april greiman (31 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: Good. First Printing. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. First Printing. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Lightly read if read at all. No markings in book. Binding is fine. DJ is fine. Foxing to top page edges. 160pp.`````````````````````````````````````````````````````` ```````````````````````````````````````````````````````````` ````````````````````````````````````````````````.

Condizione: Good. Original pictorial boards, dust jacket, decorated endpapers, illustrated with numerous colour photographs, 4to.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 60 pages. The dust jacket is a little worn. The page edges are a little foxed. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size E: 8"-9" Tall (203-228mm).

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. A former library book with all the expected stamps, stickers and markings. Some shelf, storage or usage wear present. The binding is tight and all pages are present. Missing dustjacket. The pages appear unmarked. Pictures available upon request. Individually inspected by Shadow. Thanks for supporting an independent bookseller!

Condizione: Good. DUST JACKET SHOWS SOME GENERAL WEAR, SUCH AS SCRATCHES, RUBBING, SUN-FADING AND DINGED EDGES. FRONT END PAPER HAS TWO STICKERS ON IT: A LARGE "EX LIBRIS" STICKER AND ANOTHER CIRCULAR SHINY STICKER. hardcover 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Trade Paperback. Condizione: New. BEAUTIFUL COPY!!!

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Softcover, 118 pages; good condition; bump to bottom of spine; no internal marks. Foreign shipping may be extra.

Trade Paperback. Condizione: Used - Very Good. Something from Nothing explores digital design as pioneered by April Greiman. Greiman is internationally recognised as one of the world's most innovative and influential designers. Her bold, kinetic explorations of typography and imagery as objects in time and space are grounded in a brilliant fusion of technology and graphics. Written and designed by Greiman this fascinating book is an intimate insight into Greiman's design philosophies and the many projects she has executed. Most of the work featured in this book is previously unpublished and will appeal to everyone with an interest in the evolution of modern design. Very nice clean, tight copy free of any marks.

Hardcover.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

4°, 158 S., zahlr. farb. Abb., Kart. m. OU., OU beschienen, m. kl. Randriss, Kanten bestossen, sonst gutes Exemplar. Text engl. 1200 gr. Schlagworte: Kunst - Grafikdesign.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Signed and dated on the half title page thus, "For John, Digitally Yours, April Greiman." Only defects are a bump to one corner of book and jacket. Signed by Author(s).

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

paperback. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Spiral-bound. Condizione: Neu. neu, noch in Schutzfolie, Versand spätestens am nächsten Werktag Sprache: Englisch Gewicht in Gramm: 1700.

Paperback. Condizione: New.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Softcover. Condizione: Sehr gut. 1. Auflage. M : 218 pages - Le opere e la riflessione metodologica di uno dei maggiori graphic designer contemporanei. Il libro, ampiamente illustrato, contiene una lunga intervista a Bruno Monguzzi realizzata nell'arco di vent'anni da Franc Nunoo-Quarcoo e le testimonianze, tra gli altri, di Antonio Boggeri, Armin Hofmann, Pierluigi Cerri, Giovanni Anceschi, Claude Lichtenstein, Giovanna Calvenzi, Rick Poynor, Louis Danziger, Gene Federico, Rudolph De Harak, April Greiman, Stefan Sagmeister, Ikko Tanaka, Dieter Bachmann, Uwe Loesch e Astrid Stavro. Il film, in italiano, diretto da Heinz Bütler e con la musica di Salvatore Sciarrino, può essere scaricato con o senza i sottotitoli in inglese.

4° Quart Brosch. Brosch. 110 S. C'est ne pas ce que vous croyez. Text in englisch und französisch. Mit farbl. Abb. Die Ecken des Hinterdeckels sind etwas bestoßen. Die Kapitale sind leicht bestoßen. sehr guter Zustand F 8.6 Sprache: Englisch Gewicht in Gramm: 710.

Couverture souple. Condizione: bon. R240107130: 1994. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 110 pages augmentées de nombreuses illustrations en couleur dans et hors texte - texte en français, traduction en anglais en regard - illustrations légendées en anglais - plats contrepliés. . . . Classification Dewey : 760-Arts graphiques. Gravures.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.