arnold lehman (74 risultati)

Hardcover. Condizione: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. Folio in stiff paper covers. Color and B&W illustrations. Condition: minor soiling to back cover; else near fine. 204 pages.

Paperback. Condizione: Very good. Paperback. 119pp. Very good in publisher's wraps.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. - Inspected, Cleaned, Sealed in Shrink Wrap - Sturdy Binding - Clean & Unmarked - Returns Accepted / Refunds Given Inspected, Cleaned & Sealed by me, the proprietor. 1964. Hardcover book with the dust jacket book. It has a sturdy binding. The text part of the book is clean and unmarked. The dust jacket has rubbing light wear to the edge. 516 pp. 9.25" x 6.25". Sealed in Shrink Wrap for protection in storage and shipping. Expertly packed. *PROFESSIONAL BOOKSELLER* I try hard to get the descriptions right, sometimes I make a mistake, therefore, Returns accepted. Refunds given. -Gordon.

Hardcover. Condizione: Used - Very Good. This volume features Winslow Homer's illustrations -- an often overlooked but magnificent body of work by America's most popular nineteenth-century artist.

Soft cover. Condizione: Very Good. Softcover, oblong, 7 3/4 by 12 inches, about 32 pages. Covers have slight edgewear and the pages are clean.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Near Fine hardcover in a Near Fine dust jacket. Overall a bright and attractive copy. Illustrated throughout. 247 pp.

Hardcover. Condizione: Very Good-. Condizione sovraccoperta: Very Good-. 1st Edition (Unstated). 7.25 X 1.25 X 9.5 inches; 247 pages; Stain to exterior edge of pages, minor. Light rubbing (shelf wear) to DJ. Very Good condition otherwise. No other noteworthy defects. No markings.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover. Condizione: Used - Like New. This volume features Winslow Homer's illustrations -- an often overlooked but magnificent body of work by America's most popular nineteenth-century artist. Very nice clean, tight copy free of any marks.

Paperback. Condizione: Fine. First Edition. The Baltimore Museum of Art, 1989. 119 pages; 69 catalogued works; illustrations in b&w and color; chronology; bibliography. An important retrospective exhibition. First Edition. Pictorial Wrapper (softcover). Fine. 4to. Exhibition Catalogue. Language: ENG.

Soft cover. Condizione: Very Fine. Various Artist (illustratore). 1st Edition. 1st. and only printing 1972 , Soft cover in illustrated wraps, unpaginated with black & white images . Condition : Very Fine. Size: 8vo - over 7¾ - 9¾" tall. Book.

Soft cover. Condizione: Very Good. Paperback. Minor wear to wrapper edges, otherwise very good.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

First edition Fine and bright illustrated gatefold wraps with crisp bright text throughout. Beautifully illustrated with many tall full page color illustrations. With informative text.

Hardcover. Condizione: Very Good. Same / next day dispatch (Monday - Friday),

Hardcover. Condizione: Used - Very Good. Alexis Rockman, born in 1962, is a leader among a young generation of artists who have returned to figurative content. Inspired by the natural sciences, he creates perverse yet seductive paintings that explore the intersections between biology and technology, reality and fantasy. Rockman draws inspiration from botanical and zoological illustrations and even Dutch still lifes, achieving bravura painterly effects. The resulting balance of formal and theoretical issues challenges the viewer to respond with both pleasure and terror. Rockman's earliest work deals with natural history in ways that are eerie but believable, culminating in Evolution, a painted diorama 7.5 meters long. His later Biosphere series places mutant animals in outer-space zoos. Rockman's latest work is inspired by a recent trip to Guyana and by late-nineteenth- and early-twentieth-century science expedition narratives. The graphic presentation of this full-color monograph is a tour de force, with reproductions of Rockman's paintings that move beyond their original formats to become new expressions of his beautifully rendered and thought-provoking projects.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. Oversized soft cover book (263 pages) illustrated with color and black and white photographs/reproductions. Light rubbing on covers. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-BS-2-TS-Down-L) rareviewbooks.

Condizione: Good. Good condition. Cover slightly dampstained.

Hardcover with Dust Jacket. Condizione: new.

Hardcover. Condizione: Good. 1st Edition. Hardcover. Green cloth over boards with gilt lettering on spine and blind stamping of leaves on front cover. Ex-library, with associated markings to spine, endpapers, and title page (Library of Congress rubber stamp on front free endpaper amongst them). Covers are clean, with just a bit of bumping to corners. Stamping on spine lightly faded. Binding is strong. Title page not dated. Copyright page dated 1957, stated first edition. With the exception of mentioned library marks, pages are clean and tight. Please email with questions or to request a few photos.

