anna schreiner (31 risultati)

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: New. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: As New. Paperback--no flaws.

Condizione: New.

Paperback. Condizione: new. Paperback. Dreams is a work that defies conventional categorization; however, one might best capture its unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream-vision poem. Though a work of prophecy, it proceeds with a light touch. The sequence of eleven dreams, loosely interlinked, leaves us to wrestle with our doubts; it takes up thorny questions that challenge a culture right where it may tend to be its proudest. The landscape of the work shifts as it moves among the African savannah, congested late-industrial London, and the olive tree-studded hillsides of Italy. The intersectionality of Schreiners writingits concern with gender, sexual orientation, class, nation, and racemakes her a particularly salient voice for todays students.The appendices to this edition provide an accessible representation of Schreiners key contexts, South African and British as well as American. The introduction features a biographical overview of a writer wrestling with questions of social justice pertinent to her own era yet relevant to our contemporary moment. A work that defies conventional categorization; however, one might best capture Dreams unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream vision poem. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Cover has some edge and corner wear. Red spine tape. Previous; 6" x 9"; 29 pages; Very Good owner name on front cover.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Dreams is a work that defies conventional categorization; however, one might best capture its unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream vision poem. Arthur Symons praised Dreams by saying, "The words seem to chant themselves to a music which we do not hear." Though a work of prophecy, it proceeds with a light touch. The sequence of eleven dreams, loosely interlinked, leaves us to wrestle with our doubts; it takes up thorny questions that challenge a culture right where it may tend to be its proudest. The landscape of the work shifts as it moves among the African savannah, congested late-industrial London, and the olive tree-studded hillsides of Italy. The intersectionality of Schreiner's writing-its concern with gender, sexual orientation, class, nation, and race-makes her a particularly salient voice for today's students. The appendices to this edition provide an accessible representation of Schreiner's key contexts, South African and British as well as American. The introduction provides a biographical overview of a writer wrestling with questions of social justice pertinent to her own era, yet relevant to our contemporary moment.

Condizione: NEW.

Paperback. Condizione: New. Dreams is a work that defies conventional categorization; however, one might best capture its unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream vision poem. Arthur Symons praised Dreams by saying, "The words seem to chant themselves to a music which we do not hear." Though a work of prophecy, it proceeds with a light touch. The sequence of eleven dreams, loosely interlinked, leaves us to wrestle with our doubts; it takes up thorny questions that challenge a culture right where it may tend to be its proudest. The landscape of the work shifts as it moves among the African savannah, congested late-industrial London, and the olive tree-studded hillsides of Italy. The intersectionality of Schreiner's writing-its concern with gender, sexual orientation, class, nation, and race-makes her a particularly salient voice for today's students. The appendices to this edition provide an accessible representation of Schreiner's key contexts, South African and British as well as American. The introduction provides a biographical overview of a writer wrestling with questions of social justice pertinent to her own era, yet relevant to our contemporary moment.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. 198 pages. 8.50x5.50x0.50 inches. In Stock.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: NEW.

Paperback. Condizione: New. Dreams is a work that defies conventional categorization; however, one might best capture its unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream vision poem. Arthur Symons praised Dreams by saying, "The words seem to chant themselves to a music which we do not hear." Though a work of prophecy, it proceeds with a light touch. The sequence of eleven dreams, loosely interlinked, leaves us to wrestle with our doubts; it takes up thorny questions that challenge a culture right where it may tend to be its proudest. The landscape of the work shifts as it moves among the African savannah, congested late-industrial London, and the olive tree-studded hillsides of Italy. The intersectionality of Schreiner's writing-its concern with gender, sexual orientation, class, nation, and race-makes her a particularly salient voice for today's students. The appendices to this edition provide an accessible representation of Schreiner's key contexts, South African and British as well as American. The introduction provides a biographical overview of a writer wrestling with questions of social justice pertinent to her own era, yet relevant to our contemporary moment.

Paperback. Condizione: new. Paperback. Dreams is a work that defies conventional categorization; however, one might best capture its unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream-vision poem. Though a work of prophecy, it proceeds with a light touch. The sequence of eleven dreams, loosely interlinked, leaves us to wrestle with our doubts; it takes up thorny questions that challenge a culture right where it may tend to be its proudest. The landscape of the work shifts as it moves among the African savannah, congested late-industrial London, and the olive tree-studded hillsides of Italy. The intersectionality of Schreiners writingits concern with gender, sexual orientation, class, nation, and racemakes her a particularly salient voice for todays students.The appendices to this edition provide an accessible representation of Schreiners key contexts, South African and British as well as American. The introduction features a biographical overview of a writer wrestling with questions of social justice pertinent to her own era yet relevant to our contemporary moment. A work that defies conventional categorization; however, one might best capture Dreams unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream vision poem. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New. A work that defies conventional categorization however, one might best capture Dreams unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dre.

Paperback. Condizione: New. New Book, Direct from Publisher.

