Anna migdal (53 risultati)

Condizione: Good. Good solid copy, mild to moderate reading/age wear, no DJ if issued, may have some light markings or exowner inscription. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount.…

Condizione: Good. This is an ex-library map. This map will be sent rolled up in a crush proof tube.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780786421152.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. French novelist Emile Zola, noted for his championship of the Naturalist novel, has been one of the most adapted authors in world literature. There have been approximately 80 film adaptations of his late 19th century novels and short stories, many of which occurred during the silent era of international film production (1895-1927). While the aesthetic elements of Zola's fiction continue to appeal to international cinema, the author's thematic naturalism and his "scientific methodology" have provided an ideological framework that incorporates art, science and history into the many cinematic adaptations of his work. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of theoretical and interdisciplinary perspectives. The 13 essays discuss the adaptation of Zola's works within the limitations of the silent cinema; the challenges posed by film censorship and the notoriety of the author's naturalist text; the ideological inflection given to Zola's working class narratives; and Zola's representation of women. Zola's works are placed within their respective historical contexts, as the essays address encoded anti-Nazi sentiment in films produced under the German occupation of France during World War II and the French Communist Party's reception of the filmic adaptation of Germinal. Other adapted works addressed in these chapters include La Terre, Nana, La Bete humaine, Au Bonheur des Dames, Therese Raquin, Gervaise and Pot-Bouille.…

Paperback or Softback. Condizione: New. Zola and Film: Essays in the Art of Adaptation. Book.

Condizione: new.

Condizione: New.

hardcover. Condizione: New. 1st.

Condizione: New. In English.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Brand New. 159 pages. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2024. hardcover. . . . . .

Condizione: New.

Condizione: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.

paperback. Condizione: New.

Condizione: New. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of interdisciplinary perspectives. Editor(s): Gural-Migdal, Anna; Singer, Robert. Num Pages: 208 pages, photographs, filmography, index. BIC Classification: 2ADF; APF; DSBF; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 161 x 13. Weight in Grams: 327. . 2005. First Edition, 1st Printing. Paperback. . . . .…

Paperback. Condizione: Brand New. 229 pages. 8.75x5.75x0.50 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: New. 1st.

Condizione: AS NEW. Etat de NEUF / AS NEW condition 3039104551 9783039104550 1036F 5.

Condizione: New. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of interdisciplinary perspectives. Editor(s): Gural-Migdal, Anna; Singer, Robert. Num Pages: 208 pages, photographs, filmography, index. BIC Classification: 2ADF; APF; DSBF; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 161 x 13. Weight in Grams: 327. . 2005. First Edition, 1st Printing. Paperback. . . . . Books ship from the US and Ireland.…

Condizione: Neuf.

Kartoniert / Broschiert. Condizione: New. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola s fiction and its film adaptations, examining critically significant cinematic adaptations of Zola s novels from a variety of in.

Paperback. Condizione: New. French novelist Emile Zola, noted for his championship of the Naturalist novel, has been one of the most adapted authors in world literature. There have been approximately 80 film adaptations of his late 19th century novels and short stories, many of which occurred during the silent era of international film production (1895-1927). While the aesthetic elements of Zola's fiction continue to appeal to international cinema, the author's thematic naturalism and his "scientific methodology" have provided an ideological framework that incorporates art, science and history into the many cinematic adaptations of his work. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of theoretical and interdisciplinary perspectives. The 13 essays discuss the adaptation of Zola's works within the limitations of the silent cinema; the challenges posed by film censorship and the notoriety of the author's naturalist text; the ideological inflection given to Zola's working class narratives; and Zola's representation of women. Zola's works are placed within their respective historical contexts, as the essays address encoded anti-Nazi sentiment in films produced under the German occupation of France during World War II and the French Communist Party's reception of the filmic adaptation of Germinal. Other adapted works addressed in these chapters include La Terre, Nana, La Bete humaine, Au Bonheur des Dames, Therese Raquin, Gervaise and Pot-Bouille.…

