Lingua: Inglese
Editore: VDM Verlag Dr. Mueller E.K., 2007
ISBN 10: 3836419262 ISBN 13: 9783836419260
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Editore: VDM Verlag Dr. Mueller E.K., 2007
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Da: Phatpocket Limited, Waltham Abbey, HERTS, Regno Unito
EUR 58,85
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Aggiungi al carrelloCondizione: Like New. Used - Like New. Book is new and unread but may have minor shelf wear. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Lingua: Inglese
Editore: VDM Verlag Dr. Mueller E.K., 2007
ISBN 10: 3836419262 ISBN 13: 9783836419260
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Editore: VDM Verlag Dr. Mueller e.K. 2007-09-03, 2007
ISBN 10: 3836419262 ISBN 13: 9783836419260
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Lingua: Inglese
Editore: VDM Verlag Dr. Mueller E.K., 2007
ISBN 10: 3836419262 ISBN 13: 9783836419260
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Da: BennettBooksLtd, Los Angeles, CA, U.S.A.
paperback. Condizione: New. In shrink wrap. Looks like an interesting title!
Condizione: New.
Da: moluna, Greven, Germania
EUR 61,74
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Da: preigu, Osnabrück, Germania
EUR 50,35
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. An enactive approach to digital musical instrument design | Theory, Models, Techniques | Newton Armstrong | Taschenbuch | 192 S. | Englisch | 2012 | AV Akademikerverlag | EAN 9783639412802 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
Da: Mispah books, Redhill, SURRE, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
Editore: Los Angeles Institute of Contemporary Art Riverside, CA, 1977
Da: Specific Object / David Platzker, New York, NY, U.S.A.
60 pp.; 27.7 x 21.1 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; October / November 1977 issue of the periodical "Journal." Edited by Michael Auping. Contents include: "In Memorium: Mitchel David Duggan;" "A Conversation with George Herms," by Susan C. Larsen; "Notes on a Recent Project," by Helen and Newton Harrison; "Some Recent Legislation;" "Book Review," by Richard Armstrong; "A Dialogue with Raul Guerrero," by David Trowbridge; "Crepe de Chine," by Kim MacConnel; "A New-Found Career," by Martha Rosler; "Asians," by Hap Tivey and Melinda Wortz; "For Your Information" "The Visiting Artist," by Peter Plagens. Cover by John Baldessari featuring the artist's personal rubber stamp reading "I SUPPOSE SO." Reference : "John Baldessari Catalogue Raisonné, Volume Six: 2011 - 2019" by Patrick Pardo, Robert Dean, Michael Auping, Philipp Kaiser, David Platzker. New Haven, CT : Yale University Press, 2020, pp. 622. Very Good. Mailed copy with mailing marks and mailing wear and printed address sticker on verso. Edge wear along top edge of verso with a 2 mm. tear. 3 mm. tear to top edge of recto.Light fingerprint and yellow soiling of covers and light creasing near bottom corners of covers. Contents clean and unmarked.
Data di pubblicazione: 2025
Da: True World of Books, Delhi, India
EUR 27,49
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Aggiungi al carrelloLeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1903 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 268 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 268 Language: English.
Lingua: Inglese
Editore: VDM Verlag Dr. Mueller E.K., 2007
ISBN 10: 3836419262 ISBN 13: 9783836419260
Da: PBShop.store US, Wood Dale, IL, U.S.A.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Lingua: Inglese
Editore: VDM Verlag Dr. Mueller E.K., 2007
ISBN 10: 3836419262 ISBN 13: 9783836419260
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Lingua: Inglese
Editore: AV Akademikerverlag Mai 2012, 2012
ISBN 10: 363941280X ISBN 13: 9783639412802
Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germania
EUR 59,00
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Revision with unchanged content. Digital musical instruments bring about new problems and prospects for mu si cal performance. In An enactive approach to digital musical instrument de sign, Newton Armstrong argues that these problems and prospects are theo re tical and philosophical as much as they are technical. Drawing on the en active cognitive science of Francisco Varela and others, as well as the phen omen ology of Martin Heidegger and Maurice Merleau-Ponty, Armstrong out lines a model of interaction based around circular chains of embodied inter de pen dency between performer and instrument, and examines the ways in which technological resistance to human action plays a key role in the in cre men tal acquisition of performative skill. This book is addressed to musicians and artists working with interactive systems, to theorists of new media, and to researchers and designers interested in human factors in computing. 192 pp. Englisch.
Da: moluna, Greven, Germania
EUR 46,32
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Armstrong NewtonIs a composer, performer and theorist working mainly in digital musics. He holds degrees from the University of Melbourne and Princeton University, and currently teaches in the Music Department and Electroacoustic Mus.
Da: Majestic Books, Hounslow, Regno Unito
EUR 94,46
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Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 96,08
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Lingua: Inglese
Editore: AV Akademikerverlag Mai 2012, 2012
ISBN 10: 363941280X ISBN 13: 9783639412802
Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germania
EUR 59,00
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Revision with unchanged content. Digital musical instruments bring about new problems and prospects for musical performance. In An enactive approach to digital musical instrument design, Newton Armstrong argues that these problems and prospects are theoretical and philosophical as much as they are technical. Drawing on the enactive cognitive science of Francisco Varela and others, as well as the phenomenology of Martin Heidegger and Maurice Merleau-Ponty, Armstrong outlines a model of interaction based around circular chains of embodied interdependency between performer and instrument, and examines the ways in which technological resistance to human action plays a key role in the incremental acquisition of performative skill. This book is addressed to musicians and artists working with interactive systems, to theorists of new media, and to researchers and designers interested in human factors in computing.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 192 pp. Englisch.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 59,71
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Revision with unchanged content. Digital musical instruments bring about new problems and prospects for mu si cal performance. In An enactive approach to digital musical instrument de sign, Newton Armstrong argues that these problems and prospects are theo re tical and philosophical as much as they are technical. Drawing on the en active cognitive science of Francisco Varela and others, as well as the phen omen ology of Martin Heidegger and Maurice Merleau-Ponty, Armstrong out lines a model of interaction based around circular chains of embodied inter de pen dency between performer and instrument, and examines the ways in which technological resistance to human action plays a key role in the in cre men tal acquisition of performative skill. This book is addressed to musicians and artists working with interactive systems, to theorists of new media, and to researchers and designers interested in human factors in computing.