arantxa echarte (18 risultati)

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good. With Powell's sticker on front Very Good paperback with light shelfwear - NICE! Oversized.

Condizione: New. The form, function and future of the artist's studio is the central focus of the collaboration and of this publication. Studios for Artists presents, through a series of written and visual essays, the design and construction of an award-winning studio building and the establishment of a sustainable graduate studio program. Editor(s): Ellard, Graham; Harvey, Jonathan. Num Pages: 128 pages, illustrations. BIC Classification: AGC. Category: (G) General (US: Trade). Dimension: 278 x 218 x 20. Weight in Grams: 644. . 2015. paperback. Not a first edition copy. . . . Books ship from the US and Ireland.

Condizione: New. The form, function and future of the artist's studio is the central focus of the collaboration and of this publication. Studios for Artists presents, through a series of written and visual essays, the design and construction of an award-winning studio building and the establishment of a sustainable graduate studio program. Editor(s): Ellard, Graham; Harvey, Jonathan. Num Pages: 128 pages, illustrations. BIC Classification: AGC. Category: (G) General (US: Trade). Dimension: 278 x 218 x 20. Weight in Grams: 644. . 2015. paperback. Not a first edition copy. . . .

Condizione: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condizione: New. The form, function and future of the artist's studio is the central focus of the collaboration and of this publication. The subject of studio provision is approached from the partners? different but entirely complementary roles and perspectives, as is their shared commitment to creating new models of support for students after graduation. Studios for Artists presents, through a series of written and visual essays, how the partners formalized and intensified their work, resulting in amongst other initiatives, the design and construction of an award-winning studio building and the establishment of a sustainable graduate studio program. Including a photo?essay by Hugo Glendinning, the book provides a remarkable insight into the world of art education and the artist in London at the beginning of the twenty-first century. It reveals not just the ongoing challenges faced by art education, but also the threat to affordable studio provision where spiraling property prices threaten this vital, but generally unacknowledged, part of the contemporary visual arts ecology.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condizione: Brand New. 112 pages. 10.50x8.25x0.55 inches. In Stock.

Condizione: New. pp. 240.

Taschenbuch. Condizione: Neu. Process Based Participatory and Interdisciplinary Artistic Practice | A Practical and Theoretical Exploration Informed by Ethnomethodology and Live Art | Arantxa Echarte | Taschenbuch | 240 S. | Englisch | 2014 | Scholars' Press | EAN 9783639705713 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Paperback. Condizione: New.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book is the result of a project that examined practices derived from socio-anthropological methodology and performative strategies within Live Art, practices that rely on ethnographic fieldwork methods and participant observation positioning. Through the examination of practices in which both practitioners and participants commit to open-ended and unpredictable processes, the book explores forms of artistic practice that are ethical and democratic in terms of authority, participation and authorship. Key projects are: Jeremy Deller s Social Parade (2004), Gillian Wearing s Drunk (1997-99) and Sophie Calle s Gotham Handbook (1998). This examination forms part of a wider discussion of the discursive proposition, made notably in Hal Foster s The Artist as Ethnographer (1996), as to whether a paradigmatic shift has occurred within artistic practice and with what consequences. This book advances a theoretically informed, process-based participatory and interdisciplinary artistic practice. It presents an analysis of such practices, including my own, seeking to demonstrate that this exploration could be relevant to artists, anthropologists and ethnographers alike 240 pp. Englisch.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Echarte ArantxaArantxa Echarte is a contemporary visual practitioner and an Arts Research Consultant based in London. She possesses a PhD (2012) from the University of the West of England, Bristol and her artwork and research have be.

Condizione: New. Print on Demand pp. 240.

Condizione: New. PRINT ON DEMAND pp. 240.

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book is the result of a project that examined practices derived from socio-anthropological methodology and performative strategies within Live Art, practices that rely on ethnographic fieldwork methods and participant observation positioning. Through the examination of practices in which both practitioners and participants commit to open-ended and unpredictable processes, the book explores forms of artistic practice that are ethical and democratic in terms of authority, participation and authorship. Key projects are: Jeremy Deller's Social Parade (2004), Gillian Wearing's Drunk (1997-99) and Sophie Calle's Gotham Handbook (1998). This examination forms part of a wider discussion of the discursive proposition, made notably in Hal Foster's 'The Artist as Ethnographer' (1996), as to whether a paradigmatic shift has occurred within artistic practice and with what consequences. This book advances a theoretically informed, process-based participatory and interdisciplinary artistic practice. It presents an analysis of such practices, including my own, seeking to demonstrate that this exploration could be relevant to artists, anthropologists and ethnographers alikeVDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 240 pp. Englisch.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book is the result of a project that examined practices derived from socio-anthropological methodology and performative strategies within Live Art, practices that rely on ethnographic fieldwork methods and participant observation positioning. Through the examination of practices in which both practitioners and participants commit to open-ended and unpredictable processes, the book explores forms of artistic practice that are ethical and democratic in terms of authority, participation and authorship. Key projects are: Jeremy Deller s Social Parade (2004), Gillian Wearing s Drunk (1997-99) and Sophie Calle s Gotham Handbook (1998). This examination forms part of a wider discussion of the discursive proposition, made notably in Hal Foster s The Artist as Ethnographer (1996), as to whether a paradigmatic shift has occurred within artistic practice and with what consequences. This book advances a theoretically informed, process-based participatory and interdisciplinary artistic practice. It presents an analysis of such practices, including my own, seeking to demonstrate that this exploration could be relevant to artists, anthropologists and ethnographers alike.