Arno schubbach (52 risultati)

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Taschenbuch. Condizione: Neu. Neuware -Die Werke Immanuel Kants prägen philosophische und gesellschaftliche Debatten bis heute. Dies mag überraschen, da Kant der Ruf eines unzugänglichen, trockenen Systematikers vorauseilt. Ein zweiter Blick lässt aber andere Seiten hervortreten: Kant polemisiert gegen die philosophische Tradition, die ihn selbst prägte, lässt sich streitlustig auf Debatten ein und nimmt regen Anteil an aktuellen wissenschaftlichen Entwicklungen seiner Zeit. Seine Philosophie entfaltet sich in diesen Auseinandersetzungen, so dass auch seine drei Kritiken keineswegs bloß ein vorgefasstes System ausführen. Sie lassen vielmehr in beharrlicher Arbeit ein Denken Gestalt annehmen, das seine Prämissen prüft und überdenkt, wenn es notwendig ist. Gerade deshalb sind Kants Texte bis heute ein Anstoß zu philosophieren. 218 pp. Deutsch.…

Taschenbuch. Condizione: Neu. Neuware -Die Werke Immanuel Kants prägen philosophische und gesellschaftliche Debatten bis heute. Dies mag überraschen, da Kant der Ruf eines unzugänglichen, trockenen Systematikers vorauseilt. Ein zweiter Blick lässt aber andere Seiten hervortreten: Kant polemisiert gegen die philosophische Tradition, die ihn selbst prägte, lässt sich streitlustig auf Debatten ein und nimmt regen Anteil an aktuellen wissenschaftlichen Entwicklungen seiner Zeit. Seine Philosophie entfaltet sich in diesen Auseinandersetzungen, so dass auch seine drei Kritiken keineswegs bloß ein vorgefasstes System ausführen. Sie lassen vielmehr in beharrlicher Arbeit ein Denken Gestalt annehmen, das seine Prämissen prüft und überdenkt, wenn es notwendig ist. Gerade deshalb sind Kants Texte bis heute ein Anstoß zu philosophieren. 218 pp. Deutsch.…

Taschenbuch. Condizione: Neu. Neuware -Die Werke Immanuel Kants prägen philosophische und gesellschaftliche Debatten bis heute. Dies mag überraschen, da Kant der Ruf eines unzugänglichen, trockenen Systematikers vorauseilt. Ein zweiter Blick lässt aber andere Seiten hervortreten: Kant polemisiert gegen die philosophische Tradition, die ihn selbst prägte, lässt sich streitlustig auf Debatten ein und nimmt regen Anteil an aktuellen wissenschaftlichen Entwicklungen seiner Zeit. Seine Philosophie entfaltet sich in diesen Auseinandersetzungen, so dass auch seine drei Kritiken keineswegs bloß ein vorgefasstes System ausführen. Sie lassen vielmehr in beharrlicher Arbeit ein Denken Gestalt annehmen, das seine Prämissen prüft und überdenkt, wenn es notwendig ist. Gerade deshalb sind Kants Texte bis heute ein Anstoß zu philosophieren.…

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Condizione: New. Der Band mit Beitraegen aus Literatur-, Kultur-, Theaterwissenschaft und Philosophie widmet sich Praktiken lebendiger Darstellung um 1800 und ihren Diskursen, Institutionen und gesellschaftlichen Kontexten.Das Ideal einer lebendigen Darstellung hat um 1800 i.

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Taschenbuch. Condizione: Neu. Neuware -In the second half of the eighteenth century, the category of the sublime became a central concept of the fledgling field of aesthetics. Originally located at the margins of discourses on rhetoric, it became a source of fascination in literary and artistic production, but quickly proved to be a complicated matter, especially for the visual arts. Artists and philosophers contended with the question of whether the sublime can be depicted at all or whether the events that can cause viewers to experience the sublime can be adequately represented in painting. The contributions of this special issue suggest, however, that the contested visual representability of the sublime might have spurred visual artists to devise innovative, experimental solutions in the eighteenth and nineteenth century. 164 pp. Englisch.…

Taschenbuch. Condizione: Neu. Neuware -In the second half of the eighteenth century, the category of the sublime became a central concept of the fledgling field of aesthetics. Originally located at the margins of discourses on rhetoric, it became a source of fascination in literary and artistic production, but quickly proved to be a complicated matter, especially for the visual arts. Artists and philosophers contended with the question of whether the sublime can be depicted at all or whether the events that can cause viewers to experience the sublime can be adequately represented in painting. The contributions of this special issue suggest, however, that the contested visual representability of the sublime might have spurred visual artists to devise innovative, experimental solutions in the eighteenth and nineteenth century. 164 pp. Englisch.…

Taschenbuch. Condizione: Neu. Neuware -In the second half of the eighteenth century, the category of the sublime became a central concept of the fledgling field of aesthetics. Originally located at the margins of discourses on rhetoric, it became a source of fascination in literary and artistic production, but quickly proved to be a complicated matter, especially for the visual arts. Artists and philosophers contended with the question of whether the sublime can be depicted at all or whether the events that can cause viewers to experience the sublime can be adequately represented in painting. The contributions of this special issue suggest, however, that the contested visual representability of the sublime might have spurred visual artists to devise innovative, experimental solutions in the eighteenth and nineteenth century.…

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Condizione: New. In English.

Taschenbuch. Condizione: Neu. Neuware -In the second half of the eighteenth century, the category of the sublime became a central concept of the fledgling field of aesthetics. Originally located at the margins of discourses on rhetoric, it became a source of fascination in literary and artistic production, but quickly proved to be a complicated matter, especially for the visual arts. Artists and philosophers contended with the question of whether the sublime can be depicted at all or whether the events that can cause viewers to experience the sublime can be adequately represented in painting. The contributions of this special issue suggest, however, that the contested visual representability of the sublime might have spurred visual artists to devise innovative, experimental solutions in the eighteenth and nineteenth century.Meiner Felix Verlag GmbH, Richardstr. 47, 22081 Hamburg 164 pp. Englisch.…

Taschenbuch. Condizione: Neu. Neuware - In the second half of the eighteenth century, the category of the sublime became a central concept of the fledgling field of aesthetics. Originally located at the margins of discourses on rhetoric, it became a source of fascination in literary and artistic production, but quickly proved to be a complicated matter, especially for the visual arts. Artists and philosophers contended with the question of whether the sublime can be depicted at all or whether the events that can cause viewers to experience the sublime can be adequately represented in painting. The contributions of this special issue suggest, however, that the contested visual representability of the sublime might have spurred visual artists to devise innovative, experimental solutions in the eighteenth and nineteenth century.…