arkesteijn roel (36 risultati)

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Soft cover. Condizione: Very good. No jacket. Cover is rubbed, bumped at top of spine and with sticker residue on back, but text and images are clear and legible. Spine is cracked, but all pages are firmly secure. Inside is clean and unmarked.

Softcover, 216 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: new. Paperback. The James Dean of ArtUpon the news of Robert Smithson's (1938-1973) untimely death, Michael Kimmelman, editor of The New York Times, summarily declared the artist--who was born in Rutherford New Jersey, and who perished at the age of thirty-five in a 1973 plane crash whilst working on a new piece--to be the James Dean of Art. A certain parallelism aside, the appellation is due to the phenomenal effect of Robert Smithson's site-specific earthwork sculpture Spiral Jetty on the shores of the Great Salt Lake in Utah that Kimmelman called an icon of Americana. And in his artistic and theoretical work, Robert Smithson was concerned with nothing less than fundamentals of this sort--Postminimalism, Land Art and artistic self-perception. In this way, Spiral Jetty has become legend through the eponymous film that oscillates between fiction and documentation. A second Land Art project was initiated in 1971 in Europe on the occasion of the exhibition Sonsbeek 71 near Emmen in Holland. Smithson had also formulated his ideas for a film about this work for which he had already begun filming. Forty years on, the artist Nancy Holt, (and Smithson's widow), has completed this film in conjunction with SKOR, Amsterdam. The book is a documentation of the exhibition which features three films as well as 50 sketches and photographs and which also specifically describes the relationship between earthwork sculpture and film in the context of Robert Smithson's oeuvre. Exhibitions: Museum fuer Gegenwartskunst Siegen, 4/3-3/5/2012 Reykjavik Art Museum, Reykjavik, 17/1-13/4/2013 Der James Dean der KunstweltMichael Kimmelman, der Chefkritiker der New York Times, hatte den 1938 in Rutherford, New Jersey, geborenen Robert Smithson, der 35jaehrig waehrend der Arbeit an einem neuen Werk 1973 bei einem Flugzeugabsturz toedlich verunglueckte, kurzerhand zum James Dean der Kunst erklaert. Neben der Parallele des fruehen Todes vor allem wohl wegen der phaenomenalen Wirkung von Robert Smithsons ortsspezifscher Landschaftsskulptur Spiral Jetty im Great Salt Lake in Utah, die Kimmelman als icon of Americana bezeichnete. Und Robert Smithson ist es in seinem kuenstlerischen und theoretischen Werk ja um nichts weniger denn um Grundsaetzliches gegangen - zur postminimalistischen Kunst, zur Land Art, zum kuenstlerischen Selbstverstaendnis. So konnte Spiral Jetty durch den zwischen Fiktion und Dokumentation changierenden gleichnamigen Film zur Legende werden. Eine zweite grosse Landschaftsarbeit ist 1971 in Europa anlaesslich der Ausstellung Sonsbeek 71 in der Naehe des hollaendischen Emmen entstanden. Auch fuer diese Arbeit formulierte Smithson schriftlich und zeichnerisch seine Ideen fuer einen Film, zu dem er bereits erste Aufnahmen gemacht hatte. Jetzt, nach vierzig Jahren, hat Nancy Holt, Kuenstlerin und Witwe des Kuenstlers, in Zusammenarbeit mit SKOR, Amsterdam, diesen Film fertiggestellt. Das Buch dokumentiert die Ausstellung, in der drei Filme, 50 Zeichnungen sowie Fotografien gezeigt werden und arbeitet insbesondere den Zusammenhang von Landschaftskulptur und Film bei Robert Smithson heraus. Ausstellungen: Museum fuer Gegenwartskunst Siegen, 4/3-3/5/2012 Reykjavik Art Museum, Reykjavik, 17/1-13/4/2013 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New.

Condizione: As New. Bilingual English/French.

Soft Cover. Condizione: Near Fine. B/w Photos (illustratore). This is a near fine softcover copy with almost no wear. Completely clean. Text in Dutch, German, English and Spanish. Essays by Roel Arkesteijn, Cornel Bierens and Diedrich Diederichsen. Illuistrated in black & white with hundreds of small illustrations of Marcel van Eeden's drawings. Exhibition history. Bibliography. 10" high X 6" wide, 221 pages. This book will be securely packed and shipped with tracking.

