Armando prats (83 risultati)

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. This incisive, provocative, and wide-ranging book casts a critical eye on the representation of Native Americans in the Western film since the genre's beginnings. Armando Jose Prats shows the ways in which film reflects cultural transformations in the.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. Edition Unstated. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. Ships same or next business day.� UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).…

Paperback. Condizione: Good. This incisive, provocative, and wide-ranging book casts a critical eye on the representation of Native Americans in the Western film since the genre's beginnings. Armando Jose Prats shows the ways in which film reflects cultural transformations in the.

Condizione: Good. 1 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. A sound copy with only light wear. Overall a solid copy at a great price.

paperback. Condizione: Good. Edition Unstated. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

HARDBACK. Condizione: Near Fine with no dust jacket. Like new; glossy pictorial boards with no DJ, as issued.; 6 X 0.875 X 9 inches; 336 pages.

Hardcover. Condizione: Good.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. Volume, measuring approximately 6" x 9", is bound in white cloth, with stamped red lettering to spine. Book is in fine condition, with solid binding, clean and bright pages. Dust jacket exhibits light shelfwear. xiii/178 pages. "Blowup," says Armando Prats, is one of the necessary movies. It is a "living expression of the transition into the new narrative domains" in terms of man's "new vision of himself as a narrative creature in a world whose very essense is cinematic narration." Prats's work on the new humanism inherent in postwar filmmaking is a rewarding work with implications for the fields of esthetics and axiology as well as film criticism. In his analyses of four films by three directors -- Fellini's "Director's Notebook" and "The Clowns," Wertmiller's "Seven Beauties," Antonioni's "Blowup" -- Prats shows the the contrasts between the conventional, world-bound narrative methods of the past and the new narrative in which images are fre to display their energies flly, to lead the eye beyond rational concepts of reality and illusion, truth and falsity, good and evil, and beauty and ugliness. The autonomous visual even, Prats finds, offers one of the most direct ways of entering into adventures of ideas, particularly in the realm of human values.".…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 178 pp; Book has PO stamp on endpapers, else an as new book.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. When the Vietnam War punctured the myth of American military invincibility, Hollywood needed a new kind of war movie. The familiar triumphal narrative was relegated to history and, with it, the heroic legacy that had passed from one generation to the next for more than two hundred years. How Hollywood helped create and instill the American myth of heroic continuity, and how films revised that myth after the Vietnam War, is what Armando JosÉ Prats explores in Hollywood's Imperial Wars. The book offers a new way of understanding the cultural and historical significance of Vietnam in relation to Hollywood's earlier representations of Americans at war, from the mythic heroism of a film like Sands of Iwo Jima to the rupture of that myth in films such as The Deer Hunter, Apocalypse Now, and Platoon. As early as the mid-1940s, Prats suggests, fears aroused by the Cold War were stirring anxieties about sustaining the heroic myth-anxieties reflected in the insistent, aggressive patriotism in films of the period. In this context, Prats considers the immeasurable cultural importance of John Wayne, the cinematic apotheosis of wartime valor and righteousness, whose patriotism was nonetheless deeply compromised by his not having served in World War II. Prats reveals how historical and cultural anxieties emerge in well-known Vietnam movies, in which characters inspired by the heroes of the Second World War are denied the heroic legacy of their fathers. American war movies, in Prats's analysis, were forever altered by the loss in Vietnam. Even movies like American Sniper that exalt war heroes are marked as much by the failure of the heroic tropes of old Hollywood war movies as by the tragic turn of actual historical events. Tracing what Prats calls the "anxiety of legacy" through the films of the World War II and post-Vietnam War periods, this book offers a new way of looking at both the Hollywood war movie and the profound cultural shifts it reflects and refracts.…

Paperback. Condizione: new. Paperback. When the Vietnam War punctured the myth of American military invincibility, Hollywood needed a new kind of war movie. The familiar triumphal narrative was relegated to history and, with it, the heroic legacy that had passed from one generation to the next for more than two hundred years. How Hollywood helped create and instill the American myth of heroic continuity, and how films revised that myth after the Vietnam War, is what Armando JosE Prats explores in Hollywoods Imperial Wars. The book offers a new way of understanding the cultural and historical significance of Vietnam in relation to Hollywoods earlier representations of Americans at war, from the mythic heroism of a film like Sands of Iwo Jima to the rupture of that myth in films such as The Deer Hunter, Apocalypse Now, and Platoon. As early as the mid-1940s, Prats suggests, fears aroused by the Cold War were stirring anxieties about sustaining the heroic mythanxieties reflected in the insistent, aggressive patriotism in films of the period. In this context, Prats considers the immeasurable cultural importance of John Wayne, the cinematic apotheosis of wartime valor and righteousness, whose patriotism was nonetheless deeply compromised by his not having served in World War II. Prats reveals how historical and cultural anxieties emerge in well-known Vietnam movies, in which characters inspired by the heroes of the Second World War are denied the heroic legacy of their fathers. American war movies, in Pratss analysis, were forever altered by the loss in Vietnam. Even movies like American Sniper that exalt war heroes are marked as much by the failure of the heroic tropes of old Hollywood war movies as by the tragic turn of actual historical events. Tracing what Prats calls the anxiety of legacy through the films of the World War II and postVietnam War periods, this book offers a new way of looking at both the Hollywood war movie and the profound cultural shifts it reflects and refracts. Tracing what Prats calls the "anxiety of legacy" through the films of the World War II and post-Vietnam War periods, this book offers a new way of looking at both the Hollywood war movie and the profound cultural shifts it reflects and refracts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condizione: new.

Condizione: New.

Hardback or Cased Book. Condizione: New. Autonomous Image. Book.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2026. paperback. . . . . .

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardback. Condizione: New. When the Vietnam War punctured the myth of American military invincibility, Hollywood needed a new kind of war movie. The familiar triumphal narrative was relegated to history and, with it, the heroic legacy that had passed from one generation to the next for more than two hundred years. How Hollywood helped create and instill the American myth of heroic continuity, and how films revised that myth after the Vietnam War, is what Armando JosÉ Prats explores in Hollywood's Imperial Wars. The book offers a new way of understanding the cultural and historical significance of Vietnam in relation to Hollywood's earlier representations of Americans at war, from the mythic heroism of a film like Sands of Iwo Jima to the rupture of that myth in films such as The Deer Hunter, Apocalypse Now, and Platoon. As early as the mid-1940s, Prats suggests, fears aroused by the Cold War were stirring anxieties about sustaining the heroic myth-anxieties reflected in the insistent, aggressive patriotism in films of the period. In this context, Prats considers the immeasurable cultural importance of John Wayne, the cinematic apotheosis of wartime valor and righteousness, whose patriotism was nonetheless deeply compromised by his not having served in World War II. Prats reveals how historical and cultural anxieties emerge in well-known Vietnam movies, in which characters inspired by the heroes of the Second World War are denied the heroic legacy of their fathers. American war movies, in Prats's analysis, were forever altered by the loss in Vietnam. Even movies like American Sniper that exalt war heroes are marked as much by the failure of the heroic tropes of old Hollywood war movies as by the tragic turn of actual historical events. Tracing what Prats calls the "anxiety of legacy" through the films of the World War II and post-Vietnam War periods, this book offers a new way of looking at both the Hollywood war movie and the profound cultural shifts it reflects and refracts.…