Aresin maria (70 risultati)

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: New. 2024. 1st Edition. hardcover. . . . . .

Condizione: New.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. Venetian Disegno: New Frontiers circa 1420 to 1620 offers a fresh perspective on the art of Venice and the Veneto. The volume brings together the contributions of scholars and curators specialist on a wide variety of artists and art forms including drawing, painting, printmaking, sculpture and architecture.Venetian Disegno: New Frontiers circa 1420 to 1620 takes disegno as its central theme, that in its plurality of meaning allows for a consideration of the conceptual role of design and the act of drawing. The relationship between disegno and RenaissanceVenetian art has historically been a problematic one, with emphasis instead being placed on the Venetian predilection for colore. This volume is reflective of an ongoing challenge to this perspective and draws attention to the importance of Venetian disegno and the study of drawings for understanding various art forms.The book commences with a critical study of what constitutes disegno in Venetian art. It does so through questioning the historiography of Venetian artistic scholarship and the restrictive framework and preconceptions that have emerged before setting out the merits of a broader, more inclusive approach. Disegno is applied in its multifaceted nature to address the physical act of drawing, the tangible drawn object and the role of design in artistic practice. The term 'Venetian' is taken to encompass both Venice and its mainland territories not least because of the mobility of artists across and beyond the region.Contributions are divided into five thematic sections. The first, entitled 'Peripheries', frames the art of Venice within a wider discourse on the movement of ideas across and beyond the Veneto in locations including Padua, Verona and Rome. A section on Media considers the origins and innovations that took place in the use of materials such as blue paper, oil and coloured chalks. In another, the theories that have developed on Venetian notions of disegno are brought under scrutiny, addressing topics such as the long upheld perspective that Venetian artists did not draw, the role of sculpture in Tintoretto's drawing practice and the interrelation between the written and drawn line in Palma Giovane's draftsmanship. The section on Invention reflects on the technical innovations that were facilitated through theuptake of printmaking and the intellectual freedom granted by humanist patrons. Finally, Function gets to the heart of the practical purpose of disegno. Contributions focus on the workshops of the Bellini family and Titian to consider the diverse ways they used drawing within their artistic practices with an emphasis on technical analysis. These sections are all preceded by introductions that provide an overviewon each theme while the volume is bookended by two reflections on the state of research into Venetian disegno and the potential for further progress.Sumptuously illustrated with over 100 images with a comprehensive bibliography, Venetian Disegno: New Frontiers circa. …

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New. 2024. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: NEW.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9781915401007. …

Condizione: New.

Condizione: New.

Hardcover. Condizione: new. Hardcover. A volume that offers a fresh perspective on the art of Venice and the Veneto region of Italy by focusing on the artistic idea of disegno.Disengo (Italian for drawing or design) refers to the philosophical relationship between the conceptual role of design and the physical act of drawing. Venetian Disegno explores this theme and its history in the Veneto artistic landscape with contributions on myriad artists and art forms including drawing, painting, printmaking, sculpture, and architecture. Divided into five thematic sections and sumptuously illustrated with over one hundred images, Venetian Disegno represents a significant contribution to scholarship on the art of Venice, Renaissance workshops, and drawing studies. Venetian Disegno: New Frontiers circa 1420 to 1620 offers a fresh perspective on the art of Venice and the Veneto. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover. Condizione: VG+. Red wraps with bw illustration and white text, French flaps inside covers. 79 pp. Features color and bw illustrations. "The combination of a pen and a white, still-unmarked sheet of paper has always held a great fascination for people. This is also the case for artists confronted with the virginal edges of their printing plates. It is precisely these otherwise blank edges that offer artists a space of opportunity to develop and test spontaneous ideas. These otherwise inconspicuous edges offer artistic scope for a wide spectrum of curious motifs: Here, a herd of wild horses races across the paper, there, an obelisk pursues a Pierrot clown, or a cat accompanies a sleigh ride. The curious nature of these humorous scenes distracts the viewer 's gaze from the actual main image and increasingly drifts to the edges of the sheet, where the quirkiness of the artistic ideas entices the eye to linger. The periphery of the sheet is transformed from a secondary to a primary focus by these charming sketches . The otherwise trivial edge of a picture is enhanced and placed in the spotlight. For the first time, this exhibition explores the fascinating phenomenon of marginal indentations (French: remarques) in printmaking from the Baroque period to classical modernism. The focus is on important works from the Kupferstichkabinett (Museum of Prints and Drawings) by artists such as Stefano della Bella, Eugène Delacroix, Édouard Manet, Edvard Munch, Käthe Kollwitz, and Georges Braque.".…

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. In English.