Condizione: Neuf.

Condizione: Good. Originele rode linnen band, (paginagrote) illustraties (voornamelijk foto's) in kleur en z/w, 4to. Monografieen van Nederlandse kunstenaars.; Blauw kruisje met balpen in de marge van een de afbeeldingen op pagina 133.

Soft cover. Condizione: Fine. B/w Photos (illustratore). 1st Edition. First edition, first printing. Soft cover. Photographically illustrated French-fold wrappers; no dust jacket as issued. Drawings by Marcel van Eeden. Text in Dutch, German, English and Spanish. Essays by Roel Arkesteijn, Cornel Bierens and Diedrich Diederichsen. Includes an exhibition history and a bibliography. 224 pp., profusely illustrated in black-and-white. 9-1/2 x 6-1/4 inches. Published on the occasion of exhibitions at GEM, Den Haag, and CGAC, Santiago de Compostela. Fine.

Condizione: Neuf.

Very good condition, gently worn. Signature-bound quarto (8 x 10-3/4 inches) in illustrated wraps, gray endpapers, 199 [1 : colophon] pp.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good.

Hardcover exhibition catalog without dustjacket as issued, 48 pages, in English and Spanish; very good condition; small bumps to corner tips of boards; no internal marks. Foreign shipping may be extra.

Soft Cover. Condizione: Fine. Reissue. softcover., no flaws or wear. clean. no markings. no bumps, tears or creases. tight binding.; english text.; 89pp., 62 color illustrations, photos and drawings., three texts. a reissue of the 2015 catalogue from the exhibition at the eckert art gallery. Size: 12mo - over 6¾" - 7¾" tall. Exhibition Catalogue.

Softcover. Condizione: Gut bis sehr gut. 1. Auflage. Z : 27 x 23 cm, 136 Seiten/pages with 150 coloured illustrations - Upon the news of Robert Smithson s untimely death, Michael Kimmelman, editor of The New York Times, summarily declared the artist born in Rutherford New Jersey and perished at the age of thirty-five in a plane crash in 1973 whilst working on a new piece to be the »James Dean of Art«. A certain parallelism aside, the appellation is due to the ­phenomenal effect of Robert Smithson s site-specific earthwork sculpture Spiral Jetty on the shores of the Great Salt Lake in Utah that Kimmelman called an »icon of Americana«. And in his artistic and theoretical work, Robert Smithson was concerned with ­nothing less than fundamentals of this sort Postminimalism, Land Art and artistic self-perception. In this way, Spiral Jetty has become legend through the eponymous film that oscillates between fiction and documentation. A second Land Art project was initiated in 1971 in Europe on the occasion of the exhibition Sonsbeek 71 near Emmen in Holland. Smithson had also formulated his ideas for a film about this work for which he had already begun filming. Forty years on, the artist and Smithson s widow, Nancy Holt has completed this film in conjunction with SKOR, ­Amsterdam. The book is a documentation of the exhibition which features three films as well as 50 sketches and photographs and which also specifically describes the relationship between earthwork sculpture and film in the context of Robert Smithson s oeuvre.

Softcover, 200 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra for this book.

Encuadernación de tapa blanda. Condizione: Bien. Centro de Arte de Caja de Burgos, 2007. Arte. Profusamente ilustrado. 32 pp. 21 x 15. Tapa blanda de editorial ilustrada con solapas. Sin subrayados. Perfecto estado de conservación.

Paperback. Condizione: New.

Condizione: Very good.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Hardcover. Condizione: VG+. Clothbound boards with gilt text and decoration, duochrome illustration. 544 pp. Some bw and color illustrations. Handwritten note from author on sticky note inside. "The tantalizingly wise and creatively urgent writings of Mark Dion - artist, curator, taxonomist, expeditionary, collaborator, institutional revisionist and magus of adjacency (and incompletion) - manifest as a riot of salient biosphericana. Throughout, his Mr. Hyde of Anthropocene pessimism cohabits with a border-defying Dr. Jekyll who shows us that there are still wonders in the coming together of things. So take cover, under this cover." - John C. Welchman.

