Arneson don (3 risultati)
The Karl E. Mundt Historical & Educational Foundation Series No. 15. 18th Dakota History Conference, April 10-12, 1986: Papers.
H. W. Blakely (compiler); William Arneson; Patty R. Styles Warne; Cindy Bilka; Mrs. Don Weiland; John Younger; Helen Svaren; Herb Blakely; Elizabeth E. Williams; Eleanor Kelton Evenson; Penelope Krosch; Nellie Snyder Yost; et al.
Editore: Madison: Dakota State College, 1987
- Rilegato
Da: Books From California, Simi Valley, CA, U.S.A.Books From California
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Buono
EUR 26,61
EUR 4,30 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Good. shows minor wear.
Altre immaginiLingua: Inglese
Editore: GOLD KEY, New York, 1969
- Brossura
- Prima edizione
- Fumetto
Da: OUTSIDER ENTERPRISES, Brockville, ON, CanadaOUTSIDER ENTERPRISES
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 177,02
EUR 19,80 spedizioneSpedito da Canada a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloComic. Condizione: As New. 1st Edition. Comic with Poster - 1st. Print - CGC Graded 8.5 (VF+) Off-White to White Pages - Barnabas Collins pursues a dead man into the past -- to save the Collins family from an avenging spirit. "Chapter 1: Return for Revenge," "Chapter 2: The Seeds of Vengeance" and "Chapter 3: Hope for the Future…" are illustrated by Joe Certa. Front and Back Cover photos of Barnabas Collins. BARNABAS COLLINS (photo covers) : CERTA. JOE (interior art) (illustratore).
- Prima edizione
- Arte / Stampa / Poster
Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 1064,25
EUR 8,61 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloFirst Edition. [African American][Comic] Arneson, Don. Lobo marks a decisive intervention in American popular culture by introducing one of the first African American protagonists to headline his own comic series in 1965, directly within the visual and narrative conventions of the Western genre. Issued during the height of the C…ivil Rights Movement, the comic situates a Black cowboy at the center of frontier mythology, a space historically dominated by white heroic archetypes. Lobo, wrongly accused and pursued as a fugitive, operates as both an outlaw figure and a moral agent, confronting injustice, corruption, and racialized suspicion embedded within the story's premise. The narrative's central conflict, captured in the cover line "Branded for life! An honest man. blamed for a crime he did not commit!", aligns the Western genre's themes of lawlessness and redemption with contemporaneous struggles over racial justice, due process, and representation in American society. Arneson, Don. Lobo. New York: Dell Comics, 1965. First edition. Vol. 1, No. 1, December 1965. Written by Don Arneson and illustrated by Tony Tallarico. Full-color comic book presenting the origin story of Lobo, a Black cowboy framed for a crime and forced into fugitive status, who navigates the American West while defending marginalized individuals and resisting institutional injustice. The cover illustration depicts Lobo in denim attire with a revolver, set against an action-driven Western backdrop and accompanied by a bounty poster emphasizing his criminalization. Interior artwork follows traditional mid-century comic panel structures, combining action sequences with dialogue-driven moral framing. Produced during a period when African American visibility in mass media remained limited and often stereotyped, Lobo contributes to an early shift toward more complex Black representation in genre fiction, preceding later expansions in comic book diversity during the late 1960s and 1970s. Its use of the Western setting is particularly significant, as it reclaims a foundational American mythos by inserting a Black protagonist into narratives of frontier justice and mobility. Minor creasing and light wear at spine, with a 1.5 inch abrasion to the top right corner; otherwise clean and structurally sound. Overall in very good condition. The comic intersects with broader developments in Civil Rights era media, where questions of representation, agency, and narrative authority increasingly entered mainstream publishing.