Softcover. Condizione: Near Fine. First Edition :. Quarto in stiff wrappers, tight binding, fresh unmaked pages, covers unworn save for faint bent corner, else VG+ to NFINE. Solid copy. Illustrated throughout in glorious color. Early 20th century Modernism.; 4to 11" - 13" tall.

Hardcover. Condizione: new. Hardcover. Death and bomb threats over an art exhibition! A major battle with the mayor of New York City and the New York Times! Looking back, Arnold Lehman, director of the Brooklyn Museum, and his colleagues were not prepared for what was to happen. No one could have anticipated that SENSATION: Young British Artists from the Saatchi Collection would become the biggest art story in the history of art history. It has taken him two decades to fully absorb and clearly reflect on what happened at the Brooklyn Museum in 1999-2000. The intense controversy swept the exhibition, the museum, and Chris Ofili's The Holy Virgin Mary painting to international attention for six months. While 175,000 people saw the exhibition and millions read and heard about it daily, they never knew of the threats and challenges that kept the museum staff awake at night. Mayor Rudy Giuliani, who never saw the painting, focused his rage at The Holy Virgin Mary; rescinded the museum's municipal funding to force it to close the exhibition; and attempted to evict it from its hundred-year-old landmark. The city's most conservative media and ultra-religious groups inflamed the conflict. SENSATION, selected from controversial collector Charles Saatchi's contemporary British art collection, was first shown at London's Royal Academy in 1997, to an outcry over the portrait of child murderer Myra Hindley. Its opening at the Brooklyn Museum in 1999 drew tabloid headlines such as B'klyn gallery of horror Gruesome museum show, and Butchered animals, a dung-smeared Mary and giant genitalia; The New York Times accused the museum of wrongdoing in high-profile but often false and inaccurate investigative reports, most dismissed earlier by the court. In a story as gripping as a fictional thriller, the mayor and city eventually settled with the museum, awarding it a permanent injunction, the restoration of city money, and substantial funds for its new entrance. AUTHOR: Arnold Lehman is Director Emeritus of the Brooklyn Museum of Art and Senior Advisor at Phillips auction house. 50 illustrations No one could have anticipated that SENSATION: Young British Artists from the Saatchi Collection would become the biggest art story in the history of art history. The intense controversy swept the exhibition, the museum, and Chris Ofili's The Holy Virgin Mary painting to international attention for six months. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. Due to the weight, and/or size, and/or rarity of this book, we will request an additional $4(domestic) to $24 (international) for shipping from you the buyer based on actual shipping costs, after your order is placed through this platform. This will not slow down your shipping time. Thank you for understanding.

Hardback. Condizione: New. Death and bomb threats over an art exhibition! A major battle with the mayor of New York City and the New York Times! Looking back, Arnold Lehman, director of the Brooklyn Museum, and his colleagues were not prepared for what was to happen. No one could have anticipated that SENSATION: Young British Artists from the Saatchi Collection would become the biggest art story in the history of art history. It has taken him two decades to fully absorb and clearly reflect on what happened at the Brooklyn Museum in 1999-2000. The intense controversy swept the exhibition, the museum, and Chris Ofili's The Holy Virgin Mary painting to international attention for six months. While 175,000 people saw the exhibition and millions read and heard about it daily, they never knew of the threats and challenges that kept the museum staff awake at night. Mayor Rudy Giuliani, who never saw the painting, focused his rage at The Holy Virgin Mary; rescinded the museum's municipal funding to force it to close the exhibition; and attempted to evict it from its hundred-year-old landmark. The city's most conservative media and ultra-religious groups inflamed the conflict. SENSATION, selected from controversial collector Charles Saatchi's contemporary British art collection, was first shown at London's Royal Academy in 1997, to an outcry over the portrait of child murderer Myra Hindley. Its opening at the Brooklyn Museum in 1999 drew tabloid headlines such as B'klyn gallery of horror Gruesome museum show, and Butchered animals, a dung-smeared Mary and giant genitalia; The New York Times accused the museum of wrongdoing in high-profile but often false and inaccurate investigative reports, most dismissed earlier by the court. In a story as gripping as a fictional thriller, the mayor and city eventually settled with the museum, awarding it a permanent injunction, the restoration of city money, and substantial funds for its new entrance. AUTHOR: Arnold Lehman is Director Emeritus of the Brooklyn Museum and Senior Advisor at Phillips auction house.