Anna arabindan kesson (120 risultati)
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Da: Half Price Books Inc., Dallas, TX, U.S.A.Half Price Books Inc.
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EUR 9,48
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Da: Big River Books, Powder Springs, GA, U.S.A.Big River Books
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Condizione: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.
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Da: BargainBookStores, Grand Rapids, MI, U.S.A.BargainBookStores
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Paperback or Softback. Condizione: New. Declaration House. Book.
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Da: California Books, Miami, FL, U.S.A.California Books
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EUR 22,10
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Condizione: New.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 22,33
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Paperback. Condizione: New. During the drafting of the Declaration of Independence in 1776, Thomas Jefferson and enslaved valet Robert Hemmings spent several months at 700 Market Street in Philadelphia. The editors and contributors to Declaration House reflect on the history of this site and illuminate the entangled legacy of fr…eedom and enslavement at the core of our nation's founding. They expand our history by revisiting and mapping this historic place in the city and nation, past and present, as a way to tend to our democracy today.At the center of the book is artist Sonya Clark's revelatory public artwork "The Descendants of Monticello," a multichannel video installation created in collaboration with Hemmings' collateral descendants and others who are related to the hundreds of people enslaved at Monticello. Interviews and essays about the project and the site consider history, memory, and the founding of our country. Like Clark's project, Declaration House asks the timely question, "What does the Declaration of Independence mean to us today?"Contributors: Niya Bates, Kerry Bickford, Paul Buchanan, Sonya Clark, Andrew M. Davenport, Kai Davis, Husnaa Haajarah Hashim, J. Calvin Jefferson Sr., Jabari Jefferson, Jane Kamensky, Matthew Kenyatta, Salamishah Tillet, Gayle Jessup White, Auriana Woods, and the editors.
Lumen
Biswas, Sutapa (CON); Tobin, Amy (EDT); Pollock, Griselda; Martin, Courtney; Arabindan-kesson, Anna
Lingua: Inglese
Editore: Ridinghouse/Kettle's Yard Cambridge/BALTIC Centre for Contemporary Art Gateshead, 2023
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 20,31
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Condizione: New.
Lingua: Inglese
Editore: Temple University Press,U.S., Philadelphia PA, 2026
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 23,49
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Paperback. Condizione: new. Paperback. During the drafting of the Declaration of Independence in 1776, Thomas Jefferson and enslaved valet Robert Hemmings spent several months at 700 Market Street in Philadelphia. The editors and contributors to Declaration House reflect on the history of this site and illuminate the entangled l…egacy of freedom and enslavement at the core of our nation's founding. They expand our history by revisiting and mapping this historic place in the city and nation, past and present, as a way to tend to our democracy today.At the center of the book is artist Sonya Clark's revelatory public artwork "The Descendants of Monticello," a multichannel video installation created in collaboration with Hemmings' collateral descendants and others who are related to the hundreds of people enslaved at Monticello. Interviews and essays about the project and the site consider history, memory, and the founding of our country. Like Clark's project, Declaration House asks the timely question, "What does the Declaration of Independence mean to us today?"Contributors: Niya Bates, Kerry Bickford, Paul Buchanan, Sonya Clark, Andrew M. Davenport, Kai Davis, Husnaa Haajarah Hashim, J. Calvin Jefferson Sr., Jabari Jefferson, Jane Kamensky, Matthew Kenyatta, Salamishah Tillet, Gayle Jessup White, Auriana Woods, and the editors Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lumen
Biswas, Sutapa (CON); Tobin, Amy (EDT); Pollock, Griselda; Martin, Courtney; Arabindan-kesson, Anna
Lingua: Inglese
Editore: Ridinghouse/Kettle's Yard Cambridge/BALTIC Centre for Contemporary Art Gateshead, 2023
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 21,62
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Condizione: As New. Unread book in perfect condition.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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EUR 19,14
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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EUR 19,86
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Condizione: New.
Barkley Hendricks
Anna Arabindan-Kesson, co-published by Skira and Jack Shainman Gallery, Terry R. Myers
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 28,33
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Hardback. Condizione: New.
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 22,53
EUR 5,50 spedizioneSpedito da Italia a U.S.A.Quantità: 4 disponibili
Condizione: new.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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EUR 24,50
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Beyond Boundaries : Seeing Art History from the Caribbean
Arabindan-kesson, Anna (EDT); Modest, Wayne (EDT); Chung, Andrea (CON); Dacres, Petrina (CON); Delgado, Aldeide (CON)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 28,47
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Condizione: As New. Unread book in perfect condition.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 31,24
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Paperback. Condizione: New. An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history Despite its rich cultural and intellectual heritage, the Caribbean region has often been excluded from art history-along with essential discussions ranging from plantation life and antislave…ry movements to decolonization and transculturation. Beyond Boundaries: Seeing Art History from the Caribbean explores why the field has been slow to embrace Caribbean intellectual history and advocates for an approach that acknowledges the multidisciplinary and multilingual nature of the region's voices. By reevaluating existing interpretive methodologies, the authors show how a broader engagement with Caribbean perspectives can benefit art history, reshaping the discourse and creating a more inclusive and dynamic field. Distributed for the Clark Art Institute.
