful, full-page color reproductions and contains a complete checklist of the drawings in the exhibition. (2.5 JM LVR 205/a1 Size: 4to - over 9¾ - 12" Tall. Derycke, Luc (illustratore). Exhibition Catalogue.…

Hardcover. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks.

Cloth. Condizione: Near Fine. No Jacket, As Issued. 103 pages 88 illustrations in color. Minor rubbing, soiling and wear to the white covers. Illustrated boards. Published on the occasion of the exhibition from the Armand Hammer Museum of Art, Los Angeles CA February 6-June5, 2005. Checklist of the Exhibition.…

Condizione: New.

Paperback. Condizione: New. Artists defy Western conceptions of the "human" Published with Hammer Museum.The term "no humans involved" emerged shortly after the 1991 beating of Rodney King, when it was discovered that the Los Angeles Police Department was using the term as a shorthand for casework that involved Black and Latino men and sex workers. In 1994, Jamaican scholar and theorist Sylvia Wynter challenged her academic colleagues to consider how they themselves might be contributing to the cultural mindset that gave rise to this exclusionary definition of human. In particular, Wynter highlighted the strong influence the notion of race has on the definition of the human and the social hierarchies and injustices that result from this link.No Humans Involved collects works by contemporary artists that serve as a response to Wynter's prompt. Among the artists featured are Eddie Aparicio, who uses large-scale, rubber casts of trees to document social and economic relationships between Latin America and the United States; Tau Lewis, a multidisciplinary artist who creates portraits out of culturally relevant found objects and recycled materials; and Wilmer Wilson IV, who investigates the marginalization of Black bodies in social relations through performance, sculpture, photography and other mediums. This collection of artworks from a diverse group of artists provides a contemporary response to Wynter's call to action, addressing the social divisions present today and exploring opportunities for social unity.Artists include: Eddie Aparicio, Tau Lewis, Las Nietas De Nonó, Sondra Perry, Sangree, Wangshui and Wilmer Wilson IV.…

Paperback. Condizione: New. Artists defy Western conceptions of the "human" Published with Hammer Museum.The term "no humans involved" emerged shortly after the 1991 beating of Rodney King, when it was discovered that the Los Angeles Police Department was using the term as a shorthand for casework that involved Black and Latino men and sex workers. In 1994, Jamaican scholar and theorist Sylvia Wynter challenged her academic colleagues to consider how they themselves might be contributing to the cultural mindset that gave rise to this exclusionary definition of human. In particular, Wynter highlighted the strong influence the notion of race has on the definition of the human and the social hierarchies and injustices that result from this link.No Humans Involved collects works by contemporary artists that serve as a response to Wynter's prompt. Among the artists featured are Eddie Aparicio, who uses large-scale, rubber casts of trees to document social and economic relationships between Latin America and the United States; Tau Lewis, a multidisciplinary artist who creates portraits out of culturally relevant found objects and recycled materials; and Wilmer Wilson IV, who investigates the marginalization of Black bodies in social relations through performance, sculpture, photography and other mediums. This collection of artworks from a diverse group of artists provides a contemporary response to Wynter's call to action, addressing the social divisions present today and exploring opportunities for social unity.Artists include: Eddie Aparicio, Tau Lewis, Las Nietas De Nonó, Sondra Perry, Sangree, Wangshui and Wilmer Wilson IV.…

Condizione: As New. Unread book in perfect condition.

First 8vo, stiff pictorial wrappers. 45 pp, 17 b/w illustrations, artist exhibition lists. Exhibition April 12 - May 21, 1994. 0942324072 Very good.

Hardcover. Condizione: Very Good.

Condizione: New.

Paperback. Condizione: new. Paperback. Artists defy Western conceptions of the humanPublished with Hammer Museum.The term no humans involved emerged shortly after the 1991 beating of Rodney King, when it was discovered that the Los Angeles Police Department was using the term as a shorthand for casework that involved Black and Latino men and sex workers. In 1994, Jamaican scholar and theorist Sylvia Wynter challenged her academic colleagues to consider how they themselves might be contributing to the cultural mindset that gave rise to this exclusionary definition of human. In particular, Wynter highlighted the strong influence the notion of race has on the definition of the human and the social hierarchies and injustices that result from this link.No Humans Involved collects works by contemporary artists that serve as a response to Wynters prompt. Among the artists featured are Eddie Aparicio, who uses large-scale, rubber casts of trees to document social and economic relationships between Latin America and the United States; Tau Lewis, a multidisciplinary artist who creates portraits out of culturally relevant found objects and recycled materials; and Wilmer Wilson IV, who investigates the marginalization of Black bodies in social relations through performance, sculpture, photography and other mediums. This collection of artworks from a diverse group of artists provides a contemporary response to Wynters call to action, addressing the social divisions present today and exploring opportunities for social unity.Artists include: Eddie Aparicio, Tau Lewis, Las Nietas De Nono, Sondra Perry, Sangree, Wangshui and Wilmer Wilson IV. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Wrappers. Condizione: Fine Condition. 12 pages. Slim paperback brochure/exhibition pamphlet. Texts in English. Minimal shelfwear scuffing to the covers. Else, the binding is tight, the interior clean and free of markings. Staple-bound with stiff embossed and die-cut covers and published on the occasion of the exhibition presented from April 9-May 28, 1993. Illustrated. Book.…

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. Francis Alÿs: The Politics of Rehearsal. Published on occasion of Alÿs first US museum survey at Hammer Museum, Los Angeles in 2008. Texts by Russell Ferguson and Ann Philbin. Published by Steidl/Hammer Museum, 2008.

Oversize Hardcover. Condizione: Near Fine. No Jacket. A clean, unmarked book with a tight binding. 103 pages. Slightly scuffed pictorial cover.

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: No Jacket, As Issued. 208 pages with 88 illustrations 36 color. Illustrated boards. In Conversation: Mark Bradford, A.L. Steiner, and Wu Tsang. Published on the occasion of the exhibition from the Hammer Museum, University of California, Los Angeles CA June 21-September 20, 2015. Selected Chronology, 1970-95 by Jamillah James. Book. …

Paperback. Condizione: Brand New. 188 pages. 9.50x6.50x0.75 inches. In Stock.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Ohne Stempel, keine An-und Unterstreichungen, guter bis sehr guter Zustand. Hardcover. Original Halbleinenband.

Condizione: As New. Unread book in perfect condition.

Condizione: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear. Profusely Illustrated (illustratore).