Anne maheux (31 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Soft cover. Condizione: Fine. Softcover w/ wraps, 93 pp. w/ over 30 color and b&w plates. Accompanied 1988 National Gallery of Canada exhibit. Examines pastel painting before Degas, Degas' pastel technique,colours, and pastels in the museum's collection. Book Condition : Fine; unmarked.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. 12.80 X 9.60 X 1.20 inches; 191 pages.

Hardcover. Condizione: VG. Condizione sovraccoperta: VG. First Edition. OVERSEAS ORDERS WILL REQUIRE SUBSTANTIAL ADDITIONAL POSTAGE.

hardcover. Condizione: fine. near fine. First. 70 pages of color illustrations. Tall 4to, beige cloth, d.w. New York: Braziller, (1992). First edition. A fine copy in a near fine dust wrapper. Degas (illustratore).

Softcover. Condizione: Near Fine. First Edition; First Printing. Stiff clean book in crisp covers, about new but for Beaverbrook Gallery stamp to front endpaper.; 9 X 1 X 11 inches; 240 pages.

Condizione: Good. Light scuffs & scratches to the softcover. Faint marks to the edges of the textblock & outer pages. Content is in very good, clean condition. Musty storage odour to the book.

Condizione: Fine. - Quarto [13 inches high by 9-1/2 inches wide], light tan cloth in a dust wrapper. 191 pages. Profusely illustrated in color and black & white. Near fine. First edition.Introduction and commentaries by Jean Sutherland Boggs and Anne Maheux.

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Fine Condition. 192 pages 84 illustrations 70 in full color. Plates, Notes and Commentaries. Glossary of Terms. Chronology of Degas and Pastels. Selected Bibliography. List of Plates.

Hardcover. Condizione: Fine. Folio in tan cloth in green dust jacket with color illustration on cover; blank on DJ rear; 191 pp.; illus. (some color); 33 cm. In English. **A large, heavy book. Extra shipping charges may apply.**. Fine copy in fine dust jacket still sealed in shrinkwrap. in fine dust-jacket.…

Hardcover. Condizione: Near Fine. No Jacket. Slight bump to top corner of front board.

Soft cover. Condizione: As New. 1st Edition. As new book. 192pp with colour illustrations.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. 1992. 191pp. 85 illustrations, 70 in colour. "Edgar Degas manipulated past of handling and expressive power than any other artist. Pastel, used sporadically in the 1860s and with increasing frequency in the 1870s, had by the 1880s become his preferred medium. Today, Degas' pastels are distinguished not only for their sheer quantity (he created over 700), but for the evidence they provide of his critical role as a catalyst of modernism. Pastel, the ambivalent medium par excellence, half pencil, half brush, suited Degas' métier as reporter of human behaviour and as recreator of nature. Whether at the ballet, the café concert, the racetrack, or in a woman's dressing room, Degas transformed scenes of public and private life in Paris into meditations on the character of his subjects. As he abandoned allusions to specific places, concentrating almost exclusively on scenes based on the bath, he grew increasingly fascinated by the pure properties of line, shape and colour, and the magical reinvention of space through their metamorphoses. Degas' formal revolutions coincided with unparalleled technical developments. Used in combination with distemper, over monotype, intaglio prints, or transfer lithographs, and with intermittent layers of fixative, pastel evolved into the ideal vehicle for Degas' complex artistic temperament. Never before had works in the medium achieved this degree of visual complexity, chromatic intensity and brilliance. In her introductory essay, Jean Sutherland Boggs explores the art-historical context of Degas' work, particularly the achievements in pastel of other nineteenth-century artists. Anne Maheux describes the working methods and materials that Degas employed, focusing on his innovative techniques. An album of seventy reproductions of pastels from collections worldwide - many never previously published -presents a complete pictorial history of Degas' work in the medium; each plate accompanied by complete catalogue data and extensive commentaries. This seminal study not only transforms our view of one of the great artists of Impressionism, but also presents fresh evidence of how that tradition grew into the art we know today." Book and unclipped dust jacket are both in excellent condition. No inscriptions. PLEASE NOTE: This is a heavy book and extra postage will be required for non-UK customers. Edgar Degas (illustratore). …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 191 pages : illustrations (some colour), colour portraits ; 33 cm. Edgar Degas manipulated pastel with greater range of handling and expressive power than any other artist. Pastel, used sporadically in the 1860s and with increasing frequency in the 1870s, had by the 1880s become his preferred medium. Today, Degas' pastels are distinguished not only for their sheer quantity (he created over 700), but for the evidence they provide of his critical role as a catalyst of modernism. Pastel, the ambivalent medium par excellence, half pencil, half brush, suited Degas' métier as reporter of human behaviour and as recreator of nature. Whether at the ballet, the café concert, the racetrack, or in a woman's dressing room, Degas transformed scenes of public and private life in Paris into meditations on the character of his subjects. As he abandoned allusions to specific places, concentrating almost exclusively on scenes based on the bath, he grew increasingly fascinated by the pure properties of line, shape and colour, and the magical reinvention of space through their metamorphoses. Degas' formal revolutions coincided with unparalleled technical developments. Used in combination with distemper, over monotype, intaglio prints, or transfer lithographs, and with intermittent layers of fixative, pastel evolved into the ideal vehicle for Degas' complex artistic temperament. Never before had works in the medium achieved this degree of visual complexity, chromatic intensity and brilliance. In her introductory essay, Jean Sutherland Boggs explores the art-historical context of Degas' work, particularly the achievements in pastel of other nineteenth-century artists. Anne Maheux describes the working methods and materials that Degas employed, focusing on his innovative techniques. An album of seventy reproductions of pastels from collections worldwide - many never previously published - presents a complete pictorial history of Degas' work in the medium; each plate accompanied by complete catalogue data and extensive commentaries. This seminal study not only transforms our view of one of the great artists of Impressionism, but also presents fresh evidence of how that tradition grew into the art we know today. With 85 illustrations, 70 in colour On the jacket: Jockeys in the Rain (detail), c.1886. The Burrell Collection, Glasgow Museums.…

Soft cover. Condizione: Fine. 248 pages. 28 cm. Couvertures souples illustrées. Illustrations (près de 200 photographies d'oeuvres d'art en noir et blanc et en couleur). Liste des expositions. Bibliographie. Oeuvres de l'exposition. Catalogue d'une exposition organisée et mise en tournée par le Musée des beaux-arts du Canada en 2002. Livre neuf.…

Hardcover. Condizione: Very good. Condizione sovraccoperta: very good. Cloth/dust jacket Quarto. tan cloth, red lettering, dust jacket, 191 pp Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: New. pp. 191.

Condizione: New. pp. 191 1st Edition.

Condizione: New. pp. 191.

Soft cover. Condizione: Fine. 8vo. pp. 93. profusely illus. in colour & b/w. wrs.

Couverture souple. Condizione: bon. R160211885: 1988. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages - nombreuses illustartions en couleur et noir et blanc dans et hors texte - couverture contre-pliée. . . . Classification Dewey : 750-La peinture et les peintres.…

Hardcover. Condizione: Brand New. 191 pages. 13.00x10.00x1.25 inches. In Stock.

Hardcover. Condizione: New.