Armitage karole (10 risultati)

paperback. Condizione: Very Good. Modest shelfwear to cover, clean pages and sound binding.

paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

paperback. Condizione: Very Good. Condizione sovraccoperta: N/A.

Dance performance invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Hardcover without dustjacket as issued; unpaginated; in English and Japanese; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

1. Auflage. 48 Seiten. OPBd., Quart 30,5 cm x 23 cm, 48 unpaginierte S.; tadellos erhaltenes Exemplar. Hardcover.

Exhibition invite that unfolds to 7 x 10 inches; very good condition; an unmailed copy.

Exhibition Announcement Cards. The original announcement card for a group exhibition titled "Exquisite Corpse Project to Benefit Armitage Gone! Dance" and held at Gasser Grunert Gallery, NYC, October 12 - November 6, [2010]. The project was curated by David Salle and included 201 visual artists and photographers who participated in a series of collaborative drawings. The works were sold to benefit the Armitage Gone! Dance company, founded by Karole Armitage. The card features a work by Enoc Perez, Marilyn Minter, and Tiffany Pollock. Stiff card, printed both sides; 6 x 4 inches. Condition: Fine. Laid-in is the illustrated gallery press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

[2] pp.; 12.8 x 20 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two sided postcard / announcement published in conjunction with dance performances chroeographed by Karole Armitage held at The New Ritz, New York City, May 16-18, [1989]. Sets by Jeff Koons and David Salle. Performances included "The Armitage Ballet," featuring J.S. Bach, Chet Baker, James Brown, Bunraku; "Contempt," featuring Duke Ellington, Bret Easton Ellis "Go Go Ballerina," featuring Jimi Henrix, Jeff Koons, Philip Larkin, Theolonius Monk, Charles Mingus, The Niagaras, Public Enemy, Theresa Russell, David Salle, Shostakovich. Good. Mailed copy with mailing marks and wear. Light rubbing and bumping of corners and yellowing of upper and right side edge of verso. Light rubbing of recto with fingerprint markings and a 2.1 cm. crease. Telephone number corrected in black ink on verso.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…