Arthur penn director (29 risultati)

Program. Condizione: Very Good. 1st Edition. Offered is an original, two-page (front and rear) Advance Screening Program for the film "Four Friends" (Directed by Arthur Penn; the Cast includes Craig Wasson, Jodi Thelen, and Jim Metzler) from Filmways Pictures and printed in 1981, the year the film was released. A quality, glossy program printed on medium stock measuring 8-1/2" by 11". The verso contains a list of The Cast and Credits (there are no photos). Lightly age-yellowed; light wear in places.…

Soft cover. Condizione: Near Fine. Great booklet about the play in NEAR FINE excellent condition. Bright, clean,tight,square.No writings, no marks. Shelf 461 - PHOTOS POSTED WITH OUR BOOKS ARE STOCK AND DO NOT NECESSARILY REFLECT CONDITION OR EDITION OF BOOK OFFERED FOR SALE. WE DO NOT POST THE PHOTOS.…

Vintage black-and-white studio still photograph from the 1975 film. One of the great and still unheralded neo-noirs of the 1970s, and along with "The Conversation" (1974), one of Gene Hackman's finest performances. Arthur Penn's unusual career as a director began with "Mickey One" (1965), "The Chase" (1966), and "Bonnie and Clyde" (1967), three films that amounted to the dynamite under the bridge that was the remnants of the Hollywood studio system, heralding the start of the New American Cinema. Set in California and Florida, shot on location in California and Florida. 10 x 8 inches. Near Fine. Grant, p. 459. Hardy, p. 243. Silver, p. 432. Spicer, p. 433.…

Trade Paperback. 16 pages. B/W illustrations. Film starring Marlon Brando, Jane Fonda, Robert Redford, E. G. Marshall, Angie Dickinson, et al. 11 x 17 inches. First edition (first printing). A near fine copy. With 4 page, 11 x 14 inch, 'Pressbook Insert,' with B/W illustartions.

Soft cover. Condizione: Very Good. Single sheet 12" x 9" folded to make four sides. Synopsis, cast and credits. With copious notes, a few in text and front cover but mostly to rear cover by film critic and writer Joel W.Finler from who collection this came. Together with another copy without notes. Both copies lightly marked, the copy without notes has a small scuffed spot to rear. …

Cartoné (Tapa dura). Condizione: Muy Bien. Sin cubierta. Materia: Peliculas. Características físicas: En muy buen estado. Ubicación: R19B2-36. LIBRO.

Vintage studio still photograph of Martha Hyer from the 1966 film. An underrated, key film for director Penn, something of an intellectual thriller, made between two better known films, "Mickey One" (1965) and "Bonnie and Clyde" (1967). Also, very much an acting tour de force, with early performances by Robert Duvall, Jane Fonda, and Robert Redford, and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio, coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. Set in Texas, shot on location in California (Calabasas and Chico). 8 x 10 inches. Near Fine with faint toning and light creating at the extremities. Spicer US. Twilight Time.…

Three vintage black-and-white studio still photographs from the 1965 film. Featuring images of Warren Beatty and Alexandra Stewart. Some say that the New Hollywood era began with "Bonnie and Clyde" in 1967, others say "Mickey One" in 1965. Either way you look at it, the director was Arthur Penn. Beatty was not only the muse for Penn's avant-garde tale of a comic who runs afoul of the mob, but also the crazed youngster who would get Penn assigned to Bonnie and Clyde and initiate the second golden age of cinema. Stan Getz laid improvisations onto the progressive and somewhat classical score for the film, against the backdrop of a full orchestra. Set in Chicago, and shot on location there. 8 x 10 inches. CONDITION. …

