ant farm (33 risultati)

Softcover exhibition catalog, 188 pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover. Condizione: new. Hardcover. Perhaps best known for the iconic desert monolith Cadillac Ranch and stunts like Media Burn, the radical architecture and media art group Ant Farm created an abundance of works across disciplinesincluding video, publications, built environments and performances. Throughout their career (196879), Ant Farm conceived a series of time capsules that focused not on the eternal but rather on the fleeting aspects of postwar American culture: consumer goods, media archives and tchotchkes. For various reasons, all of Ant Farms time capsules failed to function, that is, to be opened at the allotted future time and the intact contents examined.Ant Farms successor group, LST, has taken up the project with their contemporary work Ant Farm Media Van v.08 [Time Capsule] (2008). This work not only functions but updates the originals line of questioning, exploring notions of the time capsule in the digital age.The Present Is the Form of All Life represents the first comprehensive documentation of these overlooked ephemeral works. Including many previously unpublished images, this publication also boasts essays by Constance M. Lewallen, Steve Seid and Gabriella Giannachi, and a discussion between curator Rudolf Frieling and LST. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

CD. Condizione: Sehr gut. B1021-164 600445088726 Sprache: Deutsch Gewicht in Gramm: 150.

126 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Periodical about site-specific art, this issue focusing on energy. Edited by Alison Sky and Michelle Stone. Contents include: "Introductions," by James Wine; "Our Enduring Illusions," by James S. Mellett; "Energy and Civilization," by René Dubos; "Plant, Eat, and Work!," by Lewis Mumford; "Sunlight Convergence / Solar Burn," by Charles Ross; "Solar Energy and Survival," by Alan H. Balfour; "Fire Cycles," by Anthony McCall; "Architectural Prospects," by Richard G. Stein; "Tomorrow's Energy: Glowing Prospect," by Jerry Grey; "Interview with Fred S. Dubin," by Alison Sky; "The ID Monster," by U.F.O.; "Towards a Zero Energy Architecture," by John Lobell; "Personal Mobility in the U.S.A.," by David J. Neuman; "Travelog," by Allan Kaprow; "A Subjective Study of the L.A. Freeway Grid," by O.M. Ungers; "Railroad Young Men's Christian Association," by Andrew MacNair; "Autorama," by Chip Lord & Ant Farm; "The Energy of Reuse," by Hugh Hardy; "Spatiology," by Vittorio Giorgini; "Premises for Future Planning," by Percival Goodman; "People in Glass Houses," by Witold Rybczynski; "Architecture for a New Era," by Jeffrey Cook; "The Seagram's Building and it's Plaza," by Marilyn Wood & the Celebrations Group; "The Liberation of Human Energy," by Barbara M. Hubbard; "Transformations of a SOHO Street," by Ruth Heller Coron; "Performance as Energy," by M. Paul Friedberg; "Image's Identity, by Francesc Torres; "This man lives in my building," by Donald Lorimer; "Interview with Denise Scott Brown," by Alison Sky; "On Energy," by Jean Dupuy; "Los Angeles: Architecture of the Cinema," by Kip K. McBane; "Video," by Nam June Paik; "Set Timer," by Jim Cobb; "Television Delivers People," Richard Serra; "Pickin' Up the Pieces of Universal Order and Architecture," by Mimi Lobell; "The Washington Monument Sundial," by Yuri Schwebler and "Biographical Notes." Cover photo Michelle Stone. Good. Significant rubbing of covers and cover edges with bumping and wear to corners. Contents clean and unmarked. Due to large size and weight, additional shipping charges will be required for international orders.

Condizione: New. 2017. hardcover. . . . . .

Exhibition invite, 5 x 7 inches; very good condition; an unmailed copy.

paperback. Condizione: Good. Contents are tight and clean.

Hardback. Condizione: New. Perhaps best known for the iconic desert monolith "Cadillac Ranch" and stunts like "Media Burn," the radical architecture and media art group Ant Farm created an abundance of works across disciplines-including video, publications, built environments and performances. Throughout their career (1968-79), Ant Farm conceived a series of time capsules that focused not on the eternal but rather on the fleeting aspects of postwar American culture: consumer goods, media archives and tchotchkes. For various reasons, all of Ant Farm's time capsules failed to function, that is, to be opened at the allotted future time and the intact contents examined. Ant Farm's successor group, LST, has taken up the project with their contemporary work "Ant Farm Media Van v.08 [Time Capsule]" (2008). This work not only functions but updates the original's line of questioning, exploring notions of the time capsule in the digital age.The Present Is the Form of All Life represents the first comprehensive documentation of these overlooked ephemeral works. Including many previously unpublished images, this publication also boasts essays by Constance M. Lewallen, Steve Seid and Gabriella Giannachi, and a discussion between curator Rudolf Frieling and LST.

Hardcover. Condizione: New. Special order direct from the distributor.

Hard cover. Condizione: Very good. No jacket. Probably contains USB drive in front cover binding. Spine is shaken but secure. Corners of front and back covers lightly bumped. Front end paper includes laid in. Inside is clean and unmarked.

Hardcover. Condizione: Brand New. 256 pages. 11.00x8.50x1.00 inches. In Stock.

