anne thorold (63 risultati)

Condizione: Very Good. 1715783114. 5/15/2024 2:25:14 PM.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: Used - Very Good. VG paperback. 1st ed (pbk). With col.illus. The Pissarro collection in the Ashmolean Museum. A bright copy in tight binding. Used - Very Good. VG paperback.

Paperback. Condizione: F/ F/ND. y 1st. Edn, 1st. Imp. SOFTBACK SHIPPED FROM THE UK.* Edition: 1st. Thus.* Impression: 1st.* Date of Publication: 1993* Publisher: The * Binding and cover condition: Colour-illustrated soft card covers. No bumps or rubs. Absolutely minimal shelf wear to covers. No creases to spine or hinge. Seems un-used. FINE* Contents condition: PRIVATE COPY NOT EX-LIBRARY. Clean, crisp, tight & bright. No annotations, inscriptions or marks to text, no tanning or other visible faults. FINE* Illustrations: Colour & b/w reproducitons within text. throughout.* Pages: 79 pp. text. i pp. bibliography at rear.* Product Description:- The Ashmolean's collection of drawings and watercolours by Camille Pissarro is the largest in the world and is indeed the largest single collection of drawings by any impressionist artist. This book illustrates the full range of his work together with the work of his son Lucien and granddaughter Orovida.* This is a FINE copy of the 1st./1st. with absolutely minimal shelf wear.* 1993-05-01. n.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Very Good. H/B copy in Very good condition. THe book is in Very good Condition Being Tightly Bound Throughout. No Inscriptions. Free Postage within the UK.

Hardcover. Condizione: Fine. Book is in fine condition. 80pp with colour illustrations.

Hardcover. Condizione: Fine. New and unread, however there is some shelf wear on cover Shipped from the UK within 2 business days of order being placed.

Condizione: New.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Still in the original shipping container. Very heavy volume that will require additional postage for destinations outside of the USA.

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description : 80 pages : color illustrations ; 22 cm. Notes : Includes bibliographical references (page 80). Subjects : Pissarro, Camille 1830-1903 ; Catalogs. Artists, French Catalogs. 3 Kg.

Hardcover. Condizione: New.

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description : 80 pages : color illustrations ; 22 cm. Notes : Includes bibliographical references (page 80). Subjects : Pissarro, Camille 1830-1903 ; Catalogs. Artists, French Catalogs. 1 Kg.

Hardcover. Condizione: Very Good. 1st Edition.

Soft cover. Condizione: Fine. Illus.survey of Pisarro works in the Ashmolean. pp80. Unread.

Soft cover. Condizione: Very Good. 1st Edition. 80 pages, colour illustrations, very good condition in card covers.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2300grams, ISBN:0521390346.

Hardcover. Condizione: Near Fine. 1st Edition. Oversized hardcover, weight over 1.5kg, later reprint of the 1st edition, xxii + 796 pages, numerous b&w illustrations in text. Interior is clean and bright throughout with unmarked text, free of inscriptions and stamps, firmly bound. Faint gentle handling marks on page edges externally. Illustrated glossy boards show a few short scratches, tiny creases to tips of corners. This reprint was issued without a dust jacket. -- The Impressionist painter Camille Pissarro's eldest son, Lucien, lived in England in 1883, then in Paris until 1890 when he finally settled in England. These travels gave rise to a substantial exchange of letters, most of which have survived. Camille Pissarro's letters are well-known but Lucien's replies, which describe the world of post-William Morris London, have hitherto lacked a full scholarly edition. Lucien, also a painter, exhibited only in the last of the Impressionist exhibitions in Paris, although both he and his father were members of the neo-Impressionist group. To earn a living, Lucien turned to wood engraving, which led to his printing of rare books illustrated and printed by him on his Eragny Press in London. He even ceased to paint for a period. The technical discussion of the translation of drawings to woodblocks engraved by Lucien gives a unique insight into the methods employed, while intimate views on the work of their now famous friends, mainly painters, writers of anarchist theoreticians in Paris, or contemporary painters reacting to the Pre-Raphaelites in London and the Private Press movement inspired by William Morris, mingle advice on painting methods with views on current art trends, family matters, and their struggles for recognition and enough money to even post their letters.

