Anna indych lópez (61 risultati)

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Good. May contain highlighting/underlining/notes/etc. May have used stickers on cover. Access codes and supplements are not guaranteed to be included with used books. Ships same or next day. Expedited shipping: 3-5 business days, Standard shipping: 4-14 business days.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Oversized Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Book and dust jacket in unworn, unmarked condition.

Hardcover. Condizione: New. No Jacket issued.

Hardcover. Condizione: Near Fine. No Jacket. Wrap-around band.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 84 color and 45 b/w illustrations. Crisp, unmarked copy with a slight forward cant to binding. Corners are sharp. The belly band shows a crease along spine. 4to. 148pp.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st Edition. First edition. 147 numbered pages. Profusely illustrated. J.P. Morgan presentation copy label tipped in front flyleaf with company note laid in, else near fine condition in fine dust jacket with the original museum wrap around the jacket. (ART4).…

Condizione: New. Brand New.

Soft Cover. Condizione: Fine. 190 pages, illustrated in color and b&w. "This book, long overdue, gives us insight into how Baca's traits of curiosity, problem solving, and passionate inquiry has served her goal of justice through arts." FINE SOFTCOVER Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Color illus. boards. Former owner's book plate mounted on front flyleaf, otherwise as issued. Wraparound title band shows minor crease on front flap, otherwise as issued. 148 pp., illus. 1st ed. Size: 4to - over 9¾" - 12" tall. Book. …

Hardcover. Condizione: VG+. Color illustrated boards, half dust jacket. 148 pp. Color and bw plates. A volume to accompany a contemporary exhibition looks at the five "portable murals" created by Mexican artist Diego Rivera in New York City for a major exhibition at the Museum of Modern Art in December 1931.…

Illustrated Boards. Condizione: Near Fiine. First Edition. A crisp, clean Near Fine copy with tiny bump to the bottom foredge in a Near Fine wrap-around title band. 147 pp., profusely illustrated, chronology, bibliography and index. In 1931, Diego Rivera was the subject of The Museum of Modern Art's second monographic exhibition, which set new attendance records in its five-week run. The Museum brought Rivera to New York six weeks before the show's opening and gave him on-site studio space. There he produced five portable murals --large blocks of frescoed plaster, slaked lime and wood that feature bold images drawn from Mexican subject matter and address themes of revolution and class inequity. After the opening, to great publicity, Rivera added three more murals, now taking on New York subjects through monumental images of the urban working class and the city during the Great Depression. Published in conjunction with an exhibition that brings together key works made for Rivera's 1931 show, this catalogue casts the artist as a highly cosmopolitan figure who traveled between Russia, Mexico and the United States and examines the intersection of artmaking and radical politics in the 1930s. Illustrated with reproductions of each panel as well as related paintings, drawings, prints and documentary photographs, the book's essays investigate the international politics of muralism, Rivera's history with MoMA, the iconography of the portable murals and technical aspects of the artist's working process.…

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: As New. (Wrappers and Text are Clean, neat, and tight). Book.

Hardback. Condizione: New.

Condizione: New.

Paperback. Condizione: new. Paperback. Behind the fascinating public artist's practice of collaboration Judith F. Baca is best known for the Great Wall of Los Angeles (197683), a vibrant 2,740-foot mural in Los Angeles that presents an alternative history of California-one that focuses on the contributions of marginalized and underrepresented communities. The mural is emblematic of Baca's pioneering approach to creating public art, a process in which members of the community are essential contributors to the conception and realization of the work.Anna Indych-Lpez explores Baca's oeuvre, from early murals painted with local gang members in the Boyle Heights neighborhood of Los Angeles to more recently commissioned works. She looks in depth at the Great Wall and considers the artist's ongoing work with the Social and Public Art Resource Center (SPARC) in Venice, California, a nonprofit group founded by Baca in 1976. Throughout, Indych-Lpez assesses what she calls Baca's "public art of contestation" and discusses how ideas of collaboration and authorship and issues of race, class, and gender have influenced and sustained Baca's art practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New. Behind the fascinating public artist's practice of collaboration Judith F. Baca is best known for the Great Wall of Los Angeles (1976-83), a vibrant 2,740-foot mural in Los Angeles that presents an alternative history of California-one that focuses on the contributions of marginalized and underrepresented communities. The mural is emblematic of Baca's pioneering approach to creating public art, a process in which members of the community are essential contributors to the conception and realization of the work.Anna Indych-LÓpez explores Baca's oeuvre, from early murals painted with local gang members in the Boyle Heights neighborhood of Los Angeles to more recently commissioned works. She looks in depth at the Great Wall and considers the artist's ongoing work with the Social and Public Art Resource Center (SPARC) in Venice, California, a nonprofit group founded by Baca in 1976. Throughout, Indych-LÓpez assesses what she calls Baca's "public art of contestation" and discusses how ideas of collaboration and authorship and issues of race, class, and gender have influenced and sustained Baca's art practice.…

Condizione: New. pp. 148 128 Illus.

Condizione: new.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. Hardcover with wraparound band instead of a jacket. Book and band are in Fine, As New condition, crisp, clean, unblemished. Published in conjunction with a MoMA exhibition of the same name curated by Leah Dickerman. Color plates throughout. 4to. 148 pp. including bibliography and index.…

Condizione: New. Brand New.

Condizione: New. pp. 200.

Paperback. Condizione: Brand New. 200 pages. 6.50x6.00x1.00 inches. In Stock.

Condizione: New. In English.

Condizione: New. 2018. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.