Beyond Boundaries : Seeing Art History from the Caribbean
Arabindan-kesson, Anna (EDT); Modest, Wayne (EDT); Chung, Andrea (CON); Dacres, Petrina (CON); Delgado, Aldeide (CON)
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 28,92
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Condizione: New.
Declaration House
Arabindan-Kesson, Anna (Editor)/ Farber, Paul M. (Editor)/ Wisher, Yolanda (Editor)
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 20,01
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Paperback. Condizione: Brand New. 192 pages. 6.00x0.60x9.00 inches. In Stock.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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EUR 26,45
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: Russell Books, Victoria, BC, CanadaRussell Books
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EUR 15,91
EUR 17,15 spedizioneSpedito da Canada a U.S.A.Quantità: Più di 20 disponibili
paperback. Condizione: New. Special order direct from the distributor.
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 26,45
EUR 6,80 spedizioneSpedito da Italia a U.S.A.Quantità: Più di 20 disponibili
Condizione: new.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 34,44
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Paperback. Condizione: new. Paperback. In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models… an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton-as both commodity and material-became inexorably tied to the monetary value of Black bodies. From the production and representation of "negro cloth"-the textile worn by enslaved plantation workers-to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor. Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 34,87
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Paperback. Condizione: New. In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art his…torical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton-as both commodity and material-became inexorably tied to the monetary value of Black bodies. From the production and representation of "negro cloth"-the textile worn by enslaved plantation workers-to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor.
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 27,74
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Condizione: New.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 35,62
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Paperback. Condizione: new. Paperback. An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history Despite its rich cultural and intellectual heritage, the Caribbean region has often been excluded from art historyalong with essential discussions ranging from plantation life and a…ntislavery movements to decolonization and transculturation. Beyond Boundaries: Seeing Art History from the Caribbean explores why the field has been slow to embrace Caribbean intellectual history and advocates for an approach that acknowledges the multidisciplinary and multilingual nature of the region's voices. By reevaluating existing interpretive methodologies, the authors show how a broader engagement with Caribbean perspectives can benefit art history, reshaping the discourse and creating a more inclusive and dynamic field. Distributed for the Clark Art Institute An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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EUR 32,47
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Condizione: New.
Altre immaginiJohn La Farge's Second Paradise: Voyages in the South Seas, 1890-1891
Hodermarsky, Elisabeth; [with] Gordon, John Stuart; Childs, Elizabeth; Adams, Henry; Arabindan-Kesson, Anna
- Rilegato
- Prima edizione
Da: Great Expectations Rare Books, Staten Island, NYC, NY, U.S.A.Great Expectations Rare Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 30,93
EUR 5,58 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. Large format hardcover, light blue cloth in publisher's pictorial dust-jacket. 224 pages. Chronology, Appendix, Exhibition Checklist Index, etc. Illustrated with 160 color reproductions. First edition, first printing with full number line. This volum…e published in conjunction with the eponympusly named exhibition organized by the Yale University Art Gallery. Not only does the present title showcase many of La Farge's most important oils, watercolors and sketches produced during his sojourn to the islands of the South pacific, but places them firmly within the realm of the larger movement which saw numerous nineteenth century artists and writers travel to exotic locations for fresh inspiration. No previous ownership marks. A clean, crisp, unmarked and like new copy. As new in an as new dust-jacket. A large book, Priority and International orders will require additional postage, calculated as close to actual cost as possible.
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Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 37,38
Spedizione gratuitaSpedito in U.S.A.Quantità: 3 disponibili
Paperback. Condizione: New. An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history Despite its rich cultural and intellectual heritage, the Caribbean region has often been excluded from art history-along with essential discussions ranging from plantation life and antislave…ry movements to decolonization and transculturation. Beyond Boundaries: Seeing Art History from the Caribbean explores why the field has been slow to embrace Caribbean intellectual history and advocates for an approach that acknowledges the multidisciplinary and multilingual nature of the region's voices. By reevaluating existing interpretive methodologies, the authors show how a broader engagement with Caribbean perspectives can benefit art history, reshaping the discourse and creating a more inclusive and dynamic field. Distributed for the Clark Art Institute.
Declaration House
Arabindan-Kesson, Anna (Editor)/ Farber, Paul M. (Editor)/ Wisher, Yolanda (Editor)
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 25,69
EUR 11,67 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Paperback. Condizione: Brand New. 192 pages. 6.00x0.60x9.00 inches. In Stock.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 26,93
EUR 9,95 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Condizione: New.