Condizione: Very good.

Linnen band met stofomslag, 28 cm, 143 pp. Ills.: z/w en kleurenillustraties. Paar pagina's met deuk van paperclip. Cond.: goed / good. ISBN: 9040088764.

Paperback. Condizione: new. Paperback. The James Dean of ArtUpon the news of Robert Smithson's (1938-1973) untimely death, Michael Kimmelman, editor of The New York Times, summarily declared the artist--who was born in Rutherford New Jersey, and who perished at the age of thirty-five in a 1973 plane crash whilst working on a new piece--to be the James Dean of Art. A certain parallelism aside, the appellation is due to the phenomenal effect of Robert Smithson's site-specific earthwork sculpture Spiral Jetty on the shores of the Great Salt Lake in Utah that Kimmelman called an icon of Americana. And in his artistic and theoretical work, Robert Smithson was concerned with nothing less than fundamentals of this sort--Postminimalism, Land Art and artistic self-perception. In this way, Spiral Jetty has become legend through the eponymous film that oscillates between fiction and documentation. A second Land Art project was initiated in 1971 in Europe on the occasion of the exhibition Sonsbeek 71 near Emmen in Holland. Smithson had also formulated his ideas for a film about this work for which he had already begun filming. Forty years on, the artist Nancy Holt, (and Smithson's widow), has completed this film in conjunction with SKOR, Amsterdam. The book is a documentation of the exhibition which features three films as well as 50 sketches and photographs and which also specifically describes the relationship between earthwork sculpture and film in the context of Robert Smithson's oeuvre. Exhibitions: Museum fuer Gegenwartskunst Siegen, 4/3-3/5/2012 Reykjavik Art Museum, Reykjavik, 17/1-13/4/2013 Der James Dean der KunstweltMichael Kimmelman, der Chefkritiker der New York Times, hatte den 1938 in Rutherford, New Jersey, geborenen Robert Smithson, der 35jaehrig waehrend der Arbeit an einem neuen Werk 1973 bei einem Flugzeugabsturz toedlich verunglueckte, kurzerhand zum James Dean der Kunst erklaert. Neben der Parallele des fruehen Todes vor allem wohl wegen der phaenomenalen Wirkung von Robert Smithsons ortsspezifscher Landschaftsskulptur Spiral Jetty im Great Salt Lake in Utah, die Kimmelman als icon of Americana bezeichnete. Und Robert Smithson ist es in seinem kuenstlerischen und theoretischen Werk ja um nichts weniger denn um Grundsaetzliches gegangen - zur postminimalistischen Kunst, zur Land Art, zum kuenstlerischen Selbstverstaendnis. So konnte Spiral Jetty durch den zwischen Fiktion und Dokumentation changierenden gleichnamigen Film zur Legende werden. Eine zweite grosse Landschaftsarbeit ist 1971 in Europa anlaesslich der Ausstellung Sonsbeek 71 in der Naehe des hollaendischen Emmen entstanden. Auch fuer diese Arbeit formulierte Smithson schriftlich und zeichnerisch seine Ideen fuer einen Film, zu dem er bereits erste Aufnahmen gemacht hatte. Jetzt, nach vierzig Jahren, hat Nancy Holt, Kuenstlerin und Witwe des Kuenstlers, in Zusammenarbeit mit SKOR, Amsterdam, diesen Film fertiggestellt. Das Buch dokumentiert die Ausstellung, in der drei Filme, 50 Zeichnungen sowie Fotografien gezeigt werden und arbeitet insbesondere den Zusammenhang von Landschaftskulptur und Film bei Robert Smithson heraus. Ausstellungen: Museum fuer Gegenwartskunst Siegen, 4/3-3/5/2012 Reykjavik Art Museum, Reykjavik, 17/1-13/4/2013 Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: Very good.

Condizione: Very good.

Hardcover without dustjacket as issued, 184 pages, as new condition; clean and crisp; signed by Jo Baer in black pen on title page; no other internal marks. Foreign shipping may be extra.

Amsterdam, Metis-NL, 2005. Col. & b./w. ills. Orig. softcover.