Aronson boris (32 risultati)

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Boris Aronson (illustratore).

Soft cover. Condizione: Very Good. 36 page oblong center stapled softcover exhibition catalog - with illustrations; chronology of life and work and a checklist of designs. Text contributions by Harold Clurman; Garson Kanin, Harold Prince and Elia Kazan. Exhibition was in the Vincent Astor Gallery, NYPL at Lincoln Center March 31 - August 15, 1981. Very good condition - unmarked, tight and clean. …

Hardcover with dustjacket; 322 pages; very good condition; dj lightly ruffled along top edge; no internal marks. Foreign shipping may be extra. Boris Aronson (illustratore).

Paperback. Condizione: Good. Paperback - clean, clean cover, no marks - from private collection - Boris Aronson 1900 - 1980 American scenic designer for Broadway/Yiddish theatre Boris Aronson (October 15, 1898 - November 16, 1980) was a Ukrainian-American scenic designer for Broadway and Yiddish theatre. He won the Tony Award for Scenic Design six times in his career.[1] Borech-Ber Aronsson was born on October 15, 1898 in Kyiv, Kiev Governorate (present-day Ukraine) to Rabbi Shlomo HaCohen Aronson [ru; he]. Aronson enrolled in art school during his youth. Aronson became an apprentice to the designer Aleksandra Ekster, who introduced him to the directors Vsevolod Meyerhold and Alexander Tairov, who influenced him. These three theatre and art veterans were advocates of the Constructivist school in Russia, as opposed to Stanislavski's form of Realism, and they convinced Aronson to embrace the Constructivist style.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Extensively illustrated coffee-table-like book on the stage and set designs of Boris Aronson for the Yiddish theatre and Broadway. The book has sound hinges and does not lean. The previous owner's embossed symbol is located on the book's first page. Pages are clean and bright without toning, marks, creases, stains or wrinkles. Gold lettering and design on the front cover and spine is not rubbed and is bright. There is a tiny spot of discoloration from light exposure where the lower left corner of the front cover and the lower right corner of the spine meet. No bumped corners or rubbing to extremities. The book's dust jacket is not price-clipped and is clean. There is a little crimping at the top and bottom edges of the spine and slight wear to top and bottom edges but no holes, chips or tears. A clear archival sleeve has been put on the dust jacket to keep it looking great. (Note: Photos may show a flash reflection.) PayPal always welcome. We pack all our books with care and ship in cardboard boxes. Shipment outside of the United States will require extra funds for this heavy, oversize volume. Additional photos emailed upon request. P5. Boris Aronson (illustratore).…

hardcover. Condizione: Very Good Minus. Condizione sovraccoperta: Very Good. First Edition. Very good minus first edition in very good price unclipped dust jacket (75.00). Binding is solid. Jacket is nice. Does have a red remainder mark on bottom exterior page edges. We use quality packaging materials (including boxes!) for shipping. Boris Aronson (illustratore).…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. First Edition. Square 4to. 322 pp. Near Fine in Very Good dust jacket. Black cloth with gilt titles to spine. Slightest shelfwear. Light, sporadic foxing to text block without affecting interior. Shelfwear and rubbing to jacket. Boris Aronson (illustratore). …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. A clean unmarked copy in edge creased dust wrapper, thumbnail piece off rear panel; free of remainder or any former owner marking of any kind. Boris Aronson (illustratore).

Paperback. Condizione: Very Good. First. A small bookonly 24 unpaginated pagesserving as the catalog for a small yet important exhibition. Boris Aronson started designing theater sets revolutionary Russia and then Germany, working in the new Constructivist style, before moving to New York in 1923. He started out in the more adventurous Jewish theaters of the city's Lower East Side but by 1932 he was working on Broadway. By the end of his life, in 1980, he had won six Tony Awards for scenic design, had designed sets for not only major theater productions of such plays as "The Crucible," "The Diary of Anne Frank," "Cabaret," and "Fiddler on the Roof," but he had become great friends with the painter Marc Chagall (whose work inspired some of his designs) and worked closely with composer Kurt Weill, director Harold Prince, and dancer/choreographer Mikhail Baryshnikov. New York Times theater critic Frank Rich not only served as curator for this exhibition, he also thought Aronson so important that he co-wrote a biography of him two years before this exhibition of his drawings, paintings, photographs, and models with Aronson's widow, Lisa Jalowetz Aronson. An extended piece by Rich about Aronson also starts off this catalog. Fourteen images of designs appear in this catalog in addition to the design on the cover; eleven of them are in full color and twelve of them are full page. Although this book is new, it does show signs of shelf wear on the front cover, particularly at the spine. There some cosmetic damage to the upper right corner of the cover and faint smudging upper corners of several other pages. However, there is no damage to the images themselvesthey are prinstine. The pages are clean, bright, and besides the staining the the corners, unmarked. No pages are loose or missing. See our photos for details. Aronson, Boris (illustratore). …

Condizione: Good. 4to. 24 pp. Stapled Wraps, Very Good. Illustrated. David Aronson Solo Shows at Lee Nordness Gallery (New York) & Boris Minksi Gallery (Boston). Exhibit brochure present.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Unclipped dust jacket protected by archival mylar. Includes over 600 illustrations, many of them in color. Aronson began as a set designer for the Yiddish theater, and he created sets for the iconic Broadway shows Fiddler on the Roof, Cabaret, Follies, A Little Night Music, and more. Boris Aronson (illustratore).…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. THE THEATRE ART OF BORIS ARONSON. By Frank Rich with Lisa Aronson. First edition, Knopf, NY, 1987. Oblong small folio size book, black clth binding w/DJ in very fine condition. 322-pages of text fine and with much illustration throughout. I'm open to offers on any item priced at $20 or more. Boris Aronson (illustratore).…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Large hardcover in very good condition with very good minus dust jacket. Gift note on front end page to previous owner. Boris Aronson (illustratore).