Condizione: New. 2017. hardcover. . . . . . Books ship from the US and Ireland.

Softbound. Condizione: Fine(1). A trip down U.S. highways from World War 11 to the futurre. Illustrated by: .

Soft cover. Condizione: Very good. No jacket. Cover corners are slightly worn. Binding is tight. Inside is clean and unmarked.

Hardcover. Condizione: Brand New. 256 pages. 11.00x8.50x1.00 inches. In Stock.

No Binding. Condizione: Good. AUTOMERICA announcement postcard featuring The Cadillac Ranch. Invitation to the Autograph Party in San Francisco for the Ant Farm's new book. 4 x 6 inches. Postmarked 10 NOV 1976. Creased from top to bottom. General wear and color aging.

Condizione: NEW.

DVD. Condizione: New. Shrink-wrapped DVD.

Hardcover. Condizione: new. Hardcover. Perhaps best known for the iconic desert monolith Cadillac Ranch and stunts like Media Burn, the radical architecture and media art group Ant Farm created an abundance of works across disciplinesincluding video, publications, built environments and performances. Throughout their career (196879), Ant Farm conceived a series of time capsules that focused not on the eternal but rather on the fleeting aspects of postwar American culture: consumer goods, media archives and tchotchkes. For various reasons, all of Ant Farms time capsules failed to function, that is, to be opened at the allotted future time and the intact contents examined.Ant Farms successor group, LST, has taken up the project with their contemporary work Ant Farm Media Van v.08 [Time Capsule] (2008). This work not only functions but updates the originals line of questioning, exploring notions of the time capsule in the digital age.The Present Is the Form of All Life represents the first comprehensive documentation of these overlooked ephemeral works. Including many previously unpublished images, this publication also boasts essays by Constance M. Lewallen, Steve Seid and Gabriella Giannachi, and a discussion between curator Rudolf Frieling and LST. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condizione: New. Perhaps best known for the iconic desert monolith "Cadillac Ranch" and stunts like "Media Burn," the radical architecture and media art group Ant Farm created an abundance of works across disciplines-including video, publications, built environments and performances. Throughout their career (1968-79), Ant Farm conceived a series of time capsules that focused not on the eternal but rather on the fleeting aspects of postwar American culture: consumer goods, media archives and tchotchkes. For various reasons, all of Ant Farm's time capsules failed to function, that is, to be opened at the allotted future time and the intact contents examined. Ant Farm's successor group, LST, has taken up the project with their contemporary work "Ant Farm Media Van v.08 [Time Capsule]" (2008). This work not only functions but updates the original's line of questioning, exploring notions of the time capsule in the digital age.The Present Is the Form of All Life represents the first comprehensive documentation of these overlooked ephemeral works. Including many previously unpublished images, this publication also boasts essays by Constance M. Lewallen, Steve Seid and Gabriella Giannachi, and a discussion between curator Rudolf Frieling and LST.

softcover. Condizione: Very good. first edition, as stated. Softcover, quarto (approx.8" wide by 10 5/8" tall), 143 pages. Color covers. Illustrations in text in black and white. Includes a bibliography. A bit of yellowing at page edges, small stain on rear cover, still very good condition. Inscribed by the author. Also, laid in is a leaf from a magazine (Home and Away) that has a small, inset article about "Carhenge" in Nebraska. keywords: Cadillac Ranch, Amarillo, Texas, Media Burn. 122615C.

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.

Softcover, 144 pages; very good condition; except 4-inch crease to lower corner of rear cover; inscribed "To Barbara / Happy Motoring 1999 / Best, Chip" on title page; no other internal marks. From the library of MOMA curator Barbara London. The ISBN mismatches with another book: 0525474374. Foreign shipping may be extra.

Hardcover. Condizione: New. Limited Edition. Like new, still in shrink wrap with no visible wear. Limited Artist Edition which includes a USB drive containing 1,518 images constituting the Pioneer Works Time Capsule.

4to. pp. xiii, 188. numerous illus. (some colour). biblio. index. cloth. dw. First Edition.

paperback. Condizione: Fine. cm 17x21; pp. 280; COL and BW; paperback.

Hardcover. First Edition, First Printing. pp. 256. Square 4to., measuring 28 cm tall. Black boards with white lettering and illustration to the spine, and front board. Richly illustrated with in-text, and full page colour illustrations, photographs throughout. No flaws noted: bright, clean, and unmarked with firm, sound binding; fine. Complete with an [unused] embedded USB drive within the front board, beneath the front pastedown. A remarkable and innovative work. Corresponds to OCLC #1268235691. Within this cover lies the Pioneer Works Time Capsule, a USB drive containing 1,518 images. These were collected by the HUQQUH device at random, when viewers plugged their smartphone into the device during the exhibition The Present Is The Form of All Life: The Time Capsules of Ant Farm and LST. The time capsule was sealed on October 16, 2016 at Pioneer Works. As custodian of this time capsule, you should remove the USB drive from the adjacent circle when the value of the past is greater than the value of the present.

Softcover. Condizione: Very good. No jacket. Signed by Ant Farm founder Chip lord. In excellent shape, with the exception of a tanning along the right side.