Lingua: Inglese
Editore: Yale University Art Gallery /, 2010
ISBN 10: 0894679767 ISBN 13: 9780894679766
Da: HPB-Diamond, Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Yale University Art Gallery /, 2010
ISBN 10: 0894679767 ISBN 13: 9780894679766
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Yale University Art Gallery /, 2010
ISBN 10: 0894679767 ISBN 13: 9780894679766
Da: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Ridinghouse/Kettle's Yard Cambridge/BALTIC Centre for Contemporary Art Gateshead, 2023
ISBN 10: 1909932647 ISBN 13: 9781909932647
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Ridinghouse/Kettle's Yard Cambridge/BALTIC Centre for Contemporary Art Gateshead, 2023
ISBN 10: 1909932647 ISBN 13: 9781909932647
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
EUR 28,62
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
EUR 25,98
Quantità: 2 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Lingua: Inglese
Editore: Duke University Press, North Carolina, 2021
ISBN 10: 1478014067 ISBN 13: 9781478014065
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton-as both commodity and material-became inexorably tied to the monetary value of Black bodies. From the production and representation of "negro cloth"-the textile worn by enslaved plantation workers-to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor. Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Boards & Wraps, Baltimore, MD, U.S.A.
Copia autografata
Hardcover. Condizione: Very Good. Signed by Eshun on title. Covers have minor scratching, minor wear to corners, edges, crown, and heel. Interior clean, tight, and unmarked. International shipping billed at cost. Photos upon request.; 4to 11" - 13" tall; 240 pages.
Lingua: Inglese
Editore: Yale University Press, New Haven, CT, 2010
ISBN 10: 0300141351 ISBN 13: 9780300141351
Da: Great Expectations Rare Books, Staten Island, NYC, NY, U.S.A.
Prima edizione
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. Large format hardcover, light blue cloth in publisher's pictorial dust-jacket. 224 pages. Chronology, Appendix, Exhibition Checklist Index, etc. Illustrated with 160 color reproductions. First edition, first printing with full number line. This volume published in conjunction with the eponympusly named exhibition organized by the Yale University Art Gallery. Not only does the present title showcase many of La Farge's most important oils, watercolors and sketches produced during his sojourn to the islands of the South pacific, but places them firmly within the realm of the larger movement which saw numerous nineteenth century artists and writers travel to exotic locations for fresh inspiration. No previous ownership marks. A clean, crisp, unmarked and like new copy. As new in an as new dust-jacket. A large book, Priority and International orders will require additional postage, calculated as close to actual cost as possible.
Lingua: Inglese
Editore: Ridinghouse/Kettle's Yard Cambridge/BALTIC Centre for Contemporary Art Gateshead, 2023
ISBN 10: 1909932647 ISBN 13: 9781909932647
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 19,64
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New.
EUR 38,08
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton-as both commodity and material-became inexorably tied to the monetary value of Black bodies. From the production and representation of "negro cloth"-the textile worn by enslaved plantation workers-to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor.
EUR 19,80
Quantità: 4 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
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Aggiungi al carrelloHardcover. Condizione: Brand New. 96 pages. 9.25x6.50x0.55 inches. In Stock.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 127 pages. 10.00x8.25x0.50 inches. In Stock.
Condizione: New.
Lingua: Inglese
Editore: Ridinghouse/Kettle's Yard Cambridge/BALTIC Centre for Contemporary Art Gateshead, 2023
ISBN 10: 1909932647 ISBN 13: 9781909932647
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 23,25
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 31,08
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New. 2021. Paperback. . . . . .
Lingua: Inglese
Editore: Duke University Press Books 2021-05-14, 2021
ISBN 10: 1478014067 ISBN 13: 9781478014065
Da: Chiron Media, Wallingford, Regno Unito
EUR 23,81
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 25,97
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Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 28,65
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Da: Revaluation Books, Exeter, Regno Unito
EUR 29,67
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Aggiungi al carrelloPaperback. Condizione: Brand New. 336 pages. 10.00x7.00x0.67 inches. In Stock.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 28,83
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Yale University Art Gallery, New Haven, 2010
ISBN 10: 0300141351 ISBN 13: 9780300141351
Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Fine Condition. 224 pages 170 illustrations in color. Director's Foreword by Jock Reynolds, Director. Published on the occasion of the exhibition from the Yale University Art Gallery, New Haven CT October 19, 2010-January 2, 2011 and the Addison Gallery of American Art, Andover MA January 22-March 27, 2011. Chronology. Exhibition Checklist.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 28,94
Quantità: 1 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: Yale University Art Gallery, 2010
ISBN 10: 0300141351 ISBN 13: 9780300141351
Da: Bishops Green Books, Newbury, BERKS, Regno Unito
EUR 41,26
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Near Fine. No Jacket. A teal cloth bound, hardback book, with lilac/blue coloured titles running along the spine. Comes with nice, clean, not price clipped, dust jacket. This wonderful book is in first class condition, however as it is a used book, normal wear, marks and tear apply consistent with use and age. It looks like the book has hardly been used or read. 224 pages, all intact and nice tight binding. Please note this is a heavy item to post therefore postage/shipping abroad may increase from listed postage/shipping price depending on final destination. In 1890 John La Farge (1835-1910) and his friend the historian Henry Adams embarked on a journey to the islands of the South Pacific, where the artist experienced a period of great creative output. This book showcases many of the most important oils, watercolours, and sketches to come out of La Farge's year long voyage to the islands of the Pacific and Indian Oceans and is the first to place the artist's South Seas work in the broader context of exotic travel by artists and writers of the nineteenth century.