Taschenbuch. Condizione: Neu. Neuware - Dreams is a work that defies conventional categorization; however, one might best capture its unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream-vision poem. Though a work of prophecy, it proceeds with a light touch. The sequence of eleven dreams, loosely interlinked, leaves us to wrestle with our doubts; it takes up thorny questions that challenge a culture right where it may tend to be its proudest. The landscape of the work shifts as it moves among the African savannah, congested late-industrial London, and the olive tree-studded hillsides of Italy. The intersectionality of Schreiner's writing-its concern with gender, sexual orientation, class, nation, and race-makes her a particularly salient voice for today's students.

Paperback. Condizione: New. Dreams is a work that defies conventional categorization; however, one might best capture its unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream vision poem. Arthur Symons praised Dreams by saying, "The words seem to chant themselves to a music which we do not hear." Though a work of prophecy, it proceeds with a light touch. The sequence of eleven dreams, loosely interlinked, leaves us to wrestle with our doubts; it takes up thorny questions that challenge a culture right where it may tend to be its proudest. The landscape of the work shifts as it moves among the African savannah, congested late-industrial London, and the olive tree-studded hillsides of Italy. The intersectionality of Schreiner's writing-its concern with gender, sexual orientation, class, nation, and race-makes her a particularly salient voice for today's students. The appendices to this edition provide an accessible representation of Schreiner's key contexts, South African and British as well as American. The introduction provides a biographical overview of a writer wrestling with questions of social justice pertinent to her own era, yet relevant to our contemporary moment.

Taschenbuch. Condizione: Neu. Dreams | Olive Schreiner | Taschenbuch | Kartoniert / Broschiert | Englisch | 2020 | Broadview Press Ltd | EAN 9781554815647 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,0, Saarland University, course: Proseminar Posthumanism in Contemporary British Literature and Culture, language: English, abstract: In this paper, I will analyse the representation of the gendered and raced androids in Alex Garland's science-fiction dystopia Ex Machina (2015), providing a close reading through a feminist lens, and critically reflecting upon the construction of their posthuman identities in a gendered and raced human-like body. I argue that, even though the film may have some subversive aspects regarding its representation of patriarchal power structures, it fails to dismantle certain sexist and racial stereotypes, but instead contributes to their solidification by assigning them to the posthuman subject. This visual portrayal of discrimination against women and especially non-white women in a system that privileges men and white people is not only a reflection of prevalent socio-cultural and political conditions, but also the cinematographic result of the white patriarchal system itself, whether it be with regard to the film's literary design as well as its mise-en-scène and cinematography. In order to prove my point, I will rely on Laura Mulvey's essay 'Visual Pleasure and Narrative Cinema' (1975), extending it to the representation of racial difference, since 'gender intersects with race, class, ethnic, sexual, and regional modalities of discursively constituted identities'.With advancing technology, artificial intelligence continues to be portrayed in literature and visual culture, affecting our current and future views of the human, as well as those of 'the posthuman'. This subject is 'the figure' of Critical Posthumanism, a theoretical approach trying to discuss the question 'what it means to be human' and functioning 'like an anamnesis and a rewriting of the human and humanism'. One of its key components, as Rosi Braidotti points out, is to question the traditional view of Humanism, which places a European, male and white ideal at the core of the universe. 20 pp. Englisch.

Paperback. Condizione: New. 1.

Paperback. Condizione: New. 1.

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Seminar paper from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,0, Saarland University, course: Proseminar Posthumanism in Contemporary British Literature and Culture, language: English, abstract: In this paper, I will analyse the representation of the gendered and raced androids in Alex Garland¿s science-fiction dystopia Ex Machina (2015), providing a close reading through a feminist lens, and critically reflecting upon the construction of their posthuman identities in a gendered and raced human-like body. I argue that, even though the film may have some subversive aspects regarding its representation of patriarchal power structures, it fails to dismantle certain sexist and racial stereotypes, but instead contributes to their solidification by assigning them to the posthuman subject. This visual portrayal of discrimination against women and especially non-white women in a system that privileges men and white people is not only a reflection of prevalent socio-cultural and political conditions, but also the cinematographic result of the white patriarchal system itself, whether it be with regard to the film¿s literary design as well as its mise-en-scène and cinematography. In order to prove my point, I will rely on Laura Mulvey¿s essay ¿Visual Pleasure and Narrative Cinemä (1975), extending it to the representation of racial difference, since ¿gender intersects with race, class, ethnic, sexual, and regional modalities of discursively constituted identities¿. With advancing technology, artificial intelligence continues to be portrayed in literature and visual culture, affecting our current and future views of the human, as well as those of ¿the posthuman¿. This subject is ¿the figure¿ of Critical Posthumanism, a theoretical approach trying to discuss the question ¿what it means to be human¿ and functioning ¿like an anamnesis and a rewriting of the human and humanism¿. One of its key components, as Rosi Braidotti points out, is to question the traditional view of Humanism, which places a European, male and white ideal at the core of the universe. 20 pp. Englisch.