Anne s rubin (18 risultati)

Paperback. Condizione: Good.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condizione: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. box set book and CD Rom in good slipcase.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. Hardcover. Condition: New. No markings. Jacket not price-clipped. Bottom front corner 1/4 inch or less bent in // shipped carefully packed in a sturdy box. Exploring the creation, maintenance, and transformation of Confederate identity during the tumultuous years of the Civil War and Reconstruction, Rubin sheds new light on the ways in which Confederates felt connected to their national creation and provides a provocative example of what happens when a nation disintegrates and leaves its people behind to forge a new identity.…

Hardcover. Condizione: Near Fine. Near Fine. First Edition, first printing. This volume is issued in a slipcase and includes a boxed CD. Octavo, 8 1/2" tall, 103 pages, black titles on green/gray boards. A near fine, clean, neat hard cover edition with light shelf wear; gently read, binding tight, paper white. In a near fine, lightly worn dust jacket. …

Condizione: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Paperback. Condizione: New.

Soft cover. Condizione: As New. Condizione sovraccoperta: Softcover Wraps. First Softcover Edition. Softcover book is a clean tight unmarked copy. (Includes CD Rom).

hardcover. Condizione: Fine copy in fine dust jacket. 1st. 4to, 496 pp., With essays by Anne Baldassari, Pierre Daix, Michael C. Fitzgerald, Brigitte Leal, Marilyn McCully, Robert Rosenblum, William Rubin, Helene Seckel & Kirk Varnedoe. Profusely illustrated (illustratore).

Soft cover. Condizione: Fine. Condizione sovraccoperta: No Jacket as Issued. 1st Edition. Clean unmarked with sold binding. In unused condition.

Hard Cover/Slipcase. Condizione: Very Good to Fine. Very Good to Fine. A "dual platform" collection, includes both book and CD-ROM. Book and CR ROM.

paperback. Condizione: Like New. First Paperback Edition. Publisher: Museum of Modern Art, New York, 1996. FINE in illustrated/pictorial wraps, as issued. First Softcover Edition, First Printing. Previous owner's artistic embossed stamp at bottom of title page, otherwise as new. Brochure from the 96 MOMA show included.…

Condizione: New. Satisfaction Guaranteed or your money back.

Brossura. Condizione: nuovo. prima edizione. essays by Anne Baldassari, Pierre Daix, Michael C. FitzGerald, Brigitte Léal, Marilyn McCully, Robert Rosenblum, William Rubin, Hélène Seckel, Kirk Varnedoe. Portraiture has managed to flourish in modern painting in spite of the popularization of photography, the decline of traditional patronage, and modernism's increasing emphasis on abstraction. However problematic modern styles have been for representational art, painters have continued to discover new possibilities in the imaging of the human face. This book explores the challenge of the modernist portrait through the multiple solutions proposed by its foremost protagonist and, in so doing, becomes the first volume ever published on the subject of Picasso and portraiture. The hundreds of works reproduced here—most of them unfamiliar, some virtually unknown — demonstrate the remarkable range of Picasso's experimentation in all its stylistic and psychological diversity. The book opens with an authoritative, broadranging essay by William Rubin; the nine essays that follow—all by major contemporary scholars and critics—examine different periods and aspects of Picasso's career and clarify personal relationships between the artist and his subjects. It closes with an essay by Mr. Rubin on the late portraits. Numerous photographs, some never before published and many by outstanding photographers, present the portrait subjects as seen through the eye of the camera. This book, published to accompany a major exhibition at The Museum of Modern Art, New York, opening in April 1996, no doubt will long remain the definitive work on its subject. Note alle condizioni del volume Nessuna. (T-CA) Autore/i edited by William S. Rubin Editore The Museum of Modern Art Luogo New York Anno 1996 Pagine 496 Dimensioni 23x31x4 (cm) Illustrazioni 216 ill. a colori, 541 ill. b/n n.t. - colors and b/w ills Legatura bross. ill. a colori - paperback Conservazione Nuovo - New Lingua Inglese - English text Peso 2800 (gr) ISBN 0870701428 EAN-13 9780870701429.…