Antonio ashton dore (5 risultati)

Softcover. Condizione: Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 1997. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 1997. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Tapa blanda. Condizione: Muy bien. Primera edición. ISSN: 01851586. PRIMERA EDICIÓN. FIRST EDITION. Director: Octavio Paz. Contenido: Mark Strand "tres Poemas"; Isaiah Berlin "El mago del norte"; Orlando González Esteva "El mundo a mi alrededor"; Enrique Krauze "Humboldt y México"; Juan Antonio Masoliver Ródenas "Poemas"; Dore Ashton "Algunas ideas perplejas al acabar el siglo"; John Womack "Muchos Veracruces"; Antonio Deltoro "Sol en un cuarto vacío"; Danubio Torres Fierro "Juan Onetti (1909 - 1994); Octavio Paz "Wolfang Paalen"; Rafael Rojas; Fabienne Bradu; Christopher Domínguez Michael; José Homero; Javier Aranda Luna; Ricardo Chaves. EXCELENTE ejemplar. 80pp + publicidad.…

Trade Paperback. Condizione: Used - Very Good. Used copy with little wear to the text. Biinding is tight no interior marks. DJ has a few tears and some wear.

Encuadernación de tapa dura. Condizione: Nuevo. Condizione sovraccoperta: Nuevo. Saura: Tragedy & Creation includes the masterpiece Salvatierra (1957), exhibited at the 29th Venice Biennale in 1958, as well as a selection of Damas, in which the female figure is depicted in differing yet similar ways. In Saura s words, they were born of a compelling need to scream, of an urge to express oneself no matter how, by making all the energetic possibilities of the universe our own. These works inaugurate a new phase in his imagery, with the idea of pictorial form emerging from a kind of hand-to-hand combat, with no concern for composition, colour or balance Stima (1959) and Pandora (1960) are good examples. They are paintings resulting from confrontation; from a battle that transforms inert matter into a movement originating in figurative desire. All the works exemplify how Saura had been searching for a new kind of representation through material that bears the stigma and the imprint of humanity. The relationships between figure and abstraction, between ground and living being, and between rising up and drowning are also evident, showing that he was fully aware of the inevitable, dramatic and joyful balance between man and his existence, as, for example in 40 superposiciones (1975). As Barbero stresses in his text for the exhibition catalogue: His colour choice, nearly always dominated during this period by black and white or shades of grey, is linked to that distinctive silence full of gestures and thrusts, which are characteristic of paintings by the Spanish greats. The clearest reference to the relationship with history and politics, but also to the investigation of the human and figural dimension, can only be that of Goya, just as many have pointed out before. The more drastic, radical and controversial sense of Goya s paintings can be found in the Spanish master s relationship with the representation of the body and, eminently, with the idea of the portrait that, beyond effigy, focuses heavily on expression. This transmigrates into an idea of dramatic and free painting that Saura was developing so that it could be the expression of a total reality. This exhibition asserts that Saura s message is still relevant today by tracing a temporal arc linking his message to commonplaces such as the grief caused by human cruelty, the suffering caused by social inequality, the abuses committed by the ruling classes and the hypocrisy of politicians. All these messages prevail and are evident in the work of Goya, in 20th-century art and in today s culture and society. For this exhibition a catalogue has been published with texts by the specialist Luca Massimo Barbero, by Antonio Saura himself, and by other experts on the artist and his context, such as Michel Tapié, Yvon Taillandier, Julián Ríos and Dore Ashton. Likewise, a selection of photographs by Jean Marie del Moral, Leopoldo Pomés, Francesc Català-Roca, Jaume Blassi, Ramón Masats and Giacomelli documenting the artist, his creative process and the studio in Cuenca. LANGUAGE English SIZE 60x30 cm PAGES: 104.…

Soft cover. Condizione: As New. Condizione sovraccoperta: Very Good. First English language edition. First English language edition 1986, first printing January 1986. Translated from Italian. Published on the occasion of the exhibition by The Cooper Union for the Advancement of Science and Art, printed in Italy. Softcover with original acetate pictorial DJ. Condition as new, square tight and clean book, spine not creased, corners not bumped, no names, no tears, no chips, no underlinings, no highlights, no bent page corners, not a reminder. DJ very good, few tears, some repaired, wrinkles, sunned at edges and spine, not clipped. Square 4to, 136 pages , illustrated throughout with 80 annotated plates. ASIN: B001JQELBI. …