Condizione: new.

Hardcover. Condizione: Brand New. 304 pages. French language. 11.00x9.75x1.02 inches. In Stock.

Condizione: New.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

Hardback. Condizione: New. Die Radierung, deren Ursprünge als Tiefdrucktechnik am Beginn des 16. Jahrhunderts liegen, entfaltet ihre volle Pracht im 17. Jahrhundert. Berühmte Stecher wie Albrecht Dürer hatten die Radierung als die dem Kupferstich unterlegene Technik verworfen, ein Jahrhundert später erlebt sie ihre barocke Blüte. Ihren wenngleich späten Erfolg verdankt die Radiertechnik der Freiheit der Linie. Anders als in der mühsamen Manier des Kupferstichs kann die Hand des Künstlers oder der Künstlerin die Zeichnung auf der Radierplatte spielerisch leicht umsetzen. Der Katalog gewährt faszinierende Einblicke in die Arbeitsprozesse und Ästhetik barocker Druckgrafik. Im Zentrum der Betrachtung stehen die Werke dreier Künstler, die sich in der Radiertechnik besonders hervorgetan haben: Jacques Callot, Stefano della Bella und Giovanni Benedetto Castiglione. Ausstellung: 8. September bis 3. Dezember 2023, Landesmuseum Mainz Neuer Forschungsstand zur Radierung des Barock Blick ins Buch.…

Condizione: NEW.

Paperback. Condizione: Sehr gut. 137 Seiten Sehr gut erhaltenes Exemplar 234 Sprache: Deutsch Gewicht in Gramm: 380.

Condizione: New. &Uumlber den AutorMaria Aresin is a specialist in sixteenth- and seventeenth-century Venetian art. She is the head of the Department of Prints and Drawings at the Landesmuseum Mainz. Thomas Dalla Costa is an art histori.

Buch. Condizione: Neu. Neuware - A volume that offers a fresh perspective on the art of Venice and the Veneto region of Italy by focusing on the artistic idea of disegno.Disengo (Italian for drawing or design) refers to the philosophical relationship between the conceptual role of design and the physical act of drawing. Venetian Disegno explores this theme and its history in the Veneto artistic landscape with contributions on myriad artists and art forms including drawing, painting, printmaking, sculpture, and architecture. Divided into five thematic sections and sumptuously illustrated with over one hundred images, Venetian Disegno represents a significant contribution to scholarship on the art of Venice, Renaissance workshops, and drawing studies.…

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. I saggi raccolti in questo volume indagano la decorazione dei soffitti veneziani in un ampio raggio cronologico, considerando diverse tipologie di ambienti sia sacri che profani e di tecniche pittoriche. Al centro non tanto gli esempi famosi dei soffitti intagliati e indorati come quelli di Palazzo Ducale, della Biblioteca Marciana, della Scuola Grande di San Rocco o della chiesa di San Sebastiano: l'intento e soprattutto di contestualizzare le soluzioni rinascimentali in una piu ampia visione storica per mettere in prospettiva la tradizionale enfasi degli studi veneziani sul Cinquecento. Di conseguenza, il volume si apre con considerazioni sugli antefatti medievali e quattrocenteschi, prosegue con l'analisi di opere dal Cinque al Settecento e si chiude con la presentazione di episodi di restauro e di valutazione critica ottocenteschi. Le questioni della percezione dei soffitti da parte di coloro che si muovono nello spazio sottostante, dello status mediale specifico dei quadri visti dal basso verso l'alto e delle potenzialita estetiche generate dagli scorci piu o meno arditi delle decorazioni pittoriche dei soffitti sono tra gli aspetti fondamentali che attraversano come una sorta di filo rosso tutti i contributi. Queste domande sono affrontate da diverse angolazioni, dall'analisi compositiva, iconografica e iconologica e dalla ricostruzione di decorazioni non piu esistenti, fino all'individuazione e all'analisi di documenti grafici preparatori. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…