Vintage film still photograph of Warren Beatty and Faye Dunaway from the 1967 film, with layout annotations in the margins, and layout annotations on the verso. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex and humor, and a glamourous take on disaffected youth. Its portrayal of violence and ambiguity in regard to moral values, and 'shock' ending, divided critics. One critic, Pauline Kael, came to its rescue, stating that "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Winner of two Academy Awards for Best Cinematography and Best Supporting Actress, nominated for eight others including Best Picture, Best Director, Best Screenplay, Best Actor, Best Actress, and Best Supporting Actor. Selected for the National Film Registry in 1992. Shot on location in Texas and California. 10 x 8 inches. Very Good plus. National Film Registry. Ebert I. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Spicer US.…

Vintage black-and-white reference photograph from the US release of the 1966 film noir. An underrated, key film for director Penn, something of an intellectual thriller, made between two better known films, "Mickey One" (1965) and "Bonnie and Clyde" (1967). Also, very much an acting tour de force, with early performances by Robert Duvall, Jane Fonda, and Robert Redford, and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio, coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. A story set in Texas, shot partially on location there. 8 x 10 inches. Near Fine. Spicer US. …

Complete set of 8 vintage color studio still photographs from the 1976 film. 8 x 10 inches. Fine.

Revised Draft script for the 1981 film. Included is a second script, a revised draft in wrappers containing the latest revisions, and two shooting schedules, one detailing shooting dates beginning Week Three, and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo (Wason), Georgia (Thelen), David (Huddleston), and Tom (Metzler) are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo, the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. Shot on location in Indiana, Illinois, and Pennsylvania. One of director Penn's final and lesser known films, after "The Missouri Breaks" (1976) and before "Target" (1985). First script without wrappers or title page, a rainbow copy with several sets of revision pages (pink, yellow, goldenrod, blue, gray, green), dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers, with no title page, a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall.…

Vintage script for the 1960 play, which premiered on November 30, 1960, at the Belasco Theater, running for 333 performances before closing on September 15, 1961. Based on James Agee's Pulitzer Prize-winning 1957 novel "A Death in the Family," about two families in Tennessee whose lives are affected by the sudden death of the patriarch in an automobile accident. Winner of the Pulitzer Prize for Drama, and nominated for five Tony Awards, winning one for Best Actress for Colleen Dewhurst. Set in Knoxville in 1915. Maroon titled wrappers. Title page present, dated 10 October 1960, with credits for novelist James Agee and playwright Tad Mosel. 99 leaves, with last page of text numbered III-22. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with three silver brads.…

Vintage photograph on Jane Fonda taking a peek through a camera during shooting on the set of the 1966 film. With a Columbia Pictures stamp on the verso. Based on the 1952 Broadway play by Horton Foote, about a small town sheriff on the look out for an escaped prisoner he believes is innocent, while the townspeople whip themselves into a vigilante frenzy. 8 x 10 inches. Near Fine. Spicer US. Twilight Time 242.…

Vintage studio photograph from the 1962 film, showing director Arthur Penn in thoughtful consultation with producer Fred Coe. Winner of both Best Actress and Best Supporting Actress Academy awards, for Bancroft and Duke respectively, and nominated for three others, including Best Director for Penn and Best Adapted Screenplay for Gibson, working from his Tony Award winning play. 10 x 8 inches. Near Fine.…

Seven vintage studio photographs from the 1962 film. Winner of both Best Actress and Best Supporting Actress Academy awards, for Bancroft and Duke respectively, and nominated for three others, including Best Director for Penn and Best Adapted Screenplay for Gibson, working from his Tony Award winning play. 10 x 8 inches. Very Good plus overall. A few photographs lightly creased, one with a dampstain to the top edge.…

Vintage photograph of Sammy Davis Jr. and dancer Lola Falana in Davis' dressing room following the June 4, 1968 performance of the musical at the London Palladium. Provenance sticker and a mimeo snipe printed on the verso. Based on the 1937 play by Clifford Odets, the 1964-1966 Broadway musical, directed by Arthur Penn, opened on October 20, 1964 at the Majestic Theatre and ran for 568 performances. The role was reprised by Davis for the 1968 West End production at the London Palladium, seen in the photograph found here, and was the first musical to play the theatre. 6.5 x 8.5 inches. Very Good plus, with a 1/2 inch closed tear to the top left, repaired with cello tape on the verso. …