Condizione: new. vendeur professionnel; envoi soigne en 24/48h.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Est-ce que la représentation de la femme chez Zola, et dans la fiction naturaliste en général, entérine l'idée d'une permanence du féminin Echappe-t-elle au contraire à toute figure, y compris au mythe de la diabolisation ou de l'exaltation, pour faire valoir une ambiguïté, une indétermination qui correspondrait à l'effacement des sexes propre à la deuxième moitié du XIXe siècle C'est à une telle question que cet ouvrage s'attache à répondre dans le but de cerner une écriture du féminin propre à la fiction naturaliste. L'écriture du féminin est ici envisagée à la fois comme poétique de la représentation, interprétation textuelle et discours conscient ou inconscient que la société fait entendre sur la femme. Un tel discours n'échappe pas à l'hégémonie positiviste de son époque qui légitime toute catégorisation de la féminité. Parallèlement, à l'état de crise déclenché par le progrès scientifique et la peur face aux transformations qu'il engendre, fait dès lors écho une herméneutique du féminin comme métamorphose, ouverture et énigme. Does the representation of woman in Zola, and in naturalist fiction in general, confirm the notion of a permanence of the feminine; or, on the contrary, does it escape all tropes, including myths that demonize or exalt, in order to exploit its ambiguity or indeterminacy, and thereby correspond to the erasure of sex that characterizes cultural production during the second half of the nineteenth century This is the question this work attempts to answer, in order to define and delimit the writing of the feminine in naturalist fiction. In this book, the inscription of the feminine is envisaged simultaneously as a poetics of representation, textual interpretation, and conscious or unconscious discourse that society gives to understand about woman. Such a discourse fails to escape the positivist hegemony of the period that legitimizes the categorization of the feminine. Nevertheless, beyond this systemization of the concept of woman, the idea of scientific progress brings about the development of a generalized myth of transformation that gives rise to the anguish of incertitude, degeneracy, and emptiness. A hermeneutics of woman as metamorphosis, open-mindedness, and mystery echos this situation of crisis.; Est-ce que la représentation de la femme chez Zola, et dans la fiction naturaliste en général, entérine l'idée d'une permanence du féminin Echappe-t-elle au contraire à toute figure, y compris au mythe de la diabolisation ou de l'exaltation, pour faire valoir une ambiguïté, une indétermination qui correspondrait à l'effacement des sexes propre à la deuxième moitié du XIX e siècle C'est à une telle question que cet ouvrage s'attache à répondre dans le but de cerner une écriture du féminin propre à la fiction naturaliste.L'écriture du féminin est ici envisagée à la fois comme poétique de la représentation, interprétation textuelle et discours conscient ou inconscient que la société fait entendre sur la femme. Un tel discours n'échappe pas à l'hégémonie positiviste de son époque qui légitime toute catégorisation de la féminité. Parallèlement, à l'état de crise déclenché par le progrès scientifique et la peur face aux transformations qu'il engendre, fait dès lors écho une herméneutique du féminin comme métamorphose, ouverture et énigme.Does the representation of woman in Zola, and in naturalist fiction in general, confirm the notion of a permanence of the feminine; or, on the contrary, does it escape all tropes, including myths that demonize or exalt, in order to exploit its ambiguity or indeterminacy, and thereby correspond to the erasure of sex that characterizes cultural production during the second half of the nineteenth century This is the question this work attempts to answer, in order to define and delimit the writing of the feminine in naturalist fiction.In this book, the inscription of the feminine is envisaged simultaneously as a poetics of representation, textual interpretation, and conscious or unconscious discourse that society gives to understand about woman. Such a discourse fails to escape the positivist hegemony of the period that legitimizes the categorization of the feminine. Nevertheless, beyond this systemization of the concept of woman, the idea of scientific progress brings about the development of a generalized myth of transformation that gives rise to the anguish of incertitude, degeneracy, and emptiness. A hermeneutics of woman as metamorphosis, open-mindedness, and mystery echos this situation of crisis.…

Condizione: New.

Condizione: New.