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 796 pages; Description: 4to. Xxii, 796 p. : ill. ; 26 cm. Subjects: Pissarro, Lucien, 1863-1944 --Correspondence. Pissarro, Camille, 1830-1903. Artists--France. London (England) --Intellectual life--19th century. - Series: Cambridge studies in the history of art. 4 Kg.

Condizione: very good. Photo non contractuelle. Envoi rapide et soigné.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. First Edition. Edited by Anne Thorold. Cambridge: Cambridge University Press, (1993). First Edition. 10 x 7". xxii,796pp, Index, Bibliography. Grey cloth, very good plus condition (small bump to lower right corner front cover), few small spots to edges of text block, top edge of text block lightly soiled), interior fine; edges of dj slightly worn, very good plus. Several illustrations. Lucien was the eldest son of Camille Pissaro. His letters, hitherto unpublished in a full edition, are usually replies to his father's and include descriptions of the post-William Morris London. Letters in French, Editorial text in English. ISBN 0521390346; 10 x 7 inches; 796 pages.

Soft cover. Condizione: Very Good. Camille Pissarro's connections with fellow artists and political figures are explored through this detailed study, highlighting his role within the Impressionist movement. The book offers a comprehensive overview of his artistic style and social influences, emphasizing his contributions to modern art. From the library of John Russell Taylor.

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 796 pages; Description: 4to. Xxii, 796 p. : ill. ; 26 cm. Subjects: Pissarro, Lucien, 1863-1944 --Correspondence. Pissarro, Camille, 1830-1903. Artists--France. London (England) --Intellectual life--19th century. - Series: Cambridge studies in the history of art. 3 Kg.

Condizione: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD ? HARDBACK - HEAVY ITEM, light wear and scuff marks to jacket, light grub to fore edges, pages in nice condition, shipped from the UK.

Hardback. Condizione: Very Good. Condizione sovraccoperta: Good+. A little worn with a few tears and chips at edges of jacket. 250 x 170 mm. xxii, 798 pp. Letters to the impressionist painter from his eldest son, Lucien, who lived in both England and Paris, settling in England in 1890. Earning a living by wood engraving, Lucien illustrated and printed rare books on his Eragny Press in London. The letters are in French, with supporting apparatus in English. B&w figures. Includes select bibliography and index. Book.

1st edition softback with stiff wrappers Nice copy large octavo xxii + 796pp., b/w pls., text ills., bibliog., index, 'Lucien Pissarro, the eldest son of Impressionist painter Camille Pissarro, lived in England in 1883, then in Paris until 1890 when he finally settled in England. These travels gave rise to a substantial exchange of letters, most of which have survived. Camille Pissarro's letters are well known, but Lucien's replies, which describe the world of post-William Morris London, have hitherto lacked a full edition.'.

Hardcover. Condizione: VG+. Green clothbound slipcase, green clothbound boards with debossed gray design in lower corner and gray text on spine. 251 pp. Many bw illustrations. Limited edition, 1 of 400 copies. "The admirable extracts and quotations with which Anne Thorold has interspersed her chronological catalogue of Lucien Pissarro's oil paintings only require further commentary in so far as this may point to the sensible treatment and understanding such paintings require both to preserve and enjoy them to the full. In the first twenty of his fifty years in England Pissarro was as much occupied with his printing-press as with painting, but before that he had been very close to his famous father in France, and it was through his association with his contemporaries Seurat and Signac that he drew Camille into pointillisme and the divisionist techniques that dominated the rest of his painting life. Camille Pissarro's disillusion, after a time, with what he found an irritating and hampering way of work can be studied in the famous letters to Lucien, first edited with Lucien's assistance by John Rewald. In the hands of many young painters pointillisme became a doctrinaire procedure in which the main bugbear was perhaps the insistence on putting dots of complementary red where green was the local colour, and when such divided colours were not 'bien en valeur', a speckly effect resulted that had little to do with genuine observation. Camille's impatience can be summed up in his comments to Lucien on a show by Theo van Rysselberghe whose real talent was schackled by 'la nefaste pratique due point systematique', which, as he had told him, was really only suitable for mosaic, in which 'le modele', three-dimensional appearances were out of place." - from introduction.