Vintage studio still photograph from the 1975 film, showing actress Melanie Griffith. Annotations in manuscript ink on the verso. One of the great and still unheralded neo-noirs of the 1970s, and along with "The Conversation" (1974), one of Gene Hackman's finest performances. Arthur Penn's unusual career as a director began with "Mickey One" (1965), "The Chase" (1966), and "Bonnie and Clyde" (1967), three films that amounted to the dynamite under the bridge that was the remnants of the Hollywood studio system, heralding the start of the New American Cinema. 10 x 8 inches. Near Fine. Ebert IV. Grant US. Hardy 243. Rosenbaum 1000. Silver and Ward Neo-Noir. Spicer US Neo-Noir.…

Vintage oversize borderless reference photograph from the 1985 film, showing director Arthur Penn sitting on the set during filming on location. Mimeo snipe on the verso in French and English. A middle-aged man with old ties to the CIA searches for his missing wife in Europe, aided by his adult son. Penn's first film shot outside of the US. Shot in Dallas and Corpus Christi in the US, and in Paris, Berlin, and Hamburg. 12 x 8 inches. Near Fine. …

Two vintage studio still photographs from the 1969 film, both showing Tina Chen and Arlo Guthrie. Based on Guthrie's 1967 folk protest song, a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 10 x 8 inches. Near Fine.…

Vintage oversize borderless double weight reference photograph of Faye Dunaway, Warren Beatty, and Michael J. Pollard from the 1967 film. With a German address stamp to the verso. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex, and humor, and a glamourous take on disaffected youth. Its moral ambiguity and bloody ending divided audiences, leading critic Pauline Kael to come to its rescue: "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Nominated for eight Academy Awards, winning two for Best Cinematography and Best Supporting Actress for Estelle Parsons. Shot on location in Texas and California. 11.75 x 9.25 inches. Very Good plus, with lightly bumped corners and faint soil to the verso. Rosenbaum 1000. Ebert I. Scorsese, A Personal Journey Through American Movies. Penzler 101. Spicer US. Grant US. …

Vintage borderless reference photograph of director Arthur Penn and actress Alexandra Stewart on the set of the 1965 film. From the archive of film historian and author Joel Finler. After angering the Mafia, a stand-up comedian (Warren Beatty) finds himself on the run, taking on an alias and heading to Chicago. The film received spotty reviews upon release, but has since been reconsidered as a cult classic, heavily influenced by the New Wave and presaging Penn and Beatty's collaboration in "Bonnie and Clyde" two years later. Grant US. Spicer US.…

Vintage reference photograph from the 1967 film, showing Faye Dunaway shooting through a hanging tire swing, with a smiling Warren Beatty looking on. Warner-Pathe stamp on the verso, along with annotations in manuscript ink and pencil. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex and humor, and a glamourous take on disaffected youth. Its portrayal of violence and ambiguity in regard to moral values, and 'shock' ending, divided critics. One critic, Pauline Kael, came to its rescue, stating that "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Winner of two Academy Awards for Best Cinematography and Best Supporting Actress, nominated for eight others. Shot on location in Texas and California. 8 x 10 inches. Very Good plus. National Film Registry. Ebert I. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Spicer US.…

Vintage matte-finish double weight borderless reference photograph of director Arthur Penn talking with actress Jane Fonda on the set of the 1966 film. With a Columbia Pictures stamp on the verso, along with a provenance stamp. Based on the 1952 Broadway play by Horton Foote, about a small-town sheriff on the lookout for an escaped prisoner he believes is innocent, while the townspeople whip themselves into a vigilante frenzy. 8 x 10 inches. Near Fine. Spicer US. Twilight Time 242.…