Hard. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st. First edition. Hard cover in dust jacket. Published NY: Knopf, 1987, first printing. 4to., 12" x 10 3/4", xi+323pp., illustrated with nearly 600 color and b/w photographs. Black cloth with gilt titles. Most theatergoers don't know that the scenic designer for the Broadway musical Fiddler on the Roof got his start in revolutionary Russia's avant-garde. Son of the Grand Rabbi of Kiev, Aronson rejected Russian director Vsevolod Meyerhold's communal theater when he fell under the spell of constructivist set designer Alexandra Exter. Arriving in New York in 1923, Aronson faced the predicament of a cosmopolitan artist confronted with a commercial theater that was in many ways backward. Undaunted, he designed sets for Yiddish theater, then worked for Harold Clurman's Group Theatre on Odets's Awake and Sing. His association with Jerome Robbins and Harold Prince at last gave him a chance to apply Exter's ideas of remaking reality in personal terms by making the set a total environment for the show. Near fine in very good dust jacket. Boris Aronson (illustratore).…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. FIRST. A FINE FIRST IN DJ. Boris Aronson (illustratore).

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed. Boris Aronson (illustratore).

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title. Boris Aronson (illustratore).

hardcover. Condizione: new. Boris Aronson (illustratore).

Hardcover. Condizione: Very Good. 1st Edition. Out of print and uncommon book on the work of Boris Aronson, 160 pgs with really lovely high quality color reproductions and text in French. Comes with a beautifully illustrated invitation postcard to events around the publication in NYC. Overall a very nice copy. Binding sturdy, solid, sound. Interior is bright and clean and free of marks. Issued without DJ, the printed boards have a few visible scuffs and scratches, particularly to the rear board, which has one far more pronounced but very thin scratch. Otherwise generally a very attractive copy.…

Oversize cloth with Dustjacket. First Edition. Tremendous book on the great theatrical set designer told through extensive text and over 600 photos, sketches, designs with many in color. Includes chron. co-written by his widow. The book is huge and heavy and requires additional postage. This is a fine copy in a near fine dustjacket. A unique book. Boris Aronson (illustratore). Book.…

Soft cover. Condizione: Very Good. Condizione sovraccoperta: No Jacket, As Issued. 1st. First edition. Softcover exhibition catalog. Published NY: Katonah Gallery, 1989. Oblong 4to. wrappers, 11 1/16" x 8 1/2", (unpaginated) 24pp., illustrated with color and b/w reproductions. "Boris Aronson designed his first Broadway set in 1932 (for ''Walk a Little Faster'') and subsequently designed the sets for more than 100 productions, including ''Fiddler on the Roof'' and ''Cabaret.'' Minor bump crease to top corner of front cover, slight cover scuff at edges, else very good plus, clean, bright, unmarked.…

Hardcover. Dust Jacket Included. oblong 4to. pp. xi, 322, [2]. profusely illus. (many colour). biblio. index. cloth. dw. First Edition. Boris Aronson (illustratore).

Paperback. Condizione: Very good. Paperback Octavo. wraps with folds, 140 pp.

Paperback. Condizione: New.

Softcover. Condizione: Near Fine. First edition. Slim oblong quarto. Illustrated. Light wear, near fine. With a sticky note affixed to the title page, sending the book along. The note is addressed to "Gar," likely writer and director Garson Kanin. Laid in is a nicely produced invitation to the opening reception. The exhibition was also shown at the Harvard Theatre Collection.…

Galerie Le Miniature, Paris & Tel Aviv 2010. 4to. 159 pages. Illustrated in colours. Orig. black boards. Light shelfwear. Near fine-. * In French, English and German.

Hard Cover. Condizione sovraccoperta: Very Good. First Edition. HBDJ, stated 1st edition, 1955, Beige Photographic Cover with Green & Gold Gilt, Interior Nice, Tight Clean, 154 pgs, NF/NF.

dj. First Edition. Oblong Quarto. Cloth boards in dust jacket; xi, 322pp. Illus. in color and b&w throughout. Mild age toning to margins of textblock, faint rubbing to bottom edge of boards, else a tight, clean, unmarked copy. Jacket showing minor shelf wear, including a few superficial scratches and two small closed tears to rear cover. Very Good.…

Magazine. Twelve issue run of volume 21, 8x9.75 inches, articles, plays, reviews, interviews, photos, scene designs, ads, lightly worn and toned theatre magazines in stapled printed wraps. Burgess Meredith seems to have been in everything in 1937! Also: Gielgud on Stanislavski, Katherine Cornel and Ina Claire on Acting. Fred Astaire on stage and in films. Censorship. Circus. Films, Television. French National Theatre. A Letter to Garbo. The Lunts Rehearse.…

Hardcover. Condizione: fair. 4to. 3pp. Original green quarter cloth over grayish powder blue paper covered boards with printed cover plate. Printers symbol on title page. Contains 21 prints of early Chagall paintings and drawings. Text in Yiddish. Pencil marks and child's drawings on inside front and back covers, not affecting text. Sunning, age wear and scuffing on boards. Boards slightly bowed and starting. Corners bumped. A number of torn pages. Overall in fair condition. Boris Aronson was a Russian-American set designer, who worked both in Yiddish theater and Broadway, where he won numerous Tony Awards. Writing on the cover; possibly "Moshe" (the name of the owner of the book?) Inside page: "Sarah Beckerman.".…