Annwn david (123 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. Red Bank (Paperback or Softback).

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

First trade edition. 67 pp. Near fine in glossy illustrated wrappers.

Condizione: New.

First Edition. First edition. Softcover. 67 pages. A collection of poems by Annwn with an introduction by Jeremy Hooker. A close to near fine copy in wrappers with some faint foxing to the page edges. Signed and very nicely inscribed by Annwn on the title page to poet Linda Pastan in the year of publication. Uncommon signed. Signed.…

Condizione: New.

Condizione: New.

Close to fine and bright illustrated stapled wraps with crisp bright text throughout.

First edition. 32 pp w/bibliographical note. Fine in illustrated wrappers.

Trade Paperback. Condizione: Very Good. Covers faintly toned. 2008 Trade Paperback. 132 pp. Gavin Selerie says, "David Annwn's work drills deep into the strata of myth and history, exposing devices which resonate in new contexts. Faithful to the living moment, his poems dip, hover and dart through soundscapes rich with suggestion, rhythmically charged and etymologically playful. Formally adventurous and inviting disjunction, these texts retain a lyric coherence that powerfully renders layers of experience. The mode veers from jazzy to mystical, evoking in the reader both disturbance and content. BELA FAWR'S CABARET has this recognisable stamp: music and legend 'Knocked Abaht a Bit', mischievous humour yielding subtle insight.…

Soft cover. Condizione: Near Fine. 1st Edition. Inscribed by Annwn. Inscribed by Author(s).

Ex-library copy with library barcodes and digits glued to front cover, spine, inside front cover; inside rear cover; library stamp alone front edge. Binding firm - sound reference copy. Used - Acceptable. Fair ex-library paperback Used - Acceptable. Fair ex-library paperback.

Card Wrappers. Condizione: Near Fine. First Edition. 67pp. Covers slightly handled.

First edition, first printing Fine bright glossy stiff wraps with strong spine and clean text. Affectionately inscribed to another poet and his wife and dated the year of publication on the half title page. A fine poet.

First edition. [36 pp]. Fine in printed wrappers.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Very Good. Focusing on twenty-one key films, this book involves an inclusive and sensitive approach. It reveals an awareness of the heterogeneity of horror production with the discussion spanning the period of the invention of movies, the expansion from single-reelers to longer and continuous productions, and the advent of talkies. An attractive and accessible book for cinephiles, students, academics and general readers alike.…

Paperback. Condizione: new. Paperback. This is a ground-breaking study, which reveals and emphasises the formative and innovative power of film from Georges Meliess Manoir du Diable (1896) to Edgar G. Ulmers superbly reflexive The Black Cat (1934). Focusing on twenty-two key films, and referencing other relevant productions, this book involves an inclusive and sensitive approach. It reveals an awareness of the heterogeneity of horror production with the discussion spanning the period of the invention of movies, the expansion from single-reelers to longer and continuous productions, and the advent of talkies. Focusing on twenty-one key films, this book involves an inclusive and sensitive approach. It reveals an awareness of the heterogeneity of horror production with the discussion spanning the period of the invention of movies, the expansion from single-reelers to longer and continuous productions, and the advent of talkies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New. This is a ground-breaking exploration that runs generally against the critical grain in identifying a burgeoning production of films of fear and horror before the admission of the horror film genre per se. It is a study that reveals and emphasises the formative and innovative power of film, from Georges Méliès's Le Manoir du Diable (1896) to Edgar G. Ulmer's superbly reflexive The Black Cat (1934). With its focus on twenty-one key films, and referencing other relevant productions, the present study involves an inclusive and sensitive approach. It reveals an awareness of the heterogeneity of horror production with the discussion spanning the period of the invention of movies, the expansion from single-reelers to longer and continuous productions, and the advent of talkies. Stepping beyond the bounds of Anglo-American studios, in its seven chapters the book involves the work of directors from France, Spain, England, Moravia, Germany, Italy, Denmark, Mexico and the USA, to consider and compare films that have not previously received serious attention.…

Condizione: New.

Paperback. Condizione: Very Good. Focusing on twenty-one key films, this book involves an inclusive and sensitive approach. It reveals an awareness of the heterogeneity of horror production with the discussion spanning the period of the invention of movies, the expansion from single-reelers to longer and continuous productions, and the advent of talkies. An attractive and accessible book for cinephiles, students, academics and general readers alike.…

Condizione: As New. Unread book in perfect condition.

Condizione: new.