Vintage double weight reference photograph from the 1967 film, showing director Arthur Penn with a camera crew, capturing an outdoor scene with Faye Dunaway and Warren Beatty. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex and humor, and a glamourous take on disaffected youth. Its portrayal of violence and ambiguity in regard to moral values, and 'shock' ending, divided critics. One critic, Pauline Kael, came to its rescue, stating that "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Winner of two Academy Awards for Best Cinematography and Best Supporting Actress, nominated for eight others. Shot on location in Texas and California. 10 x 8 inches. Near Fine. National Film Registry. Ebert I. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Spicer US.…

Vintage double weight narrow margin matte finish promotional press photograph of Henry Fonda and Anne Bancroft from the 1958 play, by photographer Howell Conant. Three "Two for the Seesaw," and one "Photo by Howell Conant" stamps on verso. "Two for the Seesaw" opened on January 16, 1958 at the Booth Theatre for a highly successful run of 750 performances, closing on October 31, 1959. The play was an unexpected hit, marking the debut of three exceptional talents, playwright William Gibson, actor Anne Bancroft, and director Arthur Penn (who was nominated for a Tony Award). The following year, the three would go on to write, star, and direct, respectively, the 1959 Tony Award winning play "The Miracle Worker," as well as subsequently adapting it for the 1962 Academy Award Winning film. Jerry Ryan (Fonda) leaves his wife and law career in Nebraska and moves to New York, where he meets struggling dancer Gittel Mosca (Bancroft), beginning a precarious relationship. In 1962 it was made into an Academy Award winning motion picture, directed by Robert Wise and starring Robert Mitchum and Shirley MacLaine. In 1973 it was adapted into a musical, with a book by Michael Bennett, music by Cy Coleman, and lyrics by Dorothy Fields. 8 x 10 inches. Very light creasing in two corners, else Near Fine.…

Archive of 339 contact sheets, comprising over 6750 studio still and on-the-set images from renowned still photographer Muky, from the 1969 film. The archive is bound in two three-ring binders, each labeled with the title, "Directed by Arthur Penn," and "Still Photographs by Muky," with the binders labeled "Volume 1" and "Volume 2" on the spine, respectively. The contact sheets in the archive are nearly all mounted back-to-back, and affixed to the left edge with binders tape, each with a three-hole punch to the binders tape. Muky, born Menyhert Munkacsi, was a renowned photographer for over 60 years, and one of the foremost still photographers in the movie industry for over 25 years. Beginning as a photographer for theatrical productions in Budapest, Hungary, Muky was hired by Warner Brothers in the mid 1930s. By the 1950's Muky was one of Hollywood's most well respected still photographers. After relocating to New York in the mid 1950s, Muky became perhaps the best known film still photographer in New York. Among the films on which Muky worked include: "12 Angry Men" (1957), "The Apartment" (1960), "The Miracle Worker" (1962), "Midnight Cowboy" (1969), and "Dog Day Afternoon" (1975). Based on Guthrie's 1967 folk protest song, a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 339 Contact Sheets, 8.5 x 10 inches, all but eleven mounted back-to-back. Near Fine overall. Two Binders, 11 x 11.5 x 3.25 inches. Very Good plus, with light overall rubbing.…

Five vintage borderless reference photographs taken on the set of the 1969 film. Included are: (1) a shot of Arlo Guthrie on a motorcycle next to Michael McLanahan, (2) a shot of director Arthur Penn, producer Hillard Elkins and another crew member on motorcycles, (3) a shot of McLanahan, Penn, and actress Patricia Quinn working on a scene, (4) Guthrie with Quinn, and (5) Guthrie with a donkey and members of the cast. Based on Arlo Guthrie's 1967 folk protest song, a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 10 x 8 inches. Near Fine.…

Pas de couverture. Condizione: Bon. Rare - Nice authentic photo signed in person in Cannes in 1996. Size : 12.5x17.5 cm. Condition : please see scans. Provenance : Georges Flour (1945-2013) collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.