Lingua: Inglese
Editore: University of California Press, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Lingua: Inglese
Editore: University of California Press, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Lingua: Inglese
Editore: CreateSpace Independent Publishi, 2015
ISBN 10: 1507607830 ISBN 13: 9781507607831
Da: Books From California, Simi Valley, CA, U.S.A.
paperback. Condizione: Very Good.
Lingua: Inglese
Editore: University of Rochester Press, 2004
ISBN 10: 1580461433 ISBN 13: 9781580461436
Da: The Enigmatic Reader, Los Angeles, CA, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. Ex-library.
Editore: American Record Guide, Cincinnati, Ohio, 1995
Da: Cameron-Wolfe Booksellers, Taos, NM, U.S.A.
Large Softcover. Condizione: Very Good Plus. The definitive journal offering reviews of classical recordings and music in concert. Highlights include Boulez 70th birthday concert (Chicago); Hermann Michael, conductor (Seattle Opera); Troy Concert Hall (Troy, NY); New World Symphony (Miami); Aspen Summer Festival; "Mostly Mozart" Festival; American Composers Overview; summer music festivals. CONTENTS: ***See accompanying scan image of the Table of Contents.*** 288 pages. CONDITION: A bright, solid, square, unmarked Very Good Plus to Near Fine copy with light shelf-wear, compromised only by a small bump-scuff on an outer corner and a vertical crease along the pre-scored line adjacent to the front spine edge. The interior is pristine. This attractive copy now in a clear, protective polypropylene bag.
Editore: American Musiological Society, Philadelphia, 1995
Da: Cat's Cradle Books, Archdale, NC, U.S.A.
Softcover. Condizione: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Contents: van Orden, Sexual discourse in the Parisian chanson: a libidinous aviary. Magee, Revisiting Fletcher Henderson's "Copenhagen." Ashby, On Modell-Typen and Reihenformen: Berrg, Schoenberg, F. H. Klein, and the concept of row derivation. ; 9.25" tall; 168 pages.
Lingua: Inglese
Editore: University of California Press, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Da: GoldBooks, Denver, CO, U.S.A.
Paperback. Condizione: new. New Copy. Customer Service Guaranteed.
Condizione: As New. Unread book in perfect condition.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Condizione: New.
Lingua: Inglese
Editore: Rowman & Littlefield Publishers 6/15/2024, 2024
ISBN 10: 153819886X ISBN 13: 9781538198865
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Experiencing Mahler: A Listener's Companion. Book.
Da: Prometei Books, New Rochelle, NY, U.S.A.
Soft cover. Condizione: New. New book, never read. Pages clean and crisp, spine unbroken. 0223A.
Lingua: Inglese
Editore: Oxford University Press, Incorporated, 2013
ISBN 10: 0199827354 ISBN 13: 9780199827350
Da: Better World Books Ltd, Dunfermline, Regno Unito
EUR 25,65
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 36,04
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 37,08
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: University of California Press, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 38,22
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
EUR 35,51
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: University of California Press 6/7/2010, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Absolute Music, Mechanical Reproduction. Book.
Lingua: Inglese
Editore: University of California Press, US, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
EUR 41,73
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Recordings are now the primary way we hear classical music, especially the more abstract styles of 'absolute' instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart of the issue. This erudite yet concise study reveals how mechanical reproduction has transformed classical musical culture and the very act of listening, breaking down aesthetic and generational barriers and mixing classical music into the soundtrack of everyday life.
Lingua: Inglese
Editore: Rowman & Littlefield Publishers, 2020
ISBN 10: 1538104865 ISBN 13: 9781538104866
Da: B-Line Books, Amherst, NS, Canada
EUR 30,05
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Fine. Stiff unmarked book in illustrated boards; about new. ; 6.37 X 0.99 X 9.34 inches; 272 pages.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, US, 2010
ISBN 10: 1580463754 ISBN 13: 9781580463751
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
EUR 42,07
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. An exploration of the meaning and reception of "modernist" music.The debate over modernist music has continued for almost a century: from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartók, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists inthat they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts-- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of "educated listening" to modernist works: the notion that a person can appreciate "difficult" music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is Associate Professor of Music at the Ohio State University.
EUR 28,50
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In.
Lingua: Inglese
Editore: University of California Press, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 42,48
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 28,11
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New.
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 36,78
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 45,66
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Oxford University Press Inc, US, 2013
ISBN 10: 0199827354 ISBN 13: 9780199827350
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 48,00
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Illustrated. Movies have never been the same since MTV. While the classic symphonic film score promised direct insight into a character's mind, the expanded role of popular music has made more ambiguous the question of when, if ever, we are allowed to see or share a character's emotions. As a result, the potential for irony and ambiguity has multiplied exponentially, and characterization and narrative capacities have fragmented. At the most basic level, this new aesthetic has required filmgoers to renegotiate some of their most basic instinctual connections with the human voice and with any sense of a filmmaking self. Music videos widened the creative vocabulary of filmmaking: they increased speeds of event in cinema and deflecting filmmakers from narrative, characterization, and storytelling toward a concentration on situation, feeling, mood, and time. Popular Music and the New Auteur charts the impact of music videos on seven visionary directors: Martin Scorsese, Sofia Coppola, David Lynch, Wong Kar-Wai, the Coen brothers, Quentin Tarantino, and Wes Anderson. Ashby and his contributors define these filmmakers' relation to the soundtrack as their key authorial gesture. These filmmakers demonstrate a fresh kind of cinematic musicality by writing against music rather than against script, and allowing pop songs a determining role in narrative and imagery. Featuring important new theoretical work by some of the most stimulating and provocative writers in the area today, Popular Music and the New Auteur will be required reading for all who study film music and sound. It will also be particularly relevant for readers in popular music studies, and its intervention in the ongoing debate on auteurism will make it necessary reading in film studies.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